Bernard Tschumi, one of the two designers of the New Acropolis Museum (along with Michael Photiadis) is to give a talk this coming Tuesday at the RIBA in London on the New Acropolis Museum. Tickets must be booked in advance as space is limited. There is also a second talk for students on the morning of the day after.

From:
Hellenic Foundation for Culture

New Acropolis Museum: The London Preview
Events organized by the HFC in UK and
the Royal Institute of British Architects
2 & 3 December 2008, Jarvis Hall – RIBA,
London

The Hellenic Foundation for Culture and the Royal Institute of British Architects (RIBA) present the London preview of the New Acropolis Museum, scheduled to open in Spring 2009, on 2 & 3 December 2008, at RIBA’s Jarvis Hall in London. The events are organized under the auspices of the Greek Ministry of Culture with the support of the Organisation for Construction of the New Acropolis Museum.
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Ever since the fall of Iraq, the lawless nature of much of the country has led to unchecked looting of many of the world’s most significant ancient sites & museums. There have been notable efforts to recover artefacts though & seizures such as this let collectors & dealers know that such actions will not be tolerated.

From:
The National (UAE)

Iraqi antiquities seized in Dubai
Gregor McClenaghan
Last Updated: November 25. 2008 10:05PM UAE / November 25. 2008 6:05PM GMT

DUBAI – Customs officers have seized more than 100 looted Iraqi antiquities and artefacts as they were being smuggled through the emirate.

The objects, believed to be between 5,000 and 1,000 years old, will be displayed to the press today but officials declined to indicate beforehand how they were intercepted.
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Sharon Waxman’s new book looks at both sides of the arguments over looted artefacts held in museums. Museums come up with increasingly tenuous arguments to justify their positions – but public mood is shifting in favour of making sensible agreements to repatriate artefacts with source nations.

From:
Los Angeles Times

BOOK REVIEW
‘Loot: The Battle Over the Stolen Treasures of the Ancient World’ by Sharon Waxman
As museums battle nations of artifacts’ origin, the author weighs both sides in a sane manner.
By Wendy Smith
November 25, 2008

Journalist Sharon Waxman’s “Loot,” a cogent survey of the conflict over classical antiquities, is notable for its common sense, a rare quality in a debate generally characterized by high-pitched rhetoric. As Italy, Greece, Egypt and Turkey attempt to reclaim ancient artworks, their government officials depict Western museums as predatory institutions working hand-in-glove with tomb robbers, crooked dealers and shady collectors to strip vulnerable nations of their patrimony. In response, the beleaguered directors and curators of the Louvre, the British Museum, the Metropolitan Museum and the J. Paul Getty Museum proclaim that they are repositories of universal culture, the places best qualified to conserve masterpieces that, if returned to their countries of origin, would languish in institutions that no one visits.
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For many years, Museums sat comfortably in the knowledge that despite turning a blind eye to the looted antiquities in their collections, the law was on their side & successful prosecutions were rare, even in relatively clear cut cases. In the past three or four years though, a constantly evolving situation has begun to shift far more rapidly.

So far, Italy has taken the lead role in spearheading the wave of restitutions, but other countries are carefully watching & learning.

From:
Cleveland.com

Analysis: Museums often pay the price for looted antiquities
by Steven Litt/Plain Dealer Art Critic
Sunday November 23, 2008, 6:30 AM

On Sept. 13, 1995, Swiss and Italian police raided a suite of offices in a warehouse on the southwest side of Geneva rented by Italian antiquities dealer Giacomo de Medici.

Behind the gray metal door of Room 23, on Corridor 17, they found shelves packed with looted vases, statues, bronzes, frescoes, mosaics and jewelry.
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More coverage of Ethiopia’s request addressed to many of Britain’s leading museums, for the return of stolen treasures, seized from the country in 1868.

From:
The Independent

Ethiopia demands stolen crown back
By Andrew Johnson
Sunday, 23 November 2008

President writes to British museums to call for return of more than 400 treasures looted in 1868

Ethiopia is demanding that Britain’s museums return some of its most significant religious treasures. President Girma Wolde-Giorgis has personally intervened in a dispute to get the artefacts, including the Ethiopian royal crown, returned home 140 years after they were “looted” by marauding British troops.
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Ethiopian president Girma Wolde-Giogis has requested of various leading museums in Britain, that they return artefacts that were looted from his country.

From:
Daily Telegraph

Ethiopian president demands return of ‘looted’ treasures held in British museums
By Stephen Adams, Arts Correspondent
Last Updated: 2:25PM GMT 23 Nov 2008

The president of Ethiopia has written to Britain’s leading museums to demand they return treasures he claims were “looted” in the 19th century.

President Girma Wolde-Giogis wants a number of pieces returned including an 18-carat gold royal crown.
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More coverage of the return of a looted Byzantine icon to Greece following successful legal action earlier this year.

From:
Artinfo

Britain Returns Stolen Byzantine Icon to Greece
Published: November 20, 2008

ATHENS—Britain has returned a 14th-century Byzantine icon painting stolen from a Greek monastery 30 years ago, BBC News reports. The painting, which is valued at £1 million ($1.4 million), depicts Jesus being lowered from the cross. It was commissioned 700 years ago for the St. John the Baptist monastery in Serres, in northern Greece, and hung there until 1978, when thieves cut it into six pieces and smuggled it out of the country.

In 2002, British police recovered the icon after it was offered for sale by a London-based Greek art collector. The seller failed to provide proof of ownership, prompting the High Court in London to order the painting’s return. An appeal by the seller was dismissed.
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More coverage on the return of a religious icon to Greece – after a thirty year battle. As expected, the British Museum feels the need to disassociate any return from the Elgin Marbles debate.

From:
The Guardian

After 30 years, Greece welcomes back stolen icon
Detective work and British judges close case of missing Byzantine masterpiece
Helena Smith in Athens
guardian.co.uk, Thursday November 20 2008 00.01 GMT
The Guardian, Thursday November 20 2008

A stolen icon, considered one of the finest examples of Byzantine art, was back in Greece yesterday after decades of police work, diplomacy and, finally, a key ruling by the high court in London.

The recovery of the piece, believed to have been painted by a master iconographer in the 14th century and depicting the removal of Christ’s body from the cross, came 30 years after it was stolen from a monastery in northern Greece.
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A religious icon stolen 30 years ago from a Greek monastery has been returned following a British court ruling earlier this year. I’m mused to see the use of the word Elginism at the end of the article.

From:
World Bulletin

Britain returns stolen Byzantine icon to Greece
The painting of Christ being taken down from the Cross was snatched from a monastery in the city of Serres in 1978 and discovered in 2002.
Wednesday, 19 November 2008 16:15

Britain returned a 14th century Byzantine icon to Greek authorities on Wednesday, 30 years after it was stolen from a monastery in northern Greece, the Culture Ministry said.

The painting of Christ being taken down from the Cross was snatched from a monastery in the city of Serres in 1978 and discovered in 2002 in the hands of a Greek collector in London.
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Another success for New Zealand in securing the return of Maoris artefacts that contain human remains. Museums are willing to acknowledge now that it is right for them to return artefacts that involve human remains – with other cases though, they are still very reluctant to step forward.

From:
New Zealand Herald

British to hand back Maori remains
4:00AM Friday Nov 14, 2008

A British museum will return a collection of Maori remains to New Zealand this month.

Manchester Museum said yesterday it would hand over the remains in its collection, including a Maori skull and a fish hook made from human bone, to the Museum of New Zealand Te Papa Tongarewa.
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Another review of Sharon Waxman’s new book. Another new book by Nina Burleigh looks at one of the side effects of the endemic trade in de-contextualised unprovenanced artefacts.

From:
Washington Post

Fool’s Gold
How stolen ancient artifacts have turned up in famous museums around the world.
Reviewed by Roger Atwood
Sunday, November 16, 2008; Page BW02

LOOT – The Battle Over the Stolen Treasures of the Ancient World
By Sharon Waxman | Times. 414 pp. $30

UNHOLY BUSINESS – A True Tale of Faith, Greed, and Forgery in the Holy Land
By Nina Burleigh | Smithsonian/Collins. 271 pp. $27.50

Early this year, officials at the Metropolitan Museum of Art trussed up one of the prizes of its collection, an ancient vase known as the Euphronios krater, and sent it back to Italy. Italian authorities had presented evidence that the piece had been looted from a tomb near Rome less than a year before the Met paid $1 million for it in 1972. Faced with the prospect of a lawsuit and a ban on receiving any future loans from Italian museums, the Met, writes former Washington Post and New York Times reporter Sharon Waxman, “stalled, stonewalled, and would not be swayed — until it was forced to do so.”
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The Marbles Reunited campaign has become the fifteenth member of the International Association for the Reunification of the Parthenon Sculptures.

From:
International Association for the Reunification of the Parthenon Sculptures

NEWS UPDATE
November 11th 2008

Today it was announced that British based Marbles Reunited campaign has joined the International Association for the Reunification of the Parthenon Sculptures.

The Chairman of the International Association for the Reunification of the Parthenon Sculptures, David Hill said he welcomed the addition of such an esteemed group to the international campaign.
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