Many museums of the west are filled with African artefacts - but in many cases, even cursory scrutiny of how the pieces were acquired shows that if it were to happen in the same way today, there were many laws that forbid it. But little is done today to help repair the damage that was caused by the actions of our ancestors - instead justifications of preservation & the importance of these artefacts as part of a collection are used as excuses for inaction.

From:
Modern Ghana

WHEN WILL WESTERN NATIONS RETURN ETHIOPIA’S STOLEN TREASURES?
By Kwame Opoku, Dr.
Feature Article | Tue, 16 Sep 2008

Probably very few countries have been so systematically and intensively deprived of their cultural objects with tremendous violence by Western European countries as Ethiopia has been. First, the British under Queen Victoria sent an army in 1868 to conquer the African country under Emperor Tewodros. The Ethiopian ruler committed suicide in Magdala, the capital, with a gun given to him previously as a gift by Queen Victoria rather than let himself be captured and humiliated by the invading British Army. The barbarous behaviour of the invading army after conquer and loot has been described many times. The list of objects stolen by the British, including processional crosses, imperial gold and silver crowns, historical and religious illustrated manuscripts and other objects from Ethiopia will fill pages. Ethiopia became Christian in the 4th Century, long before many in Europe had heard of Christianity.

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As with the Elgin Marbles, many looted Nigerian artefacts are similarly split between different museums around the world - at the start of this article, an illustration is given of a plaque showing a soldier - the top half of it is in the British Museum & the bottom half of it is in London. None of it is currently in Nigeria.

From:
Modern Ghana

BERLIN PLEA FOR THE RETURN OF NIGERIA’S CULTURAL OBJECTS: HOW OFTEN MUST NIGERIA ASK FOR THE RETURN OF ITS STOLEN CULTURAL OBJECTS?
By Kwame Opoku, Dr.
Feature Article | Mon, 15 Sep 2008

When I read reports on the opening of the exhibition Benin Kings and Rituals: Court Arts from Nigeria on 8 February 2008, at the Ethnology Museum, Berlin, I was surprised by the general impression given that the Nigerians were in no hurry to recover the stolen Benin bronzes; they were said to be more interested in co-operation with the Ethnology Museum and above all, in establishing an inventory of the Benin artefacts. (2)

As readers know by now, it has become a hallmark of this travelling exhibition that speeches made at the opening are not fully reported. The museum hosting the exhibition does not issue any full report on the opening. The reason seems to be the desire to avoid raising issues fundamental to the relations between the hosts and Nigeria, such as the issue of restitution of the Benin bronzes. Experience however, has shown that wherever this travelling exhibition went there were controversies regarding restitution. Questions were raised in different manners and with different intensities.

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More coverage of Professor Vassilis Dimitriadis’s study on the validity of the Firman that supposedly allowed Lord Elgin to remove pieces of the Parthenon Sculptures from the Acropolis.

From:
Artinfo

Professor Questions Legality of Elgin Document
By ARTINFO
Published: August 29, 2008

LONDON—A professor from the University of Crete has called into question the sole document that the British Museum has found in recent years to support its legal ownership of the Elgin Marbles, reports the Times of London.

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Waldemar Januszczak has commented in the past on the controversial cleaning of the Elgin Marbles by the British Museum in the 1930s. Here he looks at how seeing the original coloured versions of the sculptures as they first appeared would help to give us a greater understanding of their origins.

From:
The Times

From The Sunday Times
August 31, 2008
Waldemar Januszczak’s Sculpture Diaries
Waldemar Januszczak

[...]

Since sculpture has never had a Dark Age — and has never not been made — and because every society everywhere has always produced it, the BM has no more chance of covering the entire history of sculpture in its displays than I have in my short television series. But it has a go. Personally, I would love the museum to mount a display devoted to the colour of ancient sculpture that revealed how the Elgin Marbles were originally brightly painted. If the Elgin Marbles were as they should be, it would be so much easier to recognise the similarity that exists between them and, say, the African tribal sculpture from which they were descended.

[...]

More on the Ellinais followers ceremony on the Acropolis - again including incidental coverage of the New Acropolis Museum.

From:
International Herald Tribune

Ancient religion believers pray to Athena
The Associated Press
Published: August 31, 2008

ATHENS, Greece: Practitioners of the ancient Greek religion gathered among the ruined temples at the Acropolis Sunday, praying to Athena to stop the removal of sculptures and pieces of the temples to museums.

Participants claimed it was the first such gathering since the ancient religion was officially abolished late in the 4th century.

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The Greek Neo-pagans may have tenuous connection to the ancient Greeks. Their actions are however drawing a lot of media attention & on the back of this, more coverage is being given to the imminently opening New Acropolis Museum that it might not otherwise have received.

The followers of Ellinais object to the removal of sculptures from the Parthenon to preserve them from the elements - unfortunately though this has long been considered a necessary action by almost all archaeologists if they are to be preserved for future generations to see them.

More interestingly though, this article reveals information from a recent poll by Ipsos Mori, which shows that 69% of people in Britain believe that the Parthenon Marbles should be returned to Greece. This conveniently disproves the view put forward by the British Museum in a National Geographic film on the Elgin Marbles, which suggested that old polls were invalid because they were taken too long ago & there was no proof that support for reunification had been maintained over that time.

From:
Guardian

Greece: Pagans call on Athena to protect the Acropolis
Helena Smith in Athens
The Guardian,
Monday September 1 2008

Thrusting their arms skywards and chanting Orphic hymns, Greek pagans yesterday made a comeback at the Acropolis as they added their voices to protests against the imminent inauguration of the New Acropolis Museum.

Ignoring a sudden rainstorm and irate officials, white-clad worshippers gathered before Greece’s most sacred site and invoked Athena, the goddess of wisdom, to protect sculptures taken from the temples to the new museum. It was the first time in nearly 2,000 years that pagans had held a religious ceremony on the site.

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The Firman was an Ottoman legal document issued to Lord Elgin. It only survives in translation, but is used as the basis of proving the supposed legality of Elgin’s removal of the Parthenon Sculptures from Athens. A historian who has researched this document & other similar documents is now casting doubt over whether the firman actually gave Elgin the permissions that were claimed.

From:
The Times

August 29, 2008
Legality of Earl of Elgin’s acquisition challenged by scholar
Dalya Alberge, Arts Correspondent

The new Acropolis Museum may prove to be the most lavishly appointed white elephant in history. Nothing will change the view of the British Government that the intended centrepiece, the magnificently sculpted Elgin Marbles, must remain permanently in the British Museum.

Not that the museum will be empty. There will be 4,000 exhibits including the remaining Parthenon sculptures. But the crown jewels, the 247ft of the original 524ft frieze, 15 of 92 metopes and 17 figures from the pediments, all dating to the 5th century BC, will remain 1,500 miles away in London.

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James Cuno, Neil MacGregor, Phillipe De Montebello & Thomas Gaehtgens represent the astonishingly one sided collection of speakers lecturing in Chicago on the concept formerly known as the Universal Museum. (details of each lecture follow the main article).

From:
Chicago Art Institute

NEWS: The Art Institute of Chicago Presents: 360 Degrees: Art beyond Borders
22 Aug 2008

The Art Institute of Chicago
Chicago, Illinois

27 September 2008–16 June 2009

[...]

Join us for a wealth of insightful and exciting 360 Degrees programming.

# Lectures: Four engaging lecture series occur throughout the season. In “The Fate of Encyclopedic Museums,” directors from the Art Institute, the Getty, the British Museum, and the Met discuss the role of the encyclopedic museum. Noted scholars also explore current and historical perspectives on globalization and Art Institute curators give their take on the encyclopedic nature of their collections.

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A response to the earlier editorial article about how corruption threatens the security of some ancient artefacts in Nigeria.

From:
Modern Ghana

SAFEGUARDING NIGERIA’S CULTURAL TREASURES
By Kwame Opoku, Dr.
Feature Article | Wed, 13 Aug 2008

There are probably few countries in the world that can boast of such an abundance of cultural treasures as Nigeria, one of the richest countries in the world. But Nigeria has also an enormous amount of organizational problems which are also reflected in the cultural area. The constant lamentations about the weak security in many Nigerian museums often cause distress to those concerned about the fate of cultural objects that were unlawfully taken out of the country and which have to be returned in the future. Those conscious of these problems are discussing how to combat corruption in this area and how to achieve high standards of security.

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Items such as the Benin Bronzes were removed from Nigeria in dubious circumstances during the colonial period. In some cases though, work needs to be done to secure the remaining artefacts within the country rather than losing focus on them whilst those outside the country are the issue.

This does not of course take into account that there is no moral argument for their retention by an appointed party without any attempts to enter into dialogue with the rightful owners.

From:
allAfrica

Nigeria: Safe-Guarding Our Treasures
Daily Trust (Abuja)
EDITORIAL
12 August 2008

The original Benin bronze-head, the exquisite symbol of the creative ingenuity of the Bini, Nigerian and indeed African people still lies in some British museum where it is being kept, after having been stolen by the British colonialists.

Sporadic efforts at reclaiming it a few years ago became a court case and the British Court ruled that the bronze head may have originated from Nigeria but it is now a priceless world cultural heritage and therefore can be kept by any country, particularly when the country holding it would do a better job at its safe-keeping.

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This article is covers a number of interesting aspects. Gaza is in a situation where it has few museums & much of its heritage has been lost to collections in Israel, leading to the potential for many restitution requests in the future. More interesting though is the reasoning behind charging for admission - the British Museum always puts free entry as one of its top arguments in debates over the Elgin Marbles, but possibly Jawdat Khoudary is right - people don’t learn to value the heritage when they can see it for free. Certainly, many others have noted that free admission does tend to come at a price.

From:
Independent

The refuge that allows Gaza to reflect on past glories
By Donald Macintyre in Sudaniya, Gaza
Saturday, 9 August 2008

It may seem an odd dilemma in a territory where more than half of families live below an internationally defined poverty line, but Jawdat Khoudary is wondering whether there should be museum charges in Gaza.

As the owner and creator of the Strip’s first purpose-built archaeological museum, he has no doubt that the most prized patrons, the organised parties of schoolchildren already starting to flock to it, must come for free. And having sunk a small fortune – he won’t say how much – into building this elegant and air-conditioned space overlooking the Mediterranean just north of Gaza City’s Shati refugee camp, he certainly isn’t trying to make money from it. But the 48-year-old owner of one of Gaza’s biggest construction companies worries that if he doesn’t charge a couple of shekels for individual entry, Gazans may not realise the value of their heritage as much as he does.

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More information on the request by Kenya for the return of numerous cultural artefacts from museums & institutions around the world.

From:
ArtInfo

Kenya Demands Return of Significant Artifacts
By ARTINFO
Published: August 6, 2008

NAIROBI—Kenya is asking for the return of artifacts of significant national importance that are currently owned by museums in the United States and England, the Independent reports. More than 2,000 artifacts housed in the British Museum and thousands more held by U.S. museums and in private collections are being compiled by Kenyan officials into a list of significant objects that the country wants repatriated.

In the past, attempts by Kenya to get artifacts returned were countered by arguments that the country did not have suitable facilities for them. But last month, the new National Museum, whose renovation was financed by the European Union, opened in Nairobi, and Kenyan heritage officials now insist that they can care for all types of objects.

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