A team of divers, led by archaeologist Demetris Kourkoumelis have organised new excavations of the remains of the ship, the Mentor, which was lost in a storm off Kythera whilst transporting many of the Parthenon Sculptures to London. The sculptures were subsequently recovered by sponge divers from Kalymnos.

From:
Bloomberg News

Team Explores 19th Century Parthenon Marble Shipwreck in Greece
By Natalie Weeks – Aug 8, 2011 1:40 PM GMT

A team of underwater explorers in Greece examined the shipwreck of the Mentor, which sunk in 1802 as it transported marbles from the Parthenon to London.

The sculptures, part of the Parthenon collection taken and sent to England by Lord Elgin, were recovered after the ship sunk and no additional pieces were found in last month’s or in three previous explorations, the Athens-based Culture and Tourism Ministry said in an e-mailed statement today.
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I’ve been going through my older photos of the New Acropolis Museum & uploading some more of them to Flickr.

Here are some from October 2007, when the first sculptures were craned down from the Acropolis to the New Acropolis Museum by a relay of three cranes.

When the UK was beset by episodes of riots & looting in August 2011, parliament was (quite rightly) quick to condemn the actions of a small minority. It seems though that many of our museums are filled with artefacts acquired through episodes of similar behaviour – the only difference being that it took place in the past & in foreign countries.

On a similar note, some in the UK were quick to sit back smugly during the looting of Egypt’s museums, noting that it was fortunate that the UK had so many of their antiquities to protect them from such episodes. One wonders though, during bouts of lawlessness in the UK, whether the same people support the idea of shipping British artefacts abroad to safer places… permanently… with little chance of ever getting them back – and little choice in the matter?

From:
Guardian

UK riots: When is a looter a heroic entrepreneur?
Edward Lawrence
guardian.co.uk, Friday 19 August 2011 10.00 BST

Parliament denounced the 21st century Britons who looted their own high street, but 18th century looters who plundered distant nations to build the British Empire became heroes

The scenes of widespread mayhem and looting that were the main news items of the last week were profoundly shocking, and for me personally, a cause of deep anxiety. Because of my disability I felt vulnerable, which isn’t a sensation I exactly relish. It isn’t as if since my severe brain injury I have had a surfeit of good experiences.
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Further information about the WikiLoot project, from the Author’s website. Remember to visit the proposal details on the Knight Foundation’s website & express your support for it, by “liking” or commenting on it.

From:
Chasing Aphrodite

Introducing WikiLoot: Your Chance to Fight the Illicit Antiquities Trade
Posted on March 12, 2012 | 3 Comments

Today we’re pleased to announce — and to seek your help with — an exciting new project we’ve been tinkering with in private for some time. We’re calling it WikiLoot.

The idea behind WikiLoot is simple:

1. Create an open source web platform, or wiki, for the publication and analysis of a unique archive of primary source records and photographs documenting the illicit trade in looted antiquities.

2. Use social media and other tools to engage a broad network of contributors — experts, journalists, researchers, dilettantes and curious citizens — to collaborate in the analysis of that material.
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Jason Felch, one of the authors of Chasing Aphrodite, has submitted an application to the Knight Foundation, for assistance in creating WikiLoot – a website that would use crowd sourcing to create a database of looted artefacts in US museums.

Now – the suggestion is that it is only museums in the US, but others around the world are far from blameless in this issue & it ought to be easy to extend the remit of such a project to gradually include these too.

I think that the idea is an excellent one. I started trying to create a definitive list of artefacts disputes – just based on the articles I’ve posted on this site, but it is not a simple task – some cases have very little information available & each case is very different – so it is hard to come up with a simple way to categorise them all.

The key thing at this stage is to get funding for the project. In the words of the creator “One of the key things considered by judges is public engagement with the proposed idea. The best way to show this is for you to “like” our proposal or add a comment on how you think it could help — or be improved. (You may need to sign in with a Tumblr or other social media account.)” So, if this idea is of interest to you, make sure you go to the Knight Foundation page and “Like”, or ideally comment on the proposal. Remember also, to forward the details of the project to anyone else that you think may be interested in it, to try and get their support.

I look forward to being able to post further news about this project as it develops.

From:
Knight Foundation

WikiLoot: crowd-sourcing an analysis of the black market in looted antiquities

1. What do you propose to do? [20 words]
WikiLoot will identify looted antiquities in American museums by crowd-sourcing the analysis of a unique archive seized from black market dealers.

2. Is anyone doing something like this now and how is your project different? [30 words]
A handful of researchers around the world have access to parts of the archive. None have tried a crowd-sourcing approach to locating the thousands of looted objects shown in it.
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The British Committee for the Reunification of the Parthenon Marbles is organising (with the help of two other committees), a symposium in London to discuss the repatriation of the Elgin Marbles to Greece.

ADVANCE NOTICE – INTERNATIONAL COLLOQUY ON THE REUNIFICATION OF THE PARTHENON MARBLES
LONDON HELLENIC CENTRE, 19-20 JUNE 2012

This conference will be presented jointly by:

• The British Committee for the Reunification of the Parthenon Marbles
• The American Committee for the Reunification of the Parthenon Sculptures and
• The International Organising Committee – Australia – for the Restitution of the Parthenon Marbles (inc).

It is timed to coincide with the anniversary of the opening of the Acropolis Museum (www.theacropolismuseum.gr) and the occasion of the London Olympics which will start one month later.
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The new Manga book about the British Museum (& also involving the Parthenon Marbles) has now been published in English.

Professor Munakata’s British Museum Adventure
Author: Hoshino Yukinobu
Publisher: British Museum Press
ISBN: 0714124656

From:
Guardian

The British Museum: marbles, murals… and manga!
Meet Professor Munakata, the crime-fighting archaeologist who saves one of London’s best-loved institutions from looters
Mike Pitts
Sunday 14 August 2011 19.59 BST

With its crumbling pillars and fading frescoes, the British Museum isn’t the first thing you’d associate with Japanese graphic novels. So it’s a slight surprise to learn that the museum will soon publish its own manga-based book.

Professor Munakata’s British Museum Adventure was serialised last year in Japan and has now been now translated into English. Its star – a portly ethnographer-cum-archaeologist who solves crimes and explains civilisations – is already well known to millions of Japanese readers, who follow his exploits in a series of Hoshino Yukinobu-penned comics. Hoshino’s work is blend of science fiction and thriller, layered with a rich mix of western and Asian myth and history.
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India (like many countries) has various artefacts in museums abroad, that it would like to be returned. The tone of the article is a little extremist – undoubtedly, there are benefits to be gained from publicising a country’s culture by having it in museums around the world – but at the same time, this should never outweigh a country’s own requirements for access to their culture.

From:
Organiser.org

European, American Museums: Fortified Havens For Plunder From India
By Radha Rajan

SHOULD the people of India, Greece, Egypt and Africa, and Native American peoples succeed in getting American and European museums and libraries to return all objects which constitute the tangible roots of ancient civilisations, and thousands of years of history pre-dating the cults of Jesus and Mohammed, then the Louvre, British Museum, Smithsonian, Vatican and the Kunsthistoriches Museum to mention just five, would be emptied of all their prized possessions.

European and American museums and libraries are no more than fortified thieves’ dens and state-sponsored and supported safe havens for Abrahamic plunder; they house the spoils of Christian war and genocide against African peoples, against the nations of now extinct and almost extinct Native American peoples, colonial loot from Asia, and from archaeological and anthropological pseudo-science expeditions, which European marauders undertook across continents.
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A (somewhat subjective, but still interesting) list in the New York Times of the most disputed antiquities, following the return of some Egyptian Artefacts from the Metropolitan Museum.

From:
Gadling

The world’s most disputed antiquities: a top 5 list
by Melanie Renzulli on Aug 3rd 2011 at 1:00PM

New York’s Metropolitan Museum of Art announced Tuesday that it would return 19 Egyptian antiquities that have lived at the museum for most of the last century. These artifacts, excavated from the 14th century B.C. tomb of Pharaoh Tutankhamun (King Tut), include a sphinx bracelet, a small bronze dog, and a broad collar with beads, among other bits and pieces. Zahi Hawass, the former Secretary General of the Supreme Council of Antiquities of Egypt, argued for the artifacts’ return in November 2010, claiming that the artifacts had been removed from the tomb illegally in the 1920s. But, the instability in Egypt during and following that country’s revolution this year has delayed the repatriation of King Tut’s belongings.

One of the biggest arguments in the art world is the repatriation of objects, particularly antiquities. On one side of the debate are art scholars who feel that ancient objects should remain in the care of their current (usually Western) museums or locations. The other side argues that antiquities should be returned to the countries from which they were removed because they were taken during times of war and colonization or were stolen and sold through the highly lucrative art black market.
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An interesting look at 10 different cases (some well known, some more obscure) where countries are involved in disputes over the ownership of looted cultural property. Some of the cases have been resolved, but many are still no closer to reaching a conclusion than the day after the artefacts were originally taken.

From:
Business Insider

10 Ancient Artifacts That Countries Are Still Fighting Over
Vivian Giang | Jul. 14, 2011, 7:51 PM

Legendary historical artifacts have traded hands from conquerors to thieves and ended up thousands of miles from their origin.

The question of ownership is extremely murky.

With a black market in looted art worth as much as $6.3 billion a year, the mantra of “finder’s keepers” can be tempting. Past and present owners, however, may claim an object, sometimes leading to disputes and wars between nations.
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A meeting of UNESCO’s ICPRPC committee in Azerbaijan has considered the protection of cultural artefacts from Azerbaijan, as well as re-visiting the standing restitution appeals for the return of the Parthenon Marbles & the Bogazkoy sphinx.

From:
News.Az

Azerbaijan appeals UNESCO to protects cultural heritage in occupied lands
Wed 06 July 2011 04:25 GMT | 5:25 Local Time

The 17th meeting of the UNESCO’s Intergovernmental Committee for Promoting the Return of Cultural Property to its Countries of Origin or its Restitution in Case of Illicit Appropriation (ICPRCP) was held.

The Department of international relations and cultural programs of Azerbaijan Ministry of Culture and Tourism reports that the issues which were included in the agenda – The restitutions appeals on Parthenon marbles (the United Kingdom of Great Britain – Greece), Bogazkoy sphinx (Germany – Turkey) were examined, the reports by member states and UNESCO partner organizations were listened.
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Another review of the new children’s book by Anthony Horowitz, about a plot to return the Parthenon Marbles from the British Museum to Athens.

Scorpia Rising (Alex Rider)
Author: Anthony Horowitz
Publisher: Walker
ISBN: 1406310492

From:
Guardian

Scorpia Rising by Anthony Horowitz – review

Sunday 8 May 2011 11.00 BST

‘The detail is amazing, he drags you straight into the room’

The finale of the enthralling Alex Rider series, comes with a bang, and this time, the majority of the book is from the bad guy’s point of view. Alex returns this time with SCORPIA, the evil criminal organisation, on his tail. Jack Starbright, his new guardian is with him this time as Alex goes to Cairo, in Egypt, with him and Mr Smithers, Horowitz’s version of James Bond’s Q; the gadget man. At the beginning, we see the arch-villain: Zeljan Kurst, meeting a dying Greek millionaire in the British Museum. I recently visited the Museum myself and the detail is amazing, he drags you straight into the room. This book will see, a major twist, Smither’s final shocking gadget, and a new side of Alan Blunt. I would recommend this, to anyone between the ages of 10 to 13, because it’s a bit violent for under 10′s.