A Byzantine Icon was returned to Greece last month after being smuggled out of the country 30 years ago - the country still awaits the return of the Elgin Marbles however, which are seen as by far the most important reunification request.

From:
The Epoch Times

Greece Welcomes Return of Byzantine Icon
Culture minister still awaits returns of ‘Elgin’ marbles
Reuters Dec 14, 2008

ATHENS—Britain returned a 14th century Byzantine icon to Greek authorities last month, 30 years after it was stolen from a monastery in northern Greece, the Culture Ministry said.

The painting of Christ being taken down from the Cross was snatched from a monastery in the city of Serres in 1978 and discovered in 2002 in the hands of a Greek collector in London.

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Although the article title says that it is the Parthenon, it should say Propylaea - which still represents a hugej step forward in the overall Acropolis restoration programme.

From:
Athens News Agency

04/12/2008
Parthenon restoration completed

Scaffolding will be removed from the Parthenon Facade during the next few days and visitors will be able to view the restored largest part of the marble roof with its friezes that made the monument, the work of the architect Mnisiklis, renowned in ancient times.

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More coverage of the return of a looted Byzantine icon to Greece following successful legal action earlier this year.

From:
Artinfo

Britain Returns Stolen Byzantine Icon to Greece
Published: November 20, 2008

ATHENS—Britain has returned a 14th-century Byzantine icon painting stolen from a Greek monastery 30 years ago, BBC News reports. The painting, which is valued at £1 million ($1.4 million), depicts Jesus being lowered from the cross. It was commissioned 700 years ago for the St. John the Baptist monastery in Serres, in northern Greece, and hung there until 1978, when thieves cut it into six pieces and smuggled it out of the country.

In 2002, British police recovered the icon after it was offered for sale by a London-based Greek art collector. The seller failed to provide proof of ownership, prompting the High Court in London to order the painting’s return. An appeal by the seller was dismissed.

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More coverage on the return of a religious icon to Greece - after a thirty year battle. As expected, the British Museum feels the need to disassociate any return from the Elgin Marbles debate.

From:
The Guardian

After 30 years, Greece welcomes back stolen icon
Detective work and British judges close case of missing Byzantine masterpiece
Helena Smith in Athens
guardian.co.uk, Thursday November 20 2008 00.01 GMT
The Guardian, Thursday November 20 2008

A stolen icon, considered one of the finest examples of Byzantine art, was back in Greece yesterday after decades of police work, diplomacy and, finally, a key ruling by the high court in London.

The recovery of the piece, believed to have been painted by a master iconographer in the 14th century and depicting the removal of Christ’s body from the cross, came 30 years after it was stolen from a monastery in northern Greece.

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A religious icon stolen 30 years ago from a Greek monastery has been returned following a British court ruling earlier this year. I’m mused to see the use of the word Elginism at the end of the article.

From:
World Bulletin

Britain returns stolen Byzantine icon to Greece
The painting of Christ being taken down from the Cross was snatched from a monastery in the city of Serres in 1978 and discovered in 2002.
Wednesday, 19 November 2008 16:15

Britain returned a 14th century Byzantine icon to Greek authorities on Wednesday, 30 years after it was stolen from a monastery in northern Greece, the Culture Ministry said.

The painting of Christ being taken down from the Cross was snatched from a monastery in the city of Serres in 1978 and discovered in 2002 in the hands of a Greek collector in London.

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As part of the Acropolis restoration, research is being done into the use of lasers for cleaning the structural elements of the building in a similar way to the sculptures.

From:
Russia Today

Features
November 6, 2008, 17:05
Athens’ Acropolis to shine again

One of the world’s most cherished monuments is undergoing a long-overdue and well-deserved pampering.

Decades of pollution from cars and industry wreaked upon on the Greek capital have caused a dense, black coating encrusting the marble of the temples of the Acropolis.

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Works on the Acropolis Restoration will include the installation of new sensors to measure the effects of earthquakes on the monuments.

From:
Associated Press

Scientists to measure quake effect on Acropolis
By ELENA BECATOROS – 58 minutes ago

ATHENS, Greece (AP) — For thousands of years the Acropolis has withstood earthquakes, weathered storms and endured temperature extremes, from scorching summers to winter snow.

Now scientists are drawing on the latest technology to install a system that will record just how much nature is affecting the 2,500-year-old site. They hope their findings will help identify areas that could be vulnerable, allowing them to target restoration and maintenance.

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Some parts of the restoration works on the Acropolis will be completed in the coming months, allowing visitors their first sight of parts of the building for some years without scaffolding in the foreground. As part of the project, a virtual reality presentation on the history of the restoration work is planned for the New Acropolis Museum, so that visitors can get a better understanding of what is one of the most complex projects of its kind ever undertaken.

From:
Athens News Agency

10/31/2008
Acropolis restoration works

Culture Minister Mihalis Liapis on Thursday inspected works for the restoration of the Athens Acropolis, after which he praised the effort underway.

“The work to preserve and highlight the monuments provides a unique experience for visitors to the Sacred Rock, since a more comprehensive image of the Acropolis is formed that allows the monuments to be better recognised and understood,” he said.

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Despite attempts to publicise the fact that most classical Greek sculptures were originally coloured, in the eyes of the public, they are still very much perceived as pristine & white. Nowhere has this problem of misconstrued opinion been more apparent, than in the 1930s cleaning of the Elgin Marbles under the instruction of Lord Duveen.

A new exhibition in Germany hopes to change people’s understandings of the sculptures, with numerous coloured reconstructions to give people a better idea of how they might have originally looked.

From:
Artdaily

Friday, October 24, 2008
Gods in Color Opens at Liebieghaus Skulpturensammlung

FRANKFURT.- Liebieghaus Skulpturensammlung presents Gods in Color, on view through February 15, 2009. Antique marble sculpture was not white, but colored. This is amply and overwhelmingly attested to by ancient literary sources. Whereas the incontestable fact that ancient sculpture was colored was suppressed during the Italian Renaissance, it was recalled in the nineteenth century; in the twentieth century, it once again paled into insignificance, giving way to an aestheticism directed at clarity. Numerous traces of the original polychromy in antique sculpture have survived. They bear testimony to Greek and Roman statues having worn elaborately ornamented garments painted with precious pigments.

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Following the use of laser cleaning techniques on the Greek Parthenon Sculptures, similar techniques are now going to be used on some of the buildings on the Acropolis site. The restoration of the Acropolis is probably the most technically advanced large scale projects of its type anywhere in the world - showing that although mistakes may have been made in the past, Greece is now very serious about preserving its most important monument.

From:
International Herald Tribune

Greek scientists use lasers to clean Acropolis
Reuters
Published: October 17, 2008
By Deborah Kyvrikosaios

In the past two and a half thousand years, the temples of the Acropolis have suffered fire, bombing and earthquake. Now, scientists are trying to save them from a new modern enemy: pollution.

Standing on a hilltop at the centre of Athens, a city of 4 million people, the Acropolis’ elaborately sculptured stones have fallen prey to a film of black crust from car exhaust fumes, industrial pollution, acid rain and fires.

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Dr Alexandros Mantis is lecturing at King’s College, London on New finds from the sculptures of the Parthenon

From:
Apokrisi

New Finds from the Sculpture of the Parthenon
On: Wed 22 October 2008 - 19:00

Lecture by Dr Alexandros Mantis, Director of the Acropolis Ephorate on the new finds from the Sculpture of the Parthenon. Organised by the Greek Archaeological Committee (UK) this event is open to the public. Further information and bookings on 020 7935 2020. Venue: King’s College London, Strand, London, WC2R

More details on the Hungarian offer to return a number of looted antiquities to Greece.

From:
Artinfo

Hungary Offers to Return Looted Antiquities to Greece
By ARTINFO
Published: September 12, 2008

ATHENS—Hungary has offered to return a number of artifacts that were illegally exported from Greece, the Associated Press reports. The 22 pieces are currently on view at the Museum of Fine Arts in Budapest.

Hungary’s foreign minister, Kinga Goncz, made the announcement yesterday after concluding talks in Athens with Greek Foreign Minister Dora Bakoyannis. She said that Greek and Hungarian experts would convene to study the pieces and discuss which would be returned.

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