A Byzantine Icon was returned to Greece last month after being smuggled out of the country 30 years ago - the country still awaits the return of the Elgin Marbles however, which are seen as by far the most important reunification request.

From:
The Epoch Times

Greece Welcomes Return of Byzantine Icon
Culture minister still awaits returns of ‘Elgin’ marbles
Reuters Dec 14, 2008

ATHENS—Britain returned a 14th century Byzantine icon to Greek authorities last month, 30 years after it was stolen from a monastery in northern Greece, the Culture Ministry said.

The painting of Christ being taken down from the Cross was snatched from a monastery in the city of Serres in 1978 and discovered in 2002 in the hands of a Greek collector in London.

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Kwame Opoku talks about the accusations from museums that there is no formal demand for the return of artefacts - when in many cases there is a demand, but the institution would prefer to ignore it or not acknowledge it as a formal request.

From:
Afrikanet

Will western Museums now return some of the looted/stolen artefacts?
Datum: 14.12.08 21:46
Kategorie: Kultur-Kunst

Von: Dr. Kwame Opoku

FORMAL DEMAND FOR THE RETURN OF BENIN BRONZES: WILL WESTERN MUSEUMS NOW RETURN SOME OF THE LOOTED/STOLEN BENIN ARTEFACTS?

“The restitution of those cultural objects which our museums and collections, directly or indirectly, possess thanks to the colonial system and are now being demanded, must also not be postponed with cheap arguments and tricks.”
Gert v. Paczensky and Herbert Ganslmayr, Nofretete will nach Hause (1)

We have often heard from those holding on to the looted/stolen Benin artefacts that there has not been any demand for their return by the owners. This is, of course, a blatant lie which often reminds one of an absurd theatre piece. A performer states clearly a view point and immediately thereafter, another character tells the audience that so far no such statement has been made. We have the remarkable situation in which the King of Benin, the Oba, writes in an introductory note in the catalogue of the exhibition Benin: Kings and Rituals -Court Arts from Nigeria requesting the return of some of the Benin cultural artefacts. Almost immediately thereafter, we have directors of four museums organizing the exhibition with the co-operation of Nigeria declaring in a preface that they have no intention of returning these objects and advising the Nigerians to forget the past and look to the future. (2) The Benin demand was also stated by the Enogie of Obazuwa, brother of the Oba, at the opening of the exhibition on 9 May 2008. Some months after the exhibition in Vienna, the show which went to Paris (October 2, 2007-January 6, 2008) moved to Berlin (February 7-May 25, 2008) and we had people from the Berlin Ethnology Museum creating the impression that there had been no request for the return of the Benin bronzes even though at the opening of the exhibition, the Nigerian Minister of Tourism, Culture and National Orientation, Prince Adetokumbo Kayode, had clearly stated the wish of the Nigerians to have back their cultural objects. (3) What kind of game is this?

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Another review of Sharon Waxman’s new book on the looting of the ancient world by museums of the West.

Loot: The Battle Over the Stolen Treasures of the Ancient World
Author: Sharon Waxman
Publisher: Times Books
ISBN: 0805086536

From:
Forbes

Book Review
Give Me Back My Ancient Art
Judith H. Dobrzynski, 12.12.08, 12:00 AM EST
A battle rages between museums and countries of origin.

From time to time, the battle for antiquities that rages between museums, collectors and dealers on one side and governments and archaeologists on the other breaks into the headlines–”Bail Set in Greece for Ex-Getty Curator,” “Antiquities Trial in Rome Focuses on London Dealer” and the like.

The coverage rarely lasts long or goes deep; it tends to sympathize with the countries making claims. Most people probably shake their heads in disapproval of the looters, smugglers, museums and collectors, and turn the page.

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Following Ethiopia’s demands for the return of looted artefacts currently in Britain, Kwame Opoku loks at what this demand means for Ethiopia & other countries.

From:
Afrikanet

Datum: 05.12.08 11:15
Kategorie: Kultur-Kunst
Von: Dr. Kwame Opoku
Ethiopia: The Way in Demand for Restitution of African Artefacts
Ethiopian President shows the Way in Demand for Restitution of African Artefacts

According to a report in The Independent of 23 November, 2008, the Ethiopian President, Girma Wolde-Giorgis, has requested British museums holding stolen/looted Ethiopian cultural treasures to return them.

This is not surprising considering the enormous amount of Ethiopian cultural and historical objects that are in several British museums and universities. The real wonder is that these venerable institutions, including the universities of Cambridge, Edinburgh and others, have not found it necessary in all these years to return the objects which were not made for the British but for the Ethiopians. What kind of message are these learned institutions sending to their students and the rest of the world? They do not seem to be worried that by holding on to these stolen goods they are not only violating the proprietary rights of others but also their religious rights and their right to cultural development. How can they properly practice their religion when their religious objects and symbols are kept by others with whom they have no cultural affinities, thousands of miles away? We have not found an explanation for how those who consider themselves as Christians can steal the religious symbols and objects such as Christian crosses from other Christians? Where is their morality in holding on to stolen religious symbols and objects?

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Kwame Opoku gives some thoughts on Colin Renfrew’s review of James Cuno’s book.

Who Owns Antiquity? Museums and the Battle over Our Ancient Heritage: Museums and the Battle Over Our Ancient Heritage
Author: James Cuno
Publisher: Princeton University Press
ISBN: 0691137129

From:
Afrikanet

Datum: 04.12.08 14:54
Kategorie: Kolumnen
Von: Dr. Kwame Opoku
COMMENTS ON LORD RENFREW’S STATEMENTS ON LOOTED ARTEFACTS
CAN WE CONDEMN CONTEMPORARY LOOTING OF ARTEFACTS WITHOUT CONDEMNING COLONIAL LOOT AND PLUNDER? COMMENTS ON LORD RENFREW’S STATEMENTS ON LOOTED ARTEFACTS

In his review of Cuno’s Who owns Antiquities?, (www.savingantiquities.org) Lord Renfrew sees as a weakness in Cuno’s argument a confusion between antiquities looted in recent times and plunder by imperial powers and declares:

“But the issues in the two cases – modern, clandestine looting, versus colonial or imperial appropriation, mainly during the nineteenth century and by the leading world powers of the day – are not the same”.

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Colin Renfrew has published his review of James Cuno’s book in The Burlington Magazine, reproduced here by SAFE.

Who Owns Antiquity? Museums and the Battle over Our Ancient Heritage: Museums and the Battle Over Our Ancient Heritage
Author: James Cuno
Publisher: Princeton University Press
ISBN: 0691137129

From:
The Burlington Magazine

Who Owns Antiquity? Museums and the Battle over our Ancient Heritage. By James Cuno.
228 pp. incl. 6 b. & w. ills. (Princeton University Press, Princeton and Oxford, 2008), £14.95. ISBN 978–0–691–13712–4.
Reviewed by COLIN RENFREW
McDonald Institute, University of Cambridge

THE POLEMIC OVER what antiquities should be acquired by museums, and which ones they should decline in order to discourage the illicit traffic in them, has become much louder in recent months, with the reluctant return to Italy of antiquities, worth many millions of dollars, by the Metropolitan Museum of Art in New York and by the J. Paul Getty Museum in Los Angeles. These, it was claimed, had been illicitly excavated and illegally exported in recent decades, a charge tacitly accepted by the museums which agreed to their return. In this readable and lucidly argued book James Cuno sets out what might, ten years ago, have been described as the art museum director’s case on the proprieties of ownership and acquisition. His position is still indeed held by the collection of which he is Director (the Art Institute of Chicago) along with such other influential institutions as the Metropolitan Museum or the Boston Museum of Fine Arts. But the times have moved on, and other museums, including now the Getty itself, have shown themselves willing to adopt more careful acquisition policies and to avoid buying antiquities which might have been the product of looting. Cuno here, thoughtfully and with well-chosen examples, reasserts the traditional view.

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Sharon Waxman’s book Loot continues to receive large numbers of reviews in the US. Even if people only read the review & do not buy the book, this will still increase awareness on the issues of looted artefacts & help to keep the subject on the radar.

Loot: The Battle Over the Stolen Treasures of the Ancient World
Author: Sharon Waxman
Publisher: Times Books
ISBN: 0805086536

From:
The Payson Roundup (Arizona)

Loot: The Battle Over the Stolen Treasures of the Ancient World
Reviewed by Larry Cox
December 3, 2008

For the past two centuries, the treasures of the ancient world have been shamelessly plundered. One of the most graphic examples involves the tomb of Amenophis III in Egypt’s Valley of the Kings. Looters in the 19th century hacked the head out of the pharaoh in three murals. Those fragments are now on display in the Louvre, leaving behind the original mural, which is permanently defaced.

Other ancient treasures also were looted and are now scattered throughout the world. The Elgin marbles originally crafted for the Acropolis are in London, dozens of Etruscan masterworks now reside in American collections, and there are now almost as many mummies in France as in Egypt.

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More coverage of the return of a fragment from the Parthenon (note that whilst this is a decorative element of the building, it is not a part of what is normally described as the Parthenon Sculptures (frieze, metopes & pediment). Nonetheless, it still represents yet another significant return within a single year).

From:
Press TV (Iran)

Greece retrieves Parthenon marble piece
Wed, 03 Dec 2008 15:49:18 GMT

Greece has retrieved a marble fragment belonging to a Parthenon temple, which was removed by an Austrian soldier during World War II.

The piece, which was part of a frieze decorating the temple’s inner colonnade, bears an inscription saying it was taken from the Acropolis in Athens on February 16, 1943, when Greece was occupied by the Germany-led Axis powers.

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This interview with Sharon Waxman indicates that the Getty’s reaction to her recent book on looted artefacts has not been particularly positive, due to her coverage of some of the institution’s practises.

Loot: The Battle Over the Stolen Treasures of the Ancient World
Author: Sharon Waxman
Publisher: Times Books
ISBN: 0805086536

From:
Boston Globe

Sharon Waxman: On the trail of ‘Loot’
Posted by David Beard, Boston.com Staff December 2, 2008 07:22 AM

Sharon Waxman, a former Washington Post and New York Times culture reporter, appears in Cambridge on Wednesday to speak about “Loot” (Times Books), her account of the US and European plunder of Third World antiquities — and the return home for some of the art. She spoke from her home in Los Angeles.

Q: Your last book, “Rebels on the Backlot,” was about six Hollywood bad boy film directors of the 1990s. Could “Loot” be any more different?

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A fragment from the Acropolis taken from Athens during World War Two has been returned.

From:
Reuters

Acropolis marble taken by soldier is returned
Tue Dec 2, 2008 2:45pm EST

ATHENS (Reuters) - Greece welcomed back on Tuesday a marble fragment from a frieze decorating the Parthenon temple which an Austrian soldier removed during World War Two, but renewed a call for all its stolen treasures to be returned.

An inscription on the fragment, measuring 7-by-30 cm (2.8 by 12 inches), says it was taken from the Acropolis in Athens on February 16, 1943 — in the midst of the three-year occupation of Greece by the Axis powers, led by Germany.

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The Peruvian government intends to Sue Yale University for the return of historic artefacts, following problems with the agreement previously reached with the institution.

From:
All News Web

Peru wants Machu Picchu artifacts back from Yale
2-12-2008
Peru wants Machu Picchu artifacts back from Yale

The government of Peru is moving ahead with plans to sue Yale University over thousands of valuable and historically significant artefacts that were sent there by Hawaiian born Hiram Bingham, the explorer and politician who rediscovered Machu Picchu in 1911. Peru’s justice ministry has already appointed a team of lawyers to deal with the case however details of where the case will be heard remain unconfirmed. It is believed that the case will be heard in the US so as to be binding on the Connecticut University.

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Sharon Waxman, author of Loot, looks at the Metropolitan Museum’s upcoming change of director & how the museum might handle future cultural property restitution claims.

Loot: The Battle Over the Stolen Treasures of the Ancient World
Author: Sharon Waxman
Publisher: Times Books
ISBN: 0805086536

From:
New York Times

Op-Ed Contributor
How Did That Vase Wind Up in the Metropolitan?
By SHARON WAXMAN
Published: December 1, 2008
Los Angeles

THE imminent arrival of Thomas Campbell as the director of the Metropolitan Museum of Art is much more than a simple changing of the guard after the long tenure of his predecessor, Philippe de Montebello. Mr. Campbell, who will take over one month from today, is a 46-year-old curator from the Met’s department of European sculpture and decorative arts, and he has a unique opportunity to shift the tone of an enduring and increasingly hostile debate in the world of art and museums: Who should own the treasures of antiquity?

Up to now, the parties on either side of this dispute have stood in opposing corners with their fingers in their ears. The governments of Italy and Turkey have filed lawsuits to force the return of plundered and looted artworks. Egypt has threatened to suspend excavation permits if iconic artifacts are not repatriated. Greece has built a new museum in Athens in large part to justify its renewed demands for the return of the Elgin Marbles from Britain.

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