Anyone who read the first edition of Mary Beard’s book; The Parthenon, will be pleased to hear that a revised version of it is planned, which will take into account the fact that the New Acropolis Museum discussed in the first edition has now opened & is quite liked by the author.

The Parthenon (Wonders of the World)
Author: Mary Beard
Publisher: Profile Books Ltd
ISBN: 1861973012

From:
The Times Blogs

January 15, 2010
The “new” Parthenon, my new edition?

I wrote my little book on the Parthenon about a decade ago. It looked at the material of, and from, the temples in all its different locations — from the Acropolis itself to the diaspora of the Parthenon in London, Paris, Rome and Wurzburg and other places.

Things have changed a little since then. A small fragment of the Parthenon frieze (and I mean very small) has been sent “back” to Athens from Heidelberg (thanks, largely to a Greek then in the administration of the University of Heidelberg); another, slightly larger piece, has gone back from Palermo.
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A new website (http://www.parthenonfrieze.gr) has created a virtual representation of the surviving frieze fragments of the frieze of the Parthenon in a way that is easily accessible for anyone to view.

From:
Cordis

2010-01-14
The Parthenon Frieze

The Parthenon Frieze is presented in a new website (http://www.parthenonfrieze.gr) which utilizes new technologies to present and elevate cultural content online. This new application, which was carried out by The Hellenic Ministry of Culture and Tourism in collaboration with the National Documentation Centre (EKT), is valuable for specialists and the general public alike.

The Parthenon Frieze, a unique work of art, is presented in a new website (http://www.parthenonfrieze.gr) which utilizes new technologies to present and elevate cultural content online. This new application, which was carried out by The Hellenic Ministry of Culture and Tourism (YSMA-Acropolis Restoration Service, Department of Information and Education) in collaboration with the National Documentation Centre (EKT), is valuable for specialists and the general public alike.
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More coverage of the reversal of the original decision to censor depictions of the iconoclasm from a short fim about the history of the Athenian Acropolis which is on display in the New Acropolis Museum.

From:
Agence France-Presse

Agence France-Presse – 8/4/2009 4:02 PM GMT
Acropolis Museum backs down in Parthenon video row

Greece’s new Acropolis Museum on Tuesday said it will undo controversial editing of a video showing the Parthenon temple vandalised by early Christians in a row that has sparked complaints of Church-backed censorship.

The video will be restored after its maker, renowned French-Greek filmaker Costa-Gavras, said he meant to attach no blame to Christian priests for the destruction, museum director Dimitris Pantermalis said.
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Following coverage of the decision to censor parts of a film on show in the New Acropolis Museum, it now appears that the decision has been reached that for the time being, the film can continue to be shown in its original un-edited version.

From:
Deutsche Presse Agentur

Acropolis Museum decides to leave film of priests hacking Acropolis
Europe News
Aug 5, 2009, 10:52 GMT

Athens – The new Acropolis Museum decided to leave a short film, depicting long-robed Christians hacking away at the Acropolis, uncut despite angry protests by the powerful Greek Orthodox Church, reports said Wednesday.

Just weeks after its opening, the new museum released an informative short film to visitors about the history of the 5th century BC Parthenon temple which shows figures in long robes hacking away at the monument.
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More coverage of the removal of depictions of the iconoclasm from a film on display in the New Acropolis Museum.

From:
Agence France Presse

Acropolis Museum accused of muzzling filmmaker
(AFP) – 20 hours ago

ATHENS — A rights group has accused Greece’s new Acropolis Museum of censoring a video that shows early Christians vandalising antiquities after complaints attributed to the country’s Orthodox Church.

The Greek section of the Helsinki Monitor (GHM) on human rights on Monday said it had filed an injunction application against the museum, demanding that the video by prominent French filmmaker Costa-Gavras be restored in full.
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The Parthenon was originally a religious monument although this meaning of it has been largely lost, being displaced by the building’s position as a national (& international) icon. Religion regularly comes back into its story though – both throughout the history of the building (which was also a church & a mosque) & has recently been highlighted again by the Greek Orthodox church’s objection to parts of a video on display in the New Acropolis Museum.

From:
Religion Dispatches

When Religion Goes Missing in the Modern Museum
By Louis A. Ruprecht
August 4, 2009

The brand-new Acropolis Museum, designed to showcase the repatriated plunder of another century, has instead a few other things to offer — among them, views of other museumgoers from beneath, as well as a newly censored video showing Greek Christians hard at work destroying Classical art.

I. A Museum Half-Full, Half-Empty

On the week of the summer solstice, that most energized and sacred week in the pagan calendar, the Greek government opened a new national museum. The plans for the building, designed by Swiss-born architect Bernard Tschumi, were first revealed at the Venice Biennale in 2002. They have been completed in ambitious fashion. But the new museum is empty.
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Whilst there have been many articles praising the design of the New Acropolis Museum, it is hardly surprising that some people have other views about the design of the building. The building was however the result of a number of competitions, so although some may dislike the design it is clear that many believed it was the best solution to the complex project brief. In many cases we might want a building to be somehow different, but there are always compromises to be made – trade offs between the building & its surroundings, openness & security etc.

From:
Archinect

Archinect Op-Ed: The Acropolis Museum; An Unhappy Fit
Jul 31, 2009
by Jan Lepicovsky

Last June, after three decades of competitions and debate, the Acropolis Museum in Athens opened to the public. It was designed by internationally re-known architect Bernard Tschumi, and it houses nearly 4000 ancient Greek artifacts, including the great stones of the parthenonʼs frieze. I first visited the Acropolis 15 years ago as an undergraduate student of architecture. Last month I had the opportunity to visit the site again, now with the eyes of an experienced architect. Hearing about the controversy surrounding the new museum, I was eager to see how one of the great theorists and idols from my student yeas responded to such a challenging, high-profile commission. My first glimpses of the building brought that familiar rush of excitement and anticipation, the kind you get at a concert just before the performer takes the stage. The simple geometric volumes, one rotated above the other, were familiar from pictures and, seeing it live, I could appreciate its powerful yet restrained presence. I walked the long way around to the front in order to take in the whole exterior. By the time I had made it around the block to the entrance, my initial excitement had faded and a different impression began to form.
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Following their complaints about the depiction or priests damaging sculptures on the Parthenon in a video on show at the New Acropolis Museum, the Greek Orthodox church has been successful in getting these scenes removed from the film.

The original video can still be seen here.

From:
New York Times

Scene Cut From Athens Museum Film After Protests
By THE ASSOCIATED PRESS
Published: July 25, 2009

Filed at 5:48 p.m. ET

ATHENS, Greece (AP) — A scene from an animated film shown to visitors at the new Acropolis Museum that depicts Christian priests destroying parts of the Parthenon has been deleted following protests by the Greek Orthodox Church.

The creator of the segment, Greek-born French filmmaker Constantin Costa-Gavras, has demanded that his name be taken off the film credits in protest.
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Greece’s Orthodox Church has complained about the content of a video about the history of the Parthenon, on display in the New Acropolis Museum. They want the removal of sections showing priests destroying some of the monuments sculptures in the eighth century AD.

Whilst the church leaders may object to this clip within the video, its depiction of the iconoclasm is based on evidence of what actually happened. Surely blocking things like this to revise history merely amounts to censorship, in much the same was as the priests then were trying to censor the pagan sculptures on the buildings. A far better way of dealing with it would be to actually explain in detail why things happened the way that they did then, followed by the reasons why we have moved on from that now & that such practises would no longer be condoned.

From:
GR Reporter

New Acropolis Musem aggravates the Church
24 July 2009

The Greek Orthodox Church has reportedly become angry with administration of the new Acropolis Museum. The grudge is caused by a 13-minute documentary, projected in one of the halls of the museum, which shows, using digital animation, a group of priests in robes destroying sculptures of the Parthenon in the VIII century AD. Interestingly enough, creator of the documentary is the world-famous Greek director Kostas Gavras. The film itself dates back to 2004 and has been shown in front of a big audience at the New York Cultural Olympics, organized during the summer Olympic games of 2004.

The film is devoted to the legendary Athenian chief Pericles and his urban plans. It’s precisely the period under Pericles when the Parthenon has been built on the hill of the Acropolis. The director spends too much time unfolding the temple’s decorations, and only briefly describes the events in the 25 centurial history since it was first built. The first disaster to befall the temple was a big fire in 267 B.C. Next is the early Christian period, which damages a number of the ancient Greek cultural monuments, including the Parthenon which is turned into a church. Other historic events are also visited by Gavras – during the fourth Crusade, the Parthenon is converted into a Roman church. Also in 1458, when the Turks conquer Athens, it is turned into a Muslim mosque. The marble structures, which lord Elgin takes to Britain are also mentioned.
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Following on from the news that traces of original paint have been detected on the surface of the Elgin Marbles in the British Museum, Decoding the Heavens has written about the scientific basis behind this story in more detail.

Read the article here, along with a followup to something hinted at in the first article here.

There have been a few articles recently about how traces of the original paint have been found on the Parthenon Sculptures. Whilst this may come as a surprise to the general public, I am not entirely sure why this is suddenly being touted as a new discovery. Despite the traditional image of white Greek sculptures, for many years it has been known that they were in fact painted originally. If you are allowed access to the Parthenon itself & know where to look, in areas that have been sheltered from the elements there are still clear traces of decorative painting (ok – this isn’t on the sculptures themselves – but the fact that they were coloured it isn’t a huge leap of the imagination, based on the amount of other pieces of evidence that indicate this).

One of the biggest controversies surrounding the British Museum’s treatment of the Elgin Marbles stems from the cleaning of them under the instruction of Lord Duveen. For this reason, the fact that this news has appeared at the same time as the opening of the New Acropolis Museum seems more than coincidental – part of a concerted effort by the British Museum to show that despite their botched & widely condemned efforts to clean the sculptures, there are still traces of paint there (presumably with the added implication that there aren’t traces on the ones in Athens).

From:
Discovery News

Blue Paint Traces Found on Elgin Marbles
Rossella Lorenzi, Discovery News
June 25, 2009 — The Elgin Marbles, the subject of one of the oldest international cultural disputes, were originally coated with shades of blue, a new imaging technique has found.

Some of the 17 figures and 56 panels from a giant frieze that once decorated the Parthenon have revealed traces of an ancient pigment known as Egyptian blue.

The original artifacts were chiseled off in 1801 by Lord Elgin, then the British ambassador to the Ottoman Empire, and have long been a point of contention between London and Athens.
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When the New Acropolis Museum is mentioned, people’s first thought is of the Elgin Marbles. It does however contain many other artefacts – some previously displayed in the old museum on the Acropolis, others never publicly on show before. Their are artefacts from well before & well after the construction of the Periclean Acropolis – as well as the finds from the site of the museum itself which are retained beneath the building.

From:
Athens News Agency

06/25/2009
Tour of the permanent collections of the New Acropolis Museum

The New Acropolis Museum, which will be officially inaugurated on Saturday, contains five Permanent Collections: The Acropolis Slopes, divided into sub-categories on The Settlement, and The Sanctuary; The Acropolis during the Archaic Period, with sub-categories on The Hekatompedon, The Ancient Temple, abd The Votives; The Parthenon, with sub-categories on The Monument, The Metopes, The Pediments, and The Frieze; Other Monuments of the Classical Acropolis, with sub-categories on The Propylaia, The Temple of Athena Nike, and The Erectheion; and Other Collections, with sub-categories on The Sanctuary of Artemis Vravronia, The Votives of the Classical and Hellenist Periods, and The Votives of the Roman Period. ANA-MPA takes its readers on a tour of the collections, in three parts, leading up to the official opening. The Museum opened its electronic gates (www.theacropolismuseum.gr) on Monday.
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