Ertuğrul Günay, Turkey’s Culture Minister, believes that the museums of the west are now panicking because of his country’s intensive focus during the last year on the recovery of looted artefacts from their collections.

From:
Hurriyet Daily News

Turkey’s artifacts move panics West museums
Barçın Yinanç
December/24/2012

ISTANBUL – Hürriyet Daily News
Western museums appear to be panicking as Turkey continues to facilitate the return of many stolen artifacts, says Culture Minister Ertuğrul Günay

Turkey remains committed to repatriating all the artifacts that have been stolen from its soil over the years, Culture and Tourism Minister Ertuğrul Günay has said while expressing hopes that regional neighbors will also receive back their ancient treasures.
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Unusually for this website, there is another entirely different point that can be drawn from the Staffordshire Hoard, in addition to comparisons of Britain’s approach to saving artefacts for the nation.

This news story illustrates very well, the benefits of proper, well documented excavations – since the original hoard was discovered, many other finds have been made nearby & archaeologists are analysing whether these are a part of the same hoard or somehow connected to it. Much of the knowledge that we gain from these finds would have been lost though, if archaeologists had not known the full details of the previous finds on the site. When illegal excavations are made, not only do the artefacts normally disappear into a black market away from the public eye, but even if they are eventually recovered, little is known about exactly where they were found, or what other items might have been found in close proximity to them.

From:
BBC News

18 December 2012 Last updated at 16:38
Staffordshire Hoard: ‘Shedding light on the Dark Ages’

“The period is traditionally called the Dark Ages because we don’t know enough about it, but finds like this can definitely shed some light on that period,” says archaeologist Steve Dean.

He works for Staffordshire County Council and was part of a team that uncovered 90 new items of gold and silver believed to be part of the Staffordshire Hoard.
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Greece has introduced a draft resolution to UNESCO regarding the return of disputed artefacts to their countries of origin. In the context of the country introducing this resolution, it is fairly clear that it is at least partially aimed at the case of the Parthenon Marbles, although it would apply to many other items too.

From:
Greek Reporter

Greece Pushes UNESCO On Cultural Heritage
By Nicky Mariam Onti on December 13, 2012

A Greek official, Anastassis Mitsialis, introduced a draft resolution before the United Nations Educational, Scientific and Cultural Organization (UNESCO) urging the return or restitution of cultural property to the countries of origin.

He said that, “Cultural heritage is the mirror of a country’s history, thus lying within the very core of its existence, since it represents, not only specific values and traditions, but also a unique way a people perceives the world.”
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While this story is not really that relevant to the subject in hand, it does appear that a museum is acting like a microcosm of the subject it is supposed to be educating people about.

On the one hand, you have Britain (in the days of the British Empire), regularly taking items from other countries that were under its control, on the basis that these items were taken on loan to be studied, yet when the original owners asked for them back, the return was rarely forthcoming & they discovered that the items were now held in some grand museum & could no longer legally be returned.

Contrast this with a museum set up to tell the story of the days of Britain’s empire (looking at it from a present day perspective), that borrowed various items on loan from individuals – yet when the original owners asked for the items back after the museum had closed, they discovered that their property had been lost or sold at auction.

History repeats itself, for as long as public institutions do not have proper procedures in place that give equal weighting to the acquisition & the deaccessioning of items in their collections.

From:
Guardian

Row erupts over British empire museum’s ‘lost’ artefacts
144 items loaned to British Empire and Commonwealth Museum believed to be missing, with some sold without owners’ consen
Steven Morris
The Guardian, Monday 10 December 2012

Almost 150 artefacts lent to a museum set up to tell the story of Britain’s colonial past may be missing, it has emerged, with some of them having been sold without their owners’ permission.

Trustees of the British Empire and Commonwealth Museum in Bristol, which has now closed, are in talks with about six of the owners about compensation.
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Turkey is planning on taking the dispute over the Mausoleum of Halicarnassus (Currently in the British Museum) to the European Court of Human Rights. This follows on from Turkey’s aggressive campaigning in recent months against various museums holding artefacts from Turkey, where the ownership is disputed.

From:
Guardian

Turkey turns to human rights law to reclaim British Museum sculptures
Dalya Alberge
guardian.co.uk, Saturday 8 December 2012 19.29 GMT

Human rights legislation that has overturned the convictions of terrorists and rapists could now rob the British Museum of sculptures created for one of the seven wonders of the ancient world.

A Turkish challenge in the European court of human rights will be a test case for the repatriation of art from one nation to another, a potential disaster for the world’s museums.
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Just like the auction of casts by Christies, this story might be connected to Lord Elgin & may also be connected to Marbles – but really has very little to do with the Elgin Marbles.

From:
Daily Telegraph

Art market news: Sotheby’s sell Elgin marble
Last week Sotheby’s sold a marble bust owned by Lord Elgin, aquired in from Rome in 1799 for $8.2 million (£5.1 million
By Colin Gleadell
3:22PM GMT 11 Dec 2012

Had it been one of the Greek marbles which Thomas Bruce, the 7th Lord Elgin, spirited out of the Parthenon in Athens, shipped home to England, and sold to the British Museum in 1816, then last week’s sale in New York would have been a front-page scandal. Not only are they owned by the British Museum, but the Greek government has for years been trying to negotiate their return to Athens. However, Sotheby’s did have a marble bust which the same Lord Elgin acquired at that time, not from the Parthenon, but from Rome, which was never sold and has stayed in the family ever since. In 1799, shortly before his departure for Constantinople, where he was to be British ambassador to the Sultan, and from where he was to conduct the removal of the Parthenon marbles, the Earl instructed his private secretary, William Robert Hamilton, to go to Rome and buy “marbles” for his ambassadorial residence. Among these marbles was a portrait bust of Germanicus (pictured), the father of the Emperor Caligula, showing him as a young heroic figure.
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While its great to enable as many people as possible to see iconic ancient artefacts, I have a couple of issues with this. First of all, it seems that a loan to not one, but five different museums can take place with relatively little fuss – yet when it was loaned to Iran (the original owners of the artefact), it was a long drawn out process over a number of years involving threats of legal action and to withdraw other cooperation before finally they were able to receive it.

At the end, Neil MacGregor talks about Universal Objects – clearly, this is the next step on from the Universal Museum, which he is is so fond of. Clearly now, we can have objects, that by association of name, if nothing else, can only be displayed in Universal Museums and are no longer valid for consideration for return to their original owners. As with the Universal Museum concept though, the real issue though, as I have mentioned before, is that the museums claiming to fill this role are entirely self appointed to it. No international committee chose them for this, no others were involved in assigning them to this undertaking.

From:
New York Times

November 27, 2012, 7:00 pm
A British Museum Treasure Will Visit the United States
By CAROL VOGEL

The Cyrus Cylinder — one of the most famous objects in the British Museum — will travel from its home in London to five museums in the United States next year.

Often referred to as “the first bill of human rights” because its inscription encourages freedom of worship throughout the Persian Empire, it is a small clay object — not quite nine inches long — bearing an account, in Babylonian cuneiform, by Cyrus, the King of Persia of his conquest of Babylon in 539 B.C. The cylinder was found in what was once Babylon, now Iraq, in 1879 during a British Museum excavation and has been on display at the museum ever since. It is one of the most famous objects to have survived from the ancient world.
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Yet again, we see an example, where campaigns to keep items in the area where they were found are praised as a great thing, whereas campaigns for the return of looted artefacts are decried as cultural nationalism.

I have no particular objection to the first part – but if we follow this path, then we must somehow find a way to stop objecting to the second part – there is no reason why the cases should be treated in a completely different way depending on which side of the fence we find ourselves in the argument. M any of the cases like this that crop up are within a country – but this still makes them not much different from the Lewis Chessmen, the Mold Cape, or the Lindisfarne Gospels.

What makes the whole situation even less logical, is that many of the items that have been the subject of cultural regionalism have very little to actually tie them to the region where they were found. Often, they are lose items like coins or jewelry that could have been transported anywhere. We have little idea of who they belonged to, or quite how they ended up where they did. Compare such cases to that of the Parthenon Marbles – purpose designed and carved to be seen in a specific way on a specific building in a specific location. The context in their cases was everything – they were never like a painting or small statue to be moved around, but as much a part of the building as the columns, walls, floor or roof.

From:
Redditch Advertiser

Worcestershire Hoard will come back to the county for good
2:50pm Tuesday 27th November 2012 in News

MUSEUMS Worcestershire is delighted that the appeal to raise funds to acquire the Worcestershire Hoard has been successful and the hoard will now come back to the county where it belongs.

Efforts to raise funds to conserve and display the coins will continue into the New Year.

Just over a year ago Worcestershire hit the headlines with the discovery of the largest haul of treasure ever found in the county, a stash of almost 4,000 Roman coins discovered by two metal detecting enthusiasts, including Jethro Carpenter from Redditch, in the Vale of Evesham on Bredon Hill.
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Marbles Reunited’s campaign Manager, Maria Koutsikou attended a lecture given in Athens yesterday by John Fardoulis, the person in charge of the excavations of Lord Elgin’s ship, The Mentor, which was wrecked off Kythera en-route to England via Malta.

You can read the full writeup of the event here.

All the artefacts taken from the museum in Olympia earlier this year have now been recovered, after a police operation arrested three suspects.

From:
China Post

Greek police crack Olympia robbery, recover artefacts after three Greek men offer them
Updated Monday, November 26, 2012 0:03 am TWN, AFP

PATRAS, Greece–Greece officials announced on Saturday they had solved an embarrassing museum robbery in Olympia in February after a police sting operation netted three suspects and recovered dozens of archaeological artifacts.

Earlier Saturday, police said they had arrested three Greek men aged between 36 and 50, and were seeking another two suspects.
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For some months now, Turkey has been increasing their efforts to retrieve disputed artefacts held by foreign museums. Now, their Culture Minister Ertugrul Gunay is requesting a dialogue with the Louvre over the return of various artefacts held by the French Museum.

From:
Art Daily

Turkey’s Culture Minister Ertugrul Gunay wants talks with France on ‘stolen’ antiques
Friday, November 23, 2012

PARIS (AFP).- Turkey wants to start a “dialogue” with French authorities for the return of tiles and other antiquities on display at the Louvre museum in Paris, Culture Minister Ertugrul Gunay said Thursday.

Saying the artefacts “were stolen at the end of the 19th century”, Gunay said: “We want talks to start between French authorities and the board controlling Turkish museums to work on the issue and take stock.
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The Mausoleum of Halicarnassus was one of the seven wonders of the ancient world. It is now in the British Museum in London and groups in Turkey have for some time campaigned for its return.

You can add your signature to their petition here.

From:
Hurriyet Daily News

Campaign started for relic
ISTANBUL – Hürriyet Daily News

A digital signature campaign has been initiated ahead of a lawsuit that will be opened at the European Court of Human Rights (ECHR) in January for the return to Turkey of the Halicarnassus Mausoleum.

According to a written statement, several artists have signed the campaign on the website www.askinmabedi.com. The signatures will be collected as part of the lawsuit lawyer Remzi Kazmaz will file, with 30 other lawyers, at the ECHR on Jan. 30.
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