Greek Culture Minister Nikos Xydakis has announced that the country is considering raising the admission fees for Archaeological sites.

In many ways, it is a shame that more of the archaeological sites and museums in Greece aren’t given more autonomy to set their own charges. As far as I am aware, the Acropolis Museum is the only state run institution with any real control over its own budget. As this worked fairly well (the museum has never closed due to strikes), I would have thought that other locations in the country ought to have also transferred to a similar model.

A new ticketing system sounds great (in theory), although Greece has never had the massive waits in queues that every site in Rome seems to. The focus here seems to be more ass using it as an excuse to increase charges than anything else.

Greek culture minister Nikos Xydakis

From:
ANSA Med

Greece: Athens mulling hikes to ticket prices at museums
18 May, 16:11

Greece’s Culture Ministry has appointed a team of experts that are amining a change in the price structure of tickets to enter Greek museums and archaeological sites, Culture Minister Nikos Xydakis revealed on Monday as Kathimerini online reports. In a response to a question in Parliament, Xydakis said the panel would be examining schemes implemented in other countries and would not be proposing an across-the-board increase in ticket prices.

Xydakis added that the government will also introduce tickets giving access to multiple sites and museums. He said that a new ticketing system would be introduced at the Acropolis from June and would then be extended to the next 59 most popular sites and museums. The minister also indicated that the ministry would like to make greater commercial use of Greece’s heritage via the Internet, including offering more merchandise

An architectural competition is soon to be announced, to redesign the entrance route to the Athenian Acropolis.

Entrance path to the Acropolis

From:
ANSAmed

Greece: architecture contest to redesign Acropolis access
26 January, 14:34

Greek culture ministry is set to announce an international architecture contest inviting contestants to present proposals that will make access to the Acropolis more functional and friendlier for disabled visitors and improve the aesthetics of the surrounding area, Greek Travel Pages (Gtp) website reports. Renowned Greek architect Dimitris Pikionis, responsible for the landscaping work of the pedestrian walkways around the Acropolis in the 1950s, envisioned the entrance to the archaeological site as a sort of pilgrimage where visitors, on their way up to the Parthenon, would gain the overall view of the area from all its angles. In efforts to save time, however, tour guides created several side roads leading to the site, which contributed to overcrowding at its main entrance. According to Kathimerini daily, the competition aims to restore Pikionis’ initial vision and plan with the winning architect successfully redesigning the site’s entrance facilities. (ANSAmed).

At the conclusion of the conference in Egypt on the restitution of looted artefacts, Zahi Hawass re-iterated a point that he has made in the past, that Museums that he has the power to make life very difficult for institutions that refuse to co-operate to try & resolve cases involving disputed artefacts.

From:
Bloomberg News

Egypt’s Hawass Sees ‘Miserable Life’ for Museums With Relics
By Daniel Williams

April 8 (Bloomberg) — Egypt’s chief antiquities administrator wrapped up a two-day conference among countries that want valuable relics held abroad returned by threatening to make “life miserable” for museums that keep them.

“We will decide together what to do,” said Zahi Hawass, who heads the Supreme Council of Antiquities, at the end of the Cairo conference that attracted 16 delegates and nine observers from abroad. “We will make life miserable for museums that refuse to repatriate.”
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Although it was always agreed that the Parthenon Frieze fragment from Palermo was being loaned to Greece for a limited period, it was always hoped that this loan might be extended, or in some way made semi-permanent. Unfortunately it appears that this was not the case however.

One positive side to this though is it weakens one of the arguments from the British Museum for rejecting the possibility of loans to the New Acropolis Museum – That they only loan items that they expect to be safely returned at the end of the loan period.

Hopefully Italy will see the benefits of returning the fragment permanently at some point in the future.

From:
ANSA (Italy)

CULTURE: PARTHENON FRIEZE FRAGMENT RETURNS TO PALERMO

(ANSAmed) – PALERMO – A ship sailing from Naples has brought a fragment of the Parthenon’s frieze back from Athens where it has been on show since September 2008. The find had first been housed at the city’s old Museum of Archaeology, where it was visited by Italy’s President Giorgio Napolitano, before being transferred to the new Acropolis Museum. The art treasure, a piece of stone measuring 34 by 35 centimetres, is being kept in Palermo in a double strong box before being returned to the region’s ‘Antonino Salinas’ archaeological museum, where it has been an exhibit for over a century. The stone is a fragment of Phidias’ eastern frieze of the Parthenon and features a foot of Peitho, the Greek goddess of persuasion. The piece had been part of the collection of a British diplomat before it was donated by his widow to the University of Palermo in 1836; it then passed into the collection of Palermo’s National Museum when it was founded in the second half of the 19thcentury. The fragment will be on view when the Antonino Salinas Museum reopens. (ANSAmed).

A new exhibition hosted in the Colosseum, traces how Italy learned the importance of protecting its heritage & the methods used to stop its destruction, beginning in the Renaissance & continuing to the present day.

From:
ANSA (Italy)

2008-10-03 15:36
Colosseum spotlights saved art
Exhibit shows how Italy learned to save its heritage

(ANSA) – Rome, October 3 – A new show at the Colosseum highlights Italy’s strong tradition in preserving its art heritage.

The exhibition, entitled Ruins and Rebirth of Art In Italy, shows how efforts to foil tomb raiders stretch from the Renaissance to the present day, culminating in the formation of Italy’s world-famous art cops, a Carabinieri unit which has worked in Iraq and other countries targeted by traffickers.
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Following occasional hints in the preceding weeks from the Greek press & yesterday’s meeting of Greek & Italian presidents, the Palermo fragment from the Parthenon frieze has now been returned on loan to Athens.

This is not the first piece from the Parthenon sculptures to be returned, but follows on from the reunification of another smaller piece by Heidelberg University two years previously.

The Palermo fragment return has a long history to it & efforts have been ongoing to secure its loan despite previous attempts that failed. It was originally taken from Greece by Lord Elgin & found its way to Palermo as a gift, separated from the remaining Elgin Marbles in London.

The British Museum have tried in the past to argue that the Parthenon Sculptures are spread across many different locations & that their institution should not be specifically be targeted. The number of other institutions holding on to fragments of the sculptures is rapidly falling though, making the British Museum’s argument progressively weaker.

From:
Associated Press

Italy returns piece of Parthenon Marbles to Greece
By NICHOLAS PAPHITIS – 15 hours ago

ATHENS, Greece (AP) — Greece has finally taken possession of a chunk of the Elgin Marbles, and now holds renewed hopes of regaining the rest.

Italian President Giorgio Napolitano on Tuesday presented Greek authorities with a small piece of sculpture from the Parthenon kept in a museum in Palermo, Sicily, for the past 200 years.
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