A humorous look (which raises a lot of important issues) about whether the Parthenon Sculptures should be returned to Greece & some of the implications that such a move might have if it did take place.

From:
Huffington Post

Losing Our Marbles: Should Britain Return the Elgin Marbles to Greece?
Posted: 4/04/2012 00:00

The unwritten rules of decorum state it is impolite to discuss sex, politics or religion at dinner parties. I would like to add one more topic to that list – cultural repatriation. As discursive stink-bombs go it’s not often a headline act, but there are few controversies more likely to invoke a full-on food fight during the middle of the cheese course than the concept of returning archaeological heritage to various peoples around the globe. Now, just months from the Olympics, the campaign is being stepped up once more for the return of the Elgin Marbles to the Greek nation, and another messy argument seems inevitable.

First thing’s first, why are they the Elgin Marbles? Well, here lies our first trip hazard – we do not refer to them as the Parthenon Marbles (the building they were intended for) or the Phidian Marbles (the sculptor who crafted them), but instead they have taken the name of the aristocrat who nabbed them from Greece. As far as I am aware, lumps of rock are unaffected by Stockholm Syndrome, so it’s not the Marbles themselves who are identifying with their kidnapper. No, it’s the British people who have dubbed them Elgin’s Marbles, in gratitude for the Lord’s generosity in selling them, at a reduced price, to the nation in 1816. So, already Britain has committed an act of appropriation through nominative rebranding. The name implies they were Elgin’s to sell in the first place.
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More coverage of the problems facing Greece’s ancient sites, as a result of the country’s continuing financial difficulties. Unfortunately, it seems at the moment that the end of these problems is a long way off, so the issues are not going to disappear quickly, although help from other countries in blocking sales of looted artefacts helps to limit the market for such items.

From:
Agence France Presse

Amid debt crisis, archaeology Greece’s Achilles heel
By Isabel Malsang (AFP)

ATHENS — Faced with massive public debt, Greece is finding that its fabled antiquity heritage is proving a growing burden — with licensed digs postponed, illegal ones proliferating, museum staff trimmed and valuable pieces stolen.

“Greece’s historic remains have become our curse,” whispered an archaeologist at a recent media event organised to protest spending cuts imposed on the country for the past two years as a condition for European Union and International Monetary Fund loans.
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A reader responds to the article in the Guardian about the reasons why the Parthenon Marbles weren’t the only special case for restitution.

From:
Guardian

Series: Brief letters
Tuesday 3 April 2012 21.00 BST

Mike Pitts (Can we have our past back?, G2, 3 April) writes “it should be noted that none of the Parthenon sculptures can be set on the original building, they have to be exhibited in museums, wherever they may be”. There is only one appropriate museum, constructed in the hope of the sculptures’ eventual return: the excellent Acropolis museum. Here there is a full-scale reconstruction of the Parthenon, on the same alignment, and within view of it. The casts that now adorn it could be sent to Britain, and the originals returned to their rightful place.

Mary Lambell
Reigate, Surrey

The Acropolis Museum in Athens has now been added to Google’s Art Project.

You can view the actual project page for the museum here.

From:
The Next Web

Google’s Art Project grows larger with 151 museums online across 40 countries
3rd April 2012 by Jamillah Knowles

Google has announced that Google Art Project, where art lovers, students and armchair travellers can explore the visually creative world, has seen a major expansion. Now culture fans will be able to explore sculpture, street art and photographs from 151 museums in 40 countries.

The service was launched last year as a successful “20% project”, where Google employees can spend 20% of their time working on personal projects. It allows users to browse thousands of works of art in exceptional detail and uses technology like Picasa and App Engine along with technology that enables Street View to enter museums and collections.
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This article appears as a response to the previous article in the Guardian. There are many things that make the Parthenon Sculptures a special case – the fact that they form part of a greater whole & that they were designed to be seen in a specific context, not as an object could be easily relocated are just a couple of them. This is not to deny that other cases have merit to them as well – each case should be judged alone, as they are so different. The differences are not just in the objects themselves, but in their cultural significance, where they were taken from, when they were taken, the circumstances surrounding their removal etc.

In cases such as the Parthenon Marbles, Greece has previously made clear offers that if the sculptures were returned, they would provide Britain with other temporary exhibitions of similar value (a very hard thing to assess). Temporary exhibitions are the main thing that draws people back on return visits to the British Museum, so surely having these regularly arranged for them would result in win-win situation for the museum?

From:
Guardian

Are the Parthenon marbles really so special?
Mike Pitts
Monday 2 April 2012 20.30 BST

The British Museum has had only one request to return something from its vast collections that it regards as official. The Greek government has asked the British government if it can have the Parthenon marbles back. Stephen Fry also thinks the issue of these sculptures is unique. In December last year, in a blog picked up over the weekend by a restitution lobby group, Fry wrote: “The Parthenon affair is a special case.”

Which it is. That stunning building embodies the culture that gave us democracy, the Olympic Games and all that classical stuff we used to be taught at school. It inspired the Renaissance and Byron, and now the many who would like to see the bits in the British Museum – about half the surviving sculptures – given back to Greece.
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Once again, the dimming of the lights on the Acropolis in Athens is one of the highlights of Earth Hour, an event organised by the WWF & celebrated around the world.

You can view some before & after pictures of the event here.

From:
Guardian

Earth Hour will be watched over from space as the lights go out
Adam Vaughan
guardian.co.uk, Friday 30 March 2012 14.46 BST

Earth Hour, the environmentally symbolic annual switch-off of lights for one hour this Saturday night, is to extend into space this year, with the International Space Station taking part for the first time. A post-Gadafi Libya will also be a newcomer to the event.

The Dutch astronaut André Kuipers, who this week oversaw the trickier task of receiving supplies from one of Europe’s unmanned spacecraft, will share photos of Earth and live commentary as landmarks from the Eiffel Tower to the Sydney Opera House switch off their lights. WWF, the event’s organisers, say this year will see record participation, with 5,411 cities and towns, and 147 countries taking part, up from 5,251 and 135 in 2011.
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More coverage of the decision by Greece to reduce the costs for filming permits at the country’s ancient sites.

From:
Kathimerini (English Edition)

Greece cuts filming costs at Acropolis
Thursday, January 19, 2012
By Natalie Weeks

The Acropolis, Greece’s star attraction for 2,500 years, may be preparing for a bigger role.

The Greek government lowered the permit costs this month for using archaeological sites and museums for film crews to 1,600 euros ($2,039) a day from as much as 4,000 euros in a 2005 pricelist, and for professional photographers to 200 euros from 300 euros, according to the Culture and Tourism Ministry. Historical spots include the Acropolis, which houses the Parthenon, and Delphi, home of the ancient oracle.
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Despite the way that this was reported as hiring out ancient artefacts in many new sources, the actual story is that the cost of permits for professional filming on the Acropolis are to be reduced. The permits already exist, it is just that the cost will be less than previously.

From:
Greek Reporter

Debt-Riddled Greece Will Lease Acropolis For Commercial Exploitation
By Stella Tsolakidou on January 17, 2012

In a move bound to leave many Greeks and scholars aghast, Greece’s Ministry of Culture said on Tuesday it will open up some of the debt-stricken country’s most-cherished archaeological sites to advertising firms and other ventures.

Leasing the Parthenon through the taxation of photo and cinema shoots seems to be one of the top priorities for the Greek government, in order to raise money and tackle the debt crisis threatening the country with default.
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Following the death of Christopher Hitchens, an article on the Malathronas blog looks particularly at how strongly he put forward the arguments for the reunification of all the surviving Parthenon Sculptures in Athens.

You can view this article here.

Unfortunately, I only spotted this one today, but it appears that the lecture took place yesterday.

See original flyer for the event here.

From:
City Press

Lecture for the return of the Parthenon Marbles
Post: 26-03-2012 13:30 | City Press Newsroom

The Arcadian Centre for Greek, Mediterranean and Balkan Studies hosts at 19.30 archaeologist and Ph.D. Candidate University of Cambridge, Ms. Venus Chatzoglou, which will give a lecture entitled:

The politics of Archaeological Heritage: The case study of the Parthenon Marbles and the New Acropolis Museum
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More coverage of Stephen Fry’s article on why he believes that the Parthenon Sculptures should be returned to Greece.

From:
Greek Reporter

Stephen Fry Supports the Return of the Parthenon Marbles to Greece
By Stella Tsolakidou on December 24, 2011

Stephen Fry is known for his philhellenic ideas. His latest demonstration of those was his December 19 article, in which he asked from the British PM to return the Parthenon Marbles to their rightful owner: Greece.

Fry begins his article with the title “A moderate proposal” and introduces his idea both as a tribute to life for the also known philhellene Christopher Hitchens, who passed away one week ago, and as a supportive action towards Britain’s good friends (the Greeks) who are currently going through harsh times.
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More coverage of the effects that the Greek debt crisis is having on the country’s museums & historic sites. This is a problem, not just for the tourists who are unable to get access, but also for the monuments themselves, which may now have lower levels of security & smaller maintenance budgets than was previously the case.

From:
Reuters

Debt crisis strikes Greek monuments, irks tourists
By Gareth Jones
ATHENS | Tue Dec 6, 2011 8:51am EST

(Reuters) – At the end of a sunny day on the Acropolis last month, Svein Davoy gazed awe-struck at the columns of the Parthenon gleaming in the twilight.

“It’s marvellous. This is where Western civilisation began. I will certainly tell my friends to come to Greece and see all this,” enthused Davoy, 63, an economist from Norway.
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