In a followup to the story a few days ago about the Lewis Chessmen, the British Museum responds to the criticism, although seems to be missing the fact that the real issue isn’t over technicalities off where the pieces were created, but of the realities of where they were discovered & how the people there see them as a part of their identity.

From:
Press and Journal

MPs hit out at snub to Scots origin of chessmen
British museum project on Lewis artefacts ignores place of discovery
By David Perry
Published: 26/02/2010

A motion which “deplores” the way the Hebridean origin of the fabled Lewis Chessmen has been airbrushed out of a major British Museum project has been put down in the Commons.

Western Isles SNP MP Angus MacNeil has secured the support of two SNP MPs and seven others for his motion, which complains that a poster campaign shows a picture of one of the chess pieces – found buried in sand dunes at Uig, Lewis – with the date AD 1150-1200 and the word “Norway” below it.
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A few years ago, various major museums around the world released a declaration on the Importance & Value of Universal Museums – a declaration that was essentially an attempt at justifying their own modus operandi. Whether they call themselves Universal, Encyclopaedic or Enlightenment museums, it seems that in their own eyes they must continue to exist in their current form,, rather than dealing with the various repatriation issues that affect them.

From:
Modern Ghana

IS THE DECLARATION ON THE VALUE AND IMPORTANCE OF THE “UNIVERSAL MUSEUMS” NOW WORTHLESS?
By Kwame Opoku, Dr.

David Gill has posed the question whether the Declaration on the Value and Importance of Universal Museums should be considered as worthless in view of the fact that the main objective of providing immunity against restitution claims has not been achieved. With regard to the restitutions made by major US American institutions to Italy – Paul Getty Museum, Los Angeles, Museum of Fine Arts, Boston, Metropolitan Museum of Art, New York and Princeton University’s Art Museum .- he states:

“Such repatriations perhaps demonstrate the flawed thinking behind the “Declaration on the Importance and Value of Universal Museums”.
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Scottish MP Angus MacNeil is annoyed about the British Museum’s depiction of the Lewis Chessmen as Norwegian with no mention of the fact that they were found in Scotland before ending up in the British Museum.

From:
The Times

February 24, 2010
MPs angered by ‘Norwegian’ Chessmen

The British Museum has been accused of “airbrushing” history after a poster campaign claimed the world famous Lewis Chessmen were from Norway, and failed to mention any connection to Scotland at all.

Angus MacNeil, the Nationalist MP for the Western Isles, wants the posters removed or the reference to Norway replaced by Lewis. Mr MacNeil, who has raised the issue at Westminster, described the promotional campaign as a “total cheek”.
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As a reminder that there are at least two sides (& sometimes many more than that) to any issue, some Iranian’s would prefer that the Cyrus Cylinder wasn’t loaned to their country by the British Museum.

Their campaign is based on the fact that they do not believe that the government has any plans to safeguard any heritage that doesn’t relate to the Islamic Republic’s current worldview. Unfortunately though they may find that even under a different government (when they might want the artefact returned), the British Museum would be no more likely to return the artefact than they are now.

Read the petition here.

Many years after they were originally taken from Ethiopia during a punitive exhibition by the British army, the Magdala treasures in various institutions in the UK continue to be a source of contention. There has been little headway towards any sort of comprehensive assessment of whether any of these artefacts can be repatriated, despite the fact that they have a religious & cultural significance for many Ethiopians whereas in the UK many of them are not even on public display.

From:
Voice-Online

Should Britain return Africa’s stolen treasures?
BY Davina Morris
Published: 21 February 2010 – Issue: 1411

FANS of the ‘90s BBC comedy show The Real McCoy may remember the sketch when pro-African activist Babylon (played by Felix Dexter) urged black Britons to head down to the British Museum with a big bin liner to “tek back your tings!”

Though the sketch was intended to be comedic (and it was), it highlighted the ongoing issue of whether British institutions should return the many cultural items they possess that were taken from Africa years ago.
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Constantine Sandis looks back at the issue of the Parthenon Sculptures following the opening of the New Acropolis Museum. The New Acropolis Museum is compared to the British Museum’s concept of the universal museum, showing that both museums exhibit universalism, but in different forms. More importantly though, he asks whether both sides have lost site of the true issue of what is best for the sculptures.

From:
The Liberal

The New Acropolis
by Constantine Sandis

Dull is the eye that will not weep to see
Thy walls defaced, thy mouldering shrines removed
By British hands, which it had best behoved,
To guard those relics ne’er to be restored.
Lord Byron, Childe Harold’s Pilgrimage, Canto XV, 3-6.

Last summer, the New Acropolis Museum in Athens opened its gates, not only to the public but also to a flood of arguments and emotions old and new. The root cause of this commotion lies in the fact that nearly half of the sculptures which originally graced the Parthenon have been residing in the British Museum, ever since they were purchased from the bankrupt Lord Elgin in 1816. Numerous smaller fragments, it is often forgotten, are kept by other museums across Europe.
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Among the vast numbers of disputed artefacts in museums & galleries, some have a high profile, whilst others are barely known. Time Magazine has attempted to draw up a list of what they feel are some of the most currently significant cases.

This article was published a few months ago, but I only recently came across it – explaining the fact that the information on the Louvre’s Egyptian Frescos is already out of date.

From:
Time

Top 10 Plundered Artifacts
History is big business. Plundered art and antiquities trade to the tune of at least $3 billion a year, much to the chagrin of nations struggling to reclaim their lost artifacts. In honor of a recent spat between the Egyptian government and the Louvre museum in Paris over the fate of fresco fragments, TIME examines 10 plundered antiquities and the conflicts they’ve created.

The Louvre’s Egyptian Frescos

A set of ancient fresco fragments is at the center of a nasty feud between Paris’s Louvre Museum and the Egyptian government. Zahi Hawass, head of Egypt’s antiquities department, claims the Louvre bought the fragments last year despite knowing they were taken from a tomb in Egypt’s storied Valley of the Kings in the 1980s, a prime spot for grave-robbers. Egypt, which has made reclaiming ancient art taken from its country a top priority, said they would sever cooperation with the Louvre unless the fragments were returned. A museum representative claimed on Oct. 7 that the Louvre was unaware the fragments were stolen, and said the museum would consider sending the fresco pieces back to Egypt.
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New research suggests that the portions of the Codex Sinaiticus in the British Library may have been legally acquired. I doubt that this will be the end of disputes surrounding the document however.

From:
RT

Controversy over ancient Greek Bible resolved in Russia
Published 18 February, 2010, 18:05

A document which confirms the British Library’s ownership of Codex Sinaiticus, an ancient hand-written copy of the Greek Bible, has been found in the archives of the Russian Ministry of Foreign Affairs.

The agreement was signed in 1869 by the archbishop of the St. Catherine Monastery at the foot of Mt. Sinai and a representative of the Russian Empire.
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Zahi Hawass is continuing to campaign for the return of Egypt’s cultural treasures, with a clear cut strategy of why he is doing it & of which specific artefacts he is focusing his efforts on.

From:
Agence France Presse

Zahi Hawass, media-savvy guardian of Egypt’s past
By Christophe de Roquefeuil (AFP) – 15th February 20009

CAIRO — Egypt’s antiquities chief Zahi Hawass, at 62, still bubbles with excitement whenever he announces the latest discovery of a tomb or relic, his eyes lighting up under the brim of his trademark Indiana Jones-style hat.

Aside from his love of the media limelight, Hawass is locked in battle to assert Egypt’s sovereignty over its heritage, even if that means crossing swords with the world’s most prestigious museums.
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The current dispute over the Cyrus Cylinder stems largely from the fact that the loan of the artefact was promised by the museum, but has now been delayed so many times. The British Museum keeps trying to occupy some sort of moral high ground, despite the fact that they continue to drag their heels at every opportunity.

From:
The National (Abu Dhabi)

Political row over broken promises
Ed Lake
Last Updated: February 09. 2010 4:03PM UAE / February 9. 2010 12:03PM GMT

Given the steadily declining relations between the UK and Iran, with accusations of election-rigging and agent-provocateurism bouncing back and forth, it is remarkable that a collegial spirit has managed to endure between the Islamic republic and the British archaeological establishment for this long.

Still, whatever hopes there might have been for potsherd diplomacy would now seem to be dashed. Tehran has officially cut its ties with the British Museum. “We consider it a closed chapter,” Hassan Mohseni of Iran’s cultural heritage and tourism organisation told the press this week. Under the circumstances, it’s a suggestive figure of speech.
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More coverage of the escalating dispute between Iran & the British Museum over the Cyrus Cylinder.

From:
Fars News Agency

News number: 8811171637
18:14 | 2010-02-06
Iran’s National Museum Drops Ties with British Museum

TEHRAN (FNA)- Iran’s National Museum on Saturday cut ties with the British Museum in protest at the delayed implementation of an agreement held earlier between the two sides on sending the Cyrus Cylinder to Iran.

“Now Iran’s Cultural Heritage, Handicrafts and Tourism Organization (ICHHTO) (as supervisor of Iran’s National Museum) makes this official announcement that it will have no relations with the British Museum as of Sunday,” Iranian Vice-President and ICHHTO Head Hamid Baqaei said in a press conference here in Tehran this afternoon.
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The dispute between Iran & the British Museum over the Cyrus Cylinder continues to drag on. Iran is taking further steps to cut ties with the British Museum, in the hope that this will force an earlier resolution to the situation.

From:
Museums Association

Iran cuts ties with British Museum
Gareth Harris
08/02/2010

Hamid Baghaei, head of Iran’s Cultural Heritage, Handicraft and Tourism Organisation (ICHHTO), has cut ties with the British Museum (BM) after it delayed the loan of the Cyrus Cylinder. The sixth-century artefact was due to go on display at the Iran National Museum in Tehran last month.

The decision was announced during a press conference on Saturday according to the Tehran Times. But a spokeswoman for the British Museum said that the decision came as a “great surprise”, and added that the museum had finally agreed to loan the object to Iran only last week.
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