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	<title>Comments on: Erechtheion fragment returns to Greece</title>
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	<description>Elgin Marbles (Parthenon Marbles or Sculptures)</description>
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		<title>By: Iconoclasm &#187; Tales of Repatriation</title>
		<link>http://www.elginism.com/20061109/582/comment-page-1/#comment-3029</link>
		<dc:creator>Iconoclasm &#187; Tales of Repatriation</dc:creator>
		<pubDate>Sun, 22 Jul 2007 13:27:20 +0000</pubDate>
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		<description>[...] The first is a small marble fragment from the famous Erechtheion on the Athenian Acropolis. This temple was a lot smaller than the Parthenon, but its price of construction was much higher (which we know because of the survival of the building accounts on marble slabs). The high price tag was due the intricate details in the temple&#8217;s decoration and the expensive materials used for its construction. The small fragment was returned by Birgit Wiger-Angner of Sweden, whose family had acquired it in 1896. The return ceremony last year was attended by the Greek Minister of Culture. The exhibition of the fragment in the very last room of the Acropolis Museum (see picture on the right) with the Caryatids sends a powerful message to visitors about the stewardship of these monuments so important to Greek identity. Certainly it is meant to cause visiting Brits to (re-)consider their position on the display of the Parthenon sculptures in the British Museum - or indeed visiting Danes. There are two heads from the Parthenon metopes exhibited in the Copenhagen National Museum, acquired in a similar manner to the Swedish fragment (although at an earlier date). I expect the fragment to be displayed in a similarly prominent location, when the new Acropolis Museum opens later this year. The text accompanying the small exhibit is, however, rather sober. It is the fragment itself that does the talking. [...]</description>
		<content:encoded><![CDATA[<p>[...] The first is a small marble fragment from the famous Erechtheion on the Athenian Acropolis. This temple was a lot smaller than the Parthenon, but its price of construction was much higher (which we know because of the survival of the building accounts on marble slabs). The high price tag was due the intricate details in the temple&#8217;s decoration and the expensive materials used for its construction. The small fragment was returned by Birgit Wiger-Angner of Sweden, whose family had acquired it in 1896. The return ceremony last year was attended by the Greek Minister of Culture. The exhibition of the fragment in the very last room of the Acropolis Museum (see picture on the right) with the Caryatids sends a powerful message to visitors about the stewardship of these monuments so important to Greek identity. Certainly it is meant to cause visiting Brits to (re-)consider their position on the display of the Parthenon sculptures in the British Museum &#8211; or indeed visiting Danes. There are two heads from the Parthenon metopes exhibited in the Copenhagen National Museum, acquired in a similar manner to the Swedish fragment (although at an earlier date). I expect the fragment to be displayed in a similarly prominent location, when the new Acropolis Museum opens later this year. The text accompanying the small exhibit is, however, rather sober. It is the fragment itself that does the talking. [...]</p>
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