The British Museum is running out of time in which to return the Elgin Marbles before the New Acropolis Museum highlights the missing pieces for the whole world to see.

From:
Bloomberg News

Acropolis Museum Awaits Missing Body Parts, Held in London
By A. Craig Copetas
July 28 (Bloomberg)

At Athens’s New Acropolis Museum, the most popular exhibit is in London.

That absent art would be what the Greeks label the Parthenon Marbles, the British brand the Elgin Marbles and what the sculptor Greg Wyatt reckons are history’s most important and fought-over examples of priceless classical sculpture.
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The New Acropolis Museum in Athens is due to open imminently. Unfortunately though, there is still no sign of its star exhibits being there for the opening.

From:
Guardian

Acropolis now
Athens’s new museum is spectacular, even without its star exhibits. Kevin Rushby gets a sneak preview
Kevin Rushby, The Guardian, Saturday July 26 2008

Walking through bright sunshine and crowds of tourists in an Athenian street, I glanced down and read the publicity blurb in my hand. The story was there, contained in just a few words: “Museum mission: to house all the surviving antiquities from the Acropolis within a single museum of international stature.” Actually the entire story is distilled into one word: ALL. But they might have added that it has been a 207-year mission to return the so-called Elgin Marbles – the first being cut down from the Parthenon on July 31, 1801.

A little further up the road and both buildings are in sight: to my right, rising from a skirt of trees, is the knobbly hill of the Acropolis, crowned by the Parthenon; to my left, behind some low buildings, is the New Acropolis Museum. The international stature of the Parthenon requires no words, but does this new museum live up to the lofty ambition? And the big question: does it have the requisite stature even when ALL the antiquities are not present – because half of them are in London?
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Dimitrios Pantermalis is the president of the Organisation for the Construction of the New Acropolis Museum. He talks here about various aspects of the New Acropolis Museum.

Make sure to also watch the videos of his interview available in two parts here & here.

From:
Global Atlanta

New Acropolis Museum to Open in Fall After Monumental Move
Phil Bolton – Publisher
Atlanta – 07.23.08

The new Acropolis museum in Athens, Greece, is scheduled to open in September, marking the end of the monumental tasks of building a 270,000-square-foot structure on an earthquake prone site and then transferring 2,500-year-old antiquities into their new home.

Dimitrios Pandermalis, president of the new museum and an archaeologist who has been overseeing the project for years, told GlobalAtlanta in a filmed interview that when the museum is finally opened its anticipated 3 million annual visitors will have “a realistic idea” of what classicism is all about.
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After much speculation & various conflicting reports, it now appears in the New Acropolis Museum, the copies of the British Museum’s Parthenon Sculptures will be displayed with a whiter colour than the authentic sculptures that they sit amongst. There is a certain irony in this of course, harking back to the cleaning controversy of the 1930s. Maybe once the actual sculptures are returned, they will still look much whiter.

This article is also notes that the museum is now scheduled to open in September of this year.

From:
The Art Newspaper

Parthenon frieze will be recreated in New Acropolis museum
Originals to be displayed next to plaster casts of British Museum’s marbles
Martin Bailey | 10.7.08 | Issue 193

LONDON. The long-awaited formal opening of the New Acropolis Museum in Athens has now been scheduled for September, after a series of delays. The gallery housing the Parthenon marbles, at the top of the museum, with a view towards the actual Parthenon 300m away, will be finally unveiled, although many of the other displays are not expected to be completed until next year.

After years of discussions, the museum has now decided how it will present the marbles. The originals are being displayed alongside plaster casts of the pieces removed from Greece, most of which are in the British Museum in London.
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The opening of the New Acropolis Museum later this year will represent one of the most significant events in the museums world for some time – not necessarily because of the building’s facilities, but because of what it will stand for. The question remains though over whether the British Museum will acknowledge this fact & allow the Elgin Marbles to be reunited in their rightful home.

From:
The Sunday Times

From The Sunday Times
July 6, 2008
The new Greek Acropolis Museum
The Acropolis will this year have a museum fit for Greece’s greatest treasure, the Elgin Marbles
Mark Hodson

A new museum will open in Athens later this year. No big deal, you might think. You’d be wrong. The New Acropolis Museum is not merely a dazzling piece of modernist architecture, but the latest gambit in a 200-year campaign for the return of the Elgin Marbles.

The museum, which has been 30 years in the planning and has cost the Greek government more than £100m, will at last provide a permanent home for the greatest treasures of the classical period, safe from the city’s corrosive, polluted air.
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After visiting Athens, Mary Beard has concluded that the spaces within the New Acropolis Museum are very impressive & live up to all expectations. She is still not convinced however about how well the outside sits with the rest of the city. Personally, I think that in a few years, people will get used to its look & learn to appreciate it as part of the city.

From:
The Times blogs

June 30, 2008
The New Acropolis Museum is good . . .

. . . from the inside at least. I’m not so sure about the outside.

I’ve been in Athens for a few days and the main purpose was to see round the New Acropolis Museum, nearly finished and with a few sculptures already installed. My expectations were a bit muted, and I’d read rather too much about the whole thing being a mausoleum for the missing Elgin Marbles.

Actually it was, in all sorts of ways, a very nice surprise. The top floor where the Parthenon Marbles are to be displayed worked especially well – looking directly at the temple on the Acropolis itself and, as the jargon goes, having “a conversation” with it (though one of my Greek friends did mutter darkly about it being a rather one-sided conversation).
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Bernard Tschumi, the designer of the New Acropolis Museum speaks about some of the key points of the design of this building.

Form:
Greece Now

Museum with a view
New Acropolis Museum architect Bernard Tschumi speaks to Greece Now about his Parthenon ‘glass house’

Swiss theorist, teacher and architect Bernard Tschumi believes in building spaces that make events happen. As the winner of the New Acropolis Museum contract, this philosophy of his will be put to the ultimate test. And though the Parthenon marbles’ return to Greece from the British Museum amidst 2004 Olympic fanfare is not guaranteed, there is an entire floor in Tschumi’s contract-winning plan for the disputed 160-metre frieze.

The winning design (created with Greek architect Mihalis Fotiades) was among 12 projects invited to compete by the Organisation for the Construction of the New Acropolis Museum. After three fruitless competitions (two Greek, one international) held for the museum since 1976, construction is finally set to begin by the end of the summer.
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Mention the Parthenon to someone in Tennessee & it is likely that they will think you are referring to the copy in Nasahville, rather than the original in Athens. The Nashville copy is the most complete replica of the building, but it entirely lacks the imposing context of the original, being located in a flat park. There is another less known copy – the Walhalla in Germany, that whilst not being an exact copy of the building, enjoys a far more similar location, & as a result manages to recapture some of the magic of the Athenian Acropolis.

From:
Guardian

Welcome to Nashville, home of rhinestone, cowboys…
…and the Parthenon. Jonathan Glancey on the Athens of the south
Jonathan Glancey
Monday June 11, 2001
The Guardian

Subtract Elgin marbles from Parthenon and what do you get? Trouble, on a suitably epic scale. The battle for the return of the Parthenon frieze to its original home in Athens has been, to say the least, protracted. This summer it enters a fresh phase as 14 firms of architects around the world, but mostly in Greece, prepare designs for the new Acropolis museum – a cluster of three modern pavilions, one of which will be reserved for the Elgin marbles. How long it will stay empty remains to be seen. The position of the British government is that the marbles will stay in London.

Some 20bn drachmas (£36m) have been promised for the winning design team. The result will be announced later this year, and work is due to begin on the building at the start of 2002. One answer might be to reproduce the marbles. Well, maybe not. Everyone wants the real thing, and, in this case, the real thing is of undimmed magnificence – unlike the tourist-besieged Parthenon itself, which continues its long, slow decline, ravaged by pollution.
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Previously, one of the reasons given for the British Museum’s retention of the Elgin Marbles was the fact that Greece had no suitable location to put them if they were returned. With the construction of the New Acropolis Museum though, this argument will no longer hold water though.

From:
Columbia News

Architecture Dean Bernard Tschumi Designs New Acropolis Museum in Athens
By Jason Hollander

Rarely does an architect have to consider factors like international political debate and the history of western civilization when designing a building. However, Bernard Tschumi, dean of the School of Architecture, Planning and Preservation, had to pay close attention to both before submitting his plan for the new Acropolis Museum, which will break ground this summer in Athens, Greece.

Set only 800 feet from the legendary Parthenon, the museum will be the most significant building ever erected so close to the ancient temple and was commissioned by the Greek government to be completed in time for the 2004 Summer Olympic Games in Athens. The structure will also be used in an attempt to help bring the Elgin Marbles back to the city after two centuries in a foreign country. But to understand the importance of the future museum, one first has to examine the history of the land.
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