More feedback from the talk given at the Royal Institute of British Architects on the New Acropolis Museum.

From:
Building Design

Bernard Tschumi’s New Acropolis Museum
12 December 2008
By Stephen Phillips

Bernard Tschumi presented his New Acropolis Museum at the RIBA last week, and took Greece’s bid to win back the Elgin Marbles to the next level.

In the early eighties, I covered the Elgin Marbles story for Channel 4 News. Actress Melina Mercouri was Greece’s culture minister, and we filmed her touring the British Museum to inspect “her” treasures, under the guidance of its then director, David Wilson. He played a courteous, stiff upper-lipped straight bat, while she deployed all the emotive powers of a tragic actress. It made good television. There was no meeting of minds. Nonetheless, her eighties offensive made an impact, persuading at least one party leader, Neil Kinnock, to declare for their return.

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Coverage of the talk at RIBA on the New Acropolis Museum. Almost everyone who has seen it is impressed by the museum itself - will this be enough to make the British Museum enter into serious negotiations with Greece on the Marbles?

From:
The Guardian

The New Acropolis Museum: A home fit for the Elgin Marbles?
The soon-to-open museum for the Acropolis sculptures looks fantastic. But will it convince the British Museum to send the Parthenon frieze home?

Last night the president, Dimitrios Pandermalis, and the architect, Bernard Tschumi, of the New Acropolis Museum in Athens were in London to present their plans for the building, which opens sometime in early spring. They gave a clear sense of this impressive-looking museum, which is built in the shadow of the Parthenon atop ruins of late-antique buildings (which can be perceived through the glass floors of the museum’s ground floor). The plan echoes that of the Acropolis itself – the visitor will ascend through the building as if climbing the steep slopes of the hill, passing through halls filled with sculpture from the archaic temple to Athene, before reaching the very apex, where the Parthenon sculptures themselves will be displayed in a large glass-walled hall from which visitors will be able to enjoy wonderful views of Pheidias’s great temple.

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The New Acropolis Museum in Athens once opened may provide the strongest argument yet for the return of the Parthenon Marbles.

From:
Financial Times

A manifesto for the Parthenon Marbles
By Peter Aspden
Published: November 29 2008 00:30 | Last updated: November 29 2008 00:30

It stands like a giant modernist spaceship that has belly-flopped by curious accident opposite one of the most important cultural sites on the planet. Polemics and controversy have been hard-wired into its being. It has taken decades in the planning, years in the realisation, and an extra few months beyond its intended inauguration in the fine-tuning. But, finally, the new Acropolis Museum (left), fresh home to the extraordinary artistic legacy of ancient Athens, is ready to open its doors to the public.

Next spring, visitors will set foot inside Swiss architect Bernard Tschumi’s glass-and-concrete edifice, all sharp edges and skewed angles, and address for themselves one of the the most intractable cultural disputes of modern times. When they travel to the museum’s top floor, they will see marble panels from the famous frieze that used to encircle the Parthenon, the symbol of Athenian democracy that stands like a staid, elderly relative, looking wearily across at the upstart building from its incomparable vantage point on top of the Acropolis a few hundred metres away.

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Bernard Tschumi, one of the two designers of the New Acropolis Museum (along with Michael Photiadis) is to give a talk this coming Tuesday at the RIBA in London on the New Acropolis Museum. Tickets must be booked in advance as space is limited. There is also a second talk for students on the morning of the day after.

From:
Hellenic Foundation for Culture

New Acropolis Museum: The London Preview
Events organized by the HFC in UK and
the Royal Institute of British Architects
2 & 3 December 2008, Jarvis Hall - RIBA,
London

The Hellenic Foundation for Culture and the Royal Institute of British Architects (RIBA) present the London preview of the New Acropolis Museum, scheduled to open in Spring 2009, on 2 & 3 December 2008, at RIBA’s Jarvis Hall in London. The events are organized under the auspices of the Greek Ministry of Culture with the support of the Organisation for Construction of the New Acropolis Museum.

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The New Acropolis Museum represents Greece’s most ambitious attempt to reclaim the Elgin Marbles from the British Museum.

From:
CNN

New Acropolis Museum ready for Marbles
By Eleni Gage
29 October 2008

It’s an incongruous sight: a super-modern, glass-walled building set at the foot of the ancient Acropolis.

But while the New Acropolis Museum, designed by New York-based architect Bernard Tschumi, may appear to defy Athens’s great history, it is, in fact, the city’s most ambitious attempt to reclaim its cultural patrimony: built to hold archaeological finds spanning 2,500 years, including the absent Elgin Marbles (portions of the Parthenon frieze), which the Greek government has been trying to recover from the British Museum since the mid 1800s.

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The Parthenon Gallery is in every sense the high point of a visit to the New Acropolis Museum. Even journalists who have initially been against the whole concept of the museum have come away awed by its creation of a suitable space for the reunification of the Parthenon Sculptures.

From:
The Times

August 28, 2008
Athens welcomes the ghost of Phidias to new rooftop gallery
Marcus Binney, Architecture Correspondent

The new rooftop gallery built to display the Parthenon marbles is one of the most beautiful exhibition spaces in modern architecture.

Just as the Parthenon itself enjoys a 360-degree panorama of sparkling sea and green hills, the new ¤130 million gallery has a continuous view over the rooftops of Athens, interrupted only by the Acropolis itself. Sunlight fills the gallery through floor-to-ceiling glass, and the windows have such slender supports you might be standing in the open air enjoying blue skies and the crystal light which is the wonder of Attica.

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In this interview, Bernard Tschumi makes it very clear that he believes that the Elgin Marbles will return to Athens, stating that the return will make sense to everyone once they see the facilities created within the New Acropolis Museum.

From:
Wallpaper

Bernard Tschumi Q&A exclusive
Architecture
8 August 2008

After nearly 30 years of planning, and eight years since the international competition was launched for the project, the New Acropolis Museum in Athens is ready: the collections are carefully being moved in as we speak, and the official opening is expected with much anticipation towards the end of the year.

Proudly headed by architect Bernard Tschumi, the new museum project team also comprises local architect Michael Photiadis and the museum’s director Professor Dimitrios Pandermalis, who showed us around the new bright and airy building, where we had the chance to meet Swiss-born Tschumi, and discuss his concept, the design, Athens and the Parthenon sculptures.

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When the New Acropolis Museum was being designed, the artefacts within it were considered as the factor that would define its eventual form. In this respect, the building is an anti-Bilbao - the form of the building is generated from the function, rater than a form being defined with the function them examined to see how it can fit within.

From:
Spero News

A vision for the new Acropolis Museum
The museum at the Acropolis is no mere shell. According to architect Michael Photiadis it was designed from “the inside out” to highlight the artifacts over architectural considerations.
Friday, August 01, 2008
By Danylo Hawaleshka
Article Tools

It somehow seems fitting that a museum built to showcase the architectural legacy of a temple honouring the warrior goddess Athena should itself be the outcome of numerous battles, some as yet unresolved.

For instance, Greek authorities required not one but four bare-knuckled design competitions - the first held more than 30 years ago - before deciding architects Bernard Tschumi of New York and Athens-based Michael Photiadis would bear the responsibility of creating the New Acropolis Museum.

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The British Museum is running out of time in which to return the Elgin Marbles before the New Acropolis Museum highlights the missing pieces for the whole world to see.

From:
Bloomberg News

Acropolis Museum Awaits Missing Body Parts, Held in London
By A. Craig Copetas
July 28 (Bloomberg)

At Athens’s New Acropolis Museum, the most popular exhibit is in London.

That absent art would be what the Greeks label the Parthenon Marbles, the British brand the Elgin Marbles and what the sculptor Greg Wyatt reckons are history’s most important and fought-over examples of priceless classical sculpture.

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The New Acropolis Museum in Athens is due to open imminently. Unfortunately though, there is still no sign of its star exhibits being there for the opening.

From:
Guardian

Acropolis now
Athens’s new museum is spectacular, even without its star exhibits. Kevin Rushby gets a sneak preview
Kevin Rushby, The Guardian, Saturday July 26 2008

Walking through bright sunshine and crowds of tourists in an Athenian street, I glanced down and read the publicity blurb in my hand. The story was there, contained in just a few words: “Museum mission: to house all the surviving antiquities from the Acropolis within a single museum of international stature.” Actually the entire story is distilled into one word: ALL. But they might have added that it has been a 207-year mission to return the so-called Elgin Marbles - the first being cut down from the Parthenon on July 31, 1801.

A little further up the road and both buildings are in sight: to my right, rising from a skirt of trees, is the knobbly hill of the Acropolis, crowned by the Parthenon; to my left, behind some low buildings, is the New Acropolis Museum. The international stature of the Parthenon requires no words, but does this new museum live up to the lofty ambition? And the big question: does it have the requisite stature even when ALL the antiquities are not present - because half of them are in London?

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After much speculation & various conflicting reports, it now appears in the New Acropolis Museum, the copies of the British Museum’s Parthenon Sculptures will be displayed with a whiter colour than the authentic sculptures that they sit amongst. There is a certain irony in this of course, harking back to the cleaning controversy of the 1930s. Maybe once the actual sculptures are returned, they will still look much whiter.

This article is also notes that the museum is now scheduled to open in September of this year.

From:
The Art Newspaper

Parthenon frieze will be recreated in New Acropolis museum
Originals to be displayed next to plaster casts of British Museum’s marbles
Martin Bailey | 10.7.08 | Issue 193

LONDON. The long-awaited formal opening of the New Acropolis Museum in Athens has now been scheduled for September, after a series of delays. The gallery housing the Parthenon marbles, at the top of the museum, with a view towards the actual Parthenon 300m away, will be finally unveiled, although many of the other displays are not expected to be completed until next year.

After years of discussions, the museum has now decided how it will present the marbles. The originals are being displayed alongside plaster casts of the pieces removed from Greece, most of which are in the British Museum in London.

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The opening of the New Acropolis Museum later this year will represent one of the most significant events in the museums world for some time - not necessarily because of the building’s facilities, but because of what it will stand for. The question remains though over whether the British Museum will acknowledge this fact & allow the Elgin Marbles to be reunited in their rightful home.

From:
The Sunday Times

From The Sunday Times
July 6, 2008
The new Greek Acropolis Museum
The Acropolis will this year have a museum fit for Greece’s greatest treasure, the Elgin Marbles
Mark Hodson

A new museum will open in Athens later this year. No big deal, you might think. You’d be wrong. The New Acropolis Museum is not merely a dazzling piece of modernist architecture, but the latest gambit in a 200-year campaign for the return of the Elgin Marbles.

The museum, which has been 30 years in the planning and has cost the Greek government more than £100m, will at last provide a permanent home for the greatest treasures of the classical period, safe from the city’s corrosive, polluted air.

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