Actor Pierce Brosnan has been in Athens as publicity for his latest film. Whilst doing a television interview, he was asked about the Parthenon Sculptures & expressed his support for their return.

Interviewer: I have a question about the Parthenon Marbles which are now in the British Museum
Pierce: The Elgin Marbles?
Interviewer: The Parthenon, as we say…
Pierce: The Parthenon. They Should come back. They should come back. Sure. You should have them. They’re yours.

Among the vast numbers of disputed artefacts in museums & galleries, some have a high profile, whilst others are barely known. Time Magazine has attempted to draw up a list of what they feel are some of the most currently significant cases.

This article was published a few months ago, but I only recently came across it – explaining the fact that the information on the Louvre’s Egyptian Frescos is already out of date.

From:
Time

Top 10 Plundered Artifacts
History is big business. Plundered art and antiquities trade to the tune of at least $3 billion a year, much to the chagrin of nations struggling to reclaim their lost artifacts. In honor of a recent spat between the Egyptian government and the Louvre museum in Paris over the fate of fresco fragments, TIME examines 10 plundered antiquities and the conflicts they’ve created.

The Louvre’s Egyptian Frescos

A set of ancient fresco fragments is at the center of a nasty feud between Paris’s Louvre Museum and the Egyptian government. Zahi Hawass, head of Egypt’s antiquities department, claims the Louvre bought the fragments last year despite knowing they were taken from a tomb in Egypt’s storied Valley of the Kings in the 1980s, a prime spot for grave-robbers. Egypt, which has made reclaiming ancient art taken from its country a top priority, said they would sever cooperation with the Louvre unless the fragments were returned. A museum representative claimed on Oct. 7 that the Louvre was unaware the fragments were stolen, and said the museum would consider sending the fresco pieces back to Egypt.
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The Parthenon Sculptures are just a small proportion of the many other cases of disputed artefacts around the world. The countries that currently posses them rarely admit that these pieces are anyting other than legitimately acquired & owned.

From:
Pravda

Heritage, Loot or Booty?
07.02.2010

Western Museums are brimming with cultural heritage…from other countries. The Elgin Marbles are just one set of tens of thousands of artefacts looted from distant lands during colonial or imperialist times. However, the same desecration of cultural heritage continues. How many of the 13,000 artefacts stolen from Baghdad National Museum are today in the United States of America?

The list was drawn up and given to Vice-President Richard (Dick) Cheney before the first US or British soldier set foot in Iraq. It was a shopping list of archaeological treasures which the White House cronies wanted to see on their shelves in Rhode Island, in Maryland, in Virginia. UNESCO claims that when the Baghdad National Museum was looted in April 2003, 13,000 objects disappeared. How many of these are sitting in private homes in the USA?
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Those living in the UK can not fail to have noticed the BBC’s ongoing series – the history of the world in one hundred objects, organised by British Museum director Neil MacGregor. This series due to run for much off 2010, promises to perpetuate his personal world view of the Universal Museum, while sidestepping the true nature of the debates surrounding many of the artefacts in his institution. There is an issue at stake here of how vast a mouthpiece the BBC has given him to expound his own views, without others being given a clear, proportional right of reply.

From:
Modern Ghana

A HISTORY OF THE WORLD WITH 100 LOOTED OBJECTS OF OTHERS: GLOBAL INTOXICATION?
By Kwame Opoku, Dr.

It is perhaps indicative of the cultural climate of our times that the British Museum and the BBC could announce a programme with a pretentious title such as “A History of the World in 100 Objects”. (2) A pretence to serving the whole world, a title which indicates a wider view but hides in fact the reality of frantic efforts to preserve the interests of a few in the guise of the so-called “universal museums” which have come under some heavy criticisms in recent years. The project appears to be aimed at diverting attention from the fact that the tide of history is moving against the illegitimate detention of the cultural objects of others. It is aimed at impressing the masses about the alleged indispensable role of the major museums and gathering support for their continuing possession that is tainted with illegality and illegitimacy. In the process, public interest for the museum would be stimulated and information about the objects as considered necessary would be produced.

The last few years have seen major Western museums being criticised for purchasing looted objects. Leading American museums and universities have been forced to return to Italy looted artefacts that had been bought by the museums, knowing full well that the objects could only have been looted. Indeed, an American curator is in jail in Italy, waiting for her trial for criminal offences in connection with acquisition of Italian artefacts for her museum in the USA. Moreover, Egypt has renewed its demands for the return of the Rosetta Stone, the bust of Nefertiti and other items that have been in major Western museums for several decades. The Greeks have constantly been reclaiming the return of the Parthenon/Elgin Marbles and the completion of the magnificent New Acropolis Museum has exposed the hollow British arguments for retaining the marbles. The British public has overwhelmingly voted in favour of returning the Parthenon/Elgin Marbles to Athens whenever a poll was made. We should also remember that the Nigerians who have never forgotten the brutal invasion of Benin in 1897 are seeking the return of some of the 5000 objects looted by the British troops in their bloody aggression against a kingdom that resisted British imperialist expansion and hegemonial endeavours.
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British Museum director, Neil MacGregor has given a talk, mentioning both the Elgin Marbles & the Cyrus Cylinder. He says that the sense of national identity that people get from these pieces is an example of seeing what one wants to see – but surely his own interpretation of the artefacts as part of a global story that can only be told when they are assembled together in the British Museum is far more of a digression from the original significance of these particular artefacts.

From:
Guardian

British Museum’s Neil MacGregor on the Parthenon marbles and Cyrus cylinder
Tuesday 2 February 2010 22.45 GMT
Charlotte Higgins

Neil MacGregor, director of the British Museum, gave the first of the London Review of Books’ winter lectures, organised to celebrate the ­journal’s 30th birthday. He began by talking about John Dee’s obsidian ­mirror, in which the Elizabethan ­magus could supposedly see angels. That became MacGregor’s metaphor: we look at objects and find in them what we want to see. And so to the ­Parthenon marbles and the Cyrus ­cylinder (a clay cylinder inscribed with a decree from the Persian ruler Cyrus the Great). “A whole nation,” MacGregor said of the marbles, “has decided they embody something ­fundamental about Greek national identity. It is a prime example of ­seeing what you want to see.”
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Alex Kapranos, lead singer of the band Franz Ferdinand has spoken out in his Twitter feed on his support for the return of the Elgin Marbles to Greece.

From:
alkapranos

Just discovered my father follows me on this thing. Hi Dad. Good luck getting your marbles back.
10:37 PM Feb 1st from web

alkapranos

Now he’s retired he spends his time campaigning to have the Parthenon Marbles returned to Greece where they were stolen from.
10:43 PM Feb 1st from web

alkapranos

Stolen by a Scot – a descendent of Robert The Bruce – then sold to the English for £30K.
10:47 PM Feb 1st from web

alkapranos

British Museum always trots out the same old patronising crap about how they look after them in a way the savages in Greece never could.
10:50 PM Feb 1st from web

On the BBC’s Desert Island Discs this morning was renowned Cambridge classicist, Mary Beard.

Those who have listened to this program before, will know that as well as the music, the guest also gets to choose a book & an object to take to their desert island with them. The object that Mary Beard said that she’d take with her was the Elgin Marbles. I wonder if she’d have any more success in borrowing these sculptures than the Greeks have had…

Listen to the full programme here. The Elgin Marbles are mentioned about five minutes before the end of the programme.

The New Acropolis Museum which opened last year forms a gleaming new home to potentially house all the surviving Parthenon Sculptures.

From:
Los Angeles Times

A gleaming new showcase for the Acropolis
Athens finally has a place to display the hotly contested Elgin Marbles, plus statues, friezes and other artifacts from the ancient Greek site.
By Suzanne Muchnic
January 24, 2010

Reporting from Athens – For advocates of the repatriation of marble sculptures removed from the Parthenon in the early 19th century and long housed at the British Museum in London, the new Acropolis Museum is proof — at last — that Greece has a safe place to display the hotly contested artworks.

For Athenians who live and work near the Acropolis, the looming modern structure at the southeastern base of the hill is a mixed blessing. The $200-million, 226,000-square-foot museum has transformed the area of Makrygianni, boosting property values while dwarfing other buildings in the neighborhood.
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Anyone who read the first edition of Mary Beard’s book; The Parthenon, will be pleased to hear that a revised version of it is planned, which will take into account the fact that the New Acropolis Museum discussed in the first edition has now opened & is quite liked by the author.

The Parthenon (Wonders of the World)
Author: Mary Beard
Publisher: Profile Books Ltd
ISBN: 1861973012

From:
The Times Blogs

January 15, 2010
The “new” Parthenon, my new edition?

I wrote my little book on the Parthenon about a decade ago. It looked at the material of, and from, the temples in all its different locations — from the Acropolis itself to the diaspora of the Parthenon in London, Paris, Rome and Wurzburg and other places.

Things have changed a little since then. A small fragment of the Parthenon frieze (and I mean very small) has been sent “back” to Athens from Heidelberg (thanks, largely to a Greek then in the administration of the University of Heidelberg); another, slightly larger piece, has gone back from Palermo.
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A new website (http://www.parthenonfrieze.gr) has created a virtual representation of the surviving frieze fragments of the frieze of the Parthenon in a way that is easily accessible for anyone to view.

From:
Cordis

2010-01-14
The Parthenon Frieze

The Parthenon Frieze is presented in a new website (http://www.parthenonfrieze.gr) which utilizes new technologies to present and elevate cultural content online. This new application, which was carried out by The Hellenic Ministry of Culture and Tourism in collaboration with the National Documentation Centre (EKT), is valuable for specialists and the general public alike.

The Parthenon Frieze, a unique work of art, is presented in a new website (http://www.parthenonfrieze.gr) which utilizes new technologies to present and elevate cultural content online. This new application, which was carried out by The Hellenic Ministry of Culture and Tourism (YSMA-Acropolis Restoration Service, Department of Information and Education) in collaboration with the National Documentation Centre (EKT), is valuable for specialists and the general public alike.
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As the appeal to keep the Staffordshire Hoard in the Midlands region continues, Dr David Starkey joins a growing list of supporters of this campaign all of whom claim that locating the artefacts near to where they were found gives them more of a sense of context – a historic resonance that they have wit their location. We should remember when this is mentioned that there are few cases where this contextual importance is as relevant as that of the Elgin Marbles – they were designed specifically for one location & many of them were in fact carved in-situ there.

From:
Birmingham Mail

Public appeal launched for Staffordshire Hoard fund
Jan 14 2010 by Edward Chadwick, Birmingham Mail

THE Midlands will miss out on a chance to purchase its own history if it fails to raise the cash to keep the Staffordshire Hoard in the region.

That is the view of the TV history expert Dr David Starkey who was in Birmingham to launch a public appeal to raise the remaining £2.8 million needed to secure the awe-inspiring Anglo Saxon treasure.
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Mary Beard has regularly spoken about the Parthenon Sculptures & about her views on their return. Here in an interview, she clarifies some of her thoughts on the issue.

You can watch the interview with her here.