Although it is now more than six months since the official opening of the building, positive reviews of the New Acropolis Museum keep on coming. This review is from an architectural specification magazine, hence the focus on the materials that the building is constructed from.

From:
Specifier (Australia)

Issue 189
The New Acropolis Museum by Bernard Tschumi
Writer: Robbie Moore

In mid-2007, the Old Acropolis Museum shut its doors. Its collection of giants and centaurs, metopes, pediments and parts of the Parthenon Frieze, were wrapped in plastic shrouds and packed in reinforced wooden boxes, and hauled into the air over Athens. The artworks, some weighing two and a half tonnes, were passed between Europe’s three largest lifting cranes on their way to their new, €130 million home. Now, two years later, the New Acropolis Museum – one of the most significant and frankly political cultural projects of the last decade – has finally opened its doors.

The New Acropolis Museum is as much about the artifacts it’s missing as about the artifacts it holds. Its top-floor gallery, rotated 23 degrees to align with the Parthenon, makes a plain and eloquent case for the return of the Elgin Marbles. The gallery contains a small number of real pieces from the Parthenon, alongside replicas of artifacts taken two hundred years ago by Lord Elgin and now residing in the British Museum. The replicas were not given a fake weathered patina, but were left a perfect, toothpaste white. The contrast with the ancient stones is striking, and deliberate. This is a memorial as much as a museum, mourning a loss.

The architect of the New Acropolis Museum, Bernard Tschumi, is a supporter of the cause. His design destroys an argument used by the British since the 1970s, that Athens was too polluted with smoke and sulphur dioxide to look after the marbles. Athens’ air had already improved with the new metro system and the pedestrianisation of the historic district, but Tschumi further protects the museum’s antiquities with a sophisticated, highly controlled micro-environment. The Caryatids, for instance, were sealed behind glass in the Old Acropolis Museum, but here stand free. The interior conditions are easily preferable to those in the British Museum. The Elgin Marbles are surrounded by four walls and lit from above by diffuse daylight and spotlights, while the New Acropolis Museum’s Parthenon Gallery is open on all sides to the unblinking Greek sun. The works can be viewed, therefore, in the conditions they were intended. “Now that the building is finished and everybody will be able to see the quality of light that you get here”, Tschumi told Wallpaper*, “and the way they will be displayed here compared to the way they are displayed in the British Museum, the return [of the Elgin Marbles] will make sense straight away”.
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More positive coverage of the New Acropolis Museum which opened last year.

From:
Flavorwire

The Acropolis Goes Modern
1:01 pm Monday Jan 25, 2010 by Kelsey Keith

After inevitable delays — including the discovery of an ancient Athenian city under the building site — The New Acropolis Museum is open for business, packing in visitors to the historic but semi-rundown neighborhood of Makrygianni in Athens. The thoughtful design by former Columbia architecture dean Bernard Tschumi and team positions the 226,000 square foot museum over the footprint of the long-ruined city; the exhibition space — ten times larger than that of the previous edifice — provides what could someday be a permanent home for the hotly contested Elgin Marbles and other looted artifacts. Hellenic architecture porn after the jump.

Bernard Tschumi Architects won the bid in 2001 in a design competition chaired by Santiago Calatrava; their winning plan “created a deliberately non-monumental structure whose simple and precise design invokes the mathematical and conceptual clarity of ancient Greek architecture” while establishing a dialogue between the museum’s exhibition spaces and the existing Acropolis buildings.

The New Acropolis Museum which opened last year forms a gleaming new home to potentially house all the surviving Parthenon Sculptures.

From:
Los Angeles Times

A gleaming new showcase for the Acropolis
Athens finally has a place to display the hotly contested Elgin Marbles, plus statues, friezes and other artifacts from the ancient Greek site.
By Suzanne Muchnic
January 24, 2010

Reporting from Athens – For advocates of the repatriation of marble sculptures removed from the Parthenon in the early 19th century and long housed at the British Museum in London, the new Acropolis Museum is proof — at last — that Greece has a safe place to display the hotly contested artworks.

For Athenians who live and work near the Acropolis, the looming modern structure at the southeastern base of the hill is a mixed blessing. The $200-million, 226,000-square-foot museum has transformed the area of Makrygianni, boosting property values while dwarfing other buildings in the neighborhood.
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Columbia University’s Wallach Gallery in New York is hosting an exhibition of architecture & archaeology that relates to the New Acropolis Museum in Athens. Bernard Tschumi, the architect of the New Acropolis Museum was previously Dean of the School of Architecture at Columbia University.

From:
Columbia Spectator

New museum in Athens inspires exhibit at Wallach Gallery
“The New Acropolis Museum” incorporates architectural models, casts of classical Greek pottery and sculpture, and rare books and prints in Wallach Gallery.
By Kat Balkoski
Published Tuesday 10 November 2009 07:17pm EST.

“It is my profound belief that an exhibition in an educational institution should do more than please the eye and present ‘originals,’” said Ioannis Mylonopoulos, a professor in the Department of Art History and Archaeology and curator of “The New Acropolis Museum,” on view at the Miriam & Ira D. Wallach Art Gallery.

The exhibit contains little in the way of what would traditionally be considered “fine art”—instead, it incorporates architectural models, casts of classical Greek pottery and sculpture, and rare books and prints from Columbia’s Avery Architectural and Fine Arts Library. This selection of media gives the impression that the exhibit is more focused on the work that goes into the creation of art spaces and art appreciation than on art itself.
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Since its opening a few months ago, the New Acropolis Museum has become the strongest argument for the reunification of the surviving Parthenon Marbles in one place, raising their international profile, at the same time as making the case for their return even clearer.

You can listen to this original radio broadcast here.

From:
WBUR (Boston)

Greece Unveils Museum Meant For ‘Stolen’ Sculptures
By Sylvia Poggioli
Published October 19, 2009 1:28 PM

A new, hypermodern museum at the foot of the Acropolis in Athens has a defiant purpose: to convince Britain to give back the symbols of ancient Greek glory, the 2,500-year-old sculptures of the Parthenon that were pried off the temple by Lord Elgin two centuries ago.

For decades, the main argument against the return of the sculptures — known as the Elgin or Parthenon Marbles — was Greece’s lack of a suitable location for their display. The new Acropolis Museum is a stunning rebuttal.
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The Architectural Record argues that the New Acropolis Museum represents the most powerful case yet for the reunification of all the surviving Parthenon Sculptures in Athens.

From:
Architectural Record

New Acropolis Museum, Athens, Greece
Bernard Tschumi Architects presents a case for bringing the Elgin Marbles back to Athens in its design for the New Acropolis Museum.
By Suzanne Stephens

After all the controversy, lawsuits, and delays in building the New Acropolis Museum in Athens, it will no doubt seem churlish to point out that the $180 million museum, designed by Bernard Tschumi Architects, is not the firm’s most spectacular work. It lacks the lyrical grace of the stainless-steel-and-concrete Zenith concert hall in Rouen or the finesse of the shimmering, perforated-steel Vacheron Constantin headquarters in Geneva, Switzerland, to name two. The dour mien of the New Acropolis Museum, with its sharp angles, black-fritted glass (except for a small section of the south wall), and less-than-perfect concrete work evokes High Modernist commercial American buildings of the 1970s.
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For many years, one of the excuses for the British Museum’s retention of the Parthenon Sculptures was that there was no suitable place in Greece to put them. This has now been solved by the completed Acropolis Museum which continues to receive overwhelmingly positive reviews.

From:
National Post

Saturday, October 3, 2009
Ready For The Return
The impressive new Acropolis Museum makes the case that Greece is all set for the Elgin Marbles
Ian McKellar, National Post

Let’s say you consider yourself something of a budding ruinologist. Perhaps you’ve visited some ancient Roman sites on a trip to Provence, maybe you’ve seen the pyramids or perchance you’ve even made it to Chichen Itza in the Mayan Riviera.

For such a cultured person as yourself, Greece presents a most appealing, if troubling, opportunity. The nation is the cradle of Western civilization, and Athens is chockablock with museums and historical sites — but always there are the whispers of bad traffic, of poor air quality, of stifling heat during the summer months.
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New Acropolis Museum architect Bernard Tschumi talks about the aims of the project and how it was designed to hold the Elgin Marbles.

Listen to the audiovisual presentation at Pidgeon Digital.

Few who have visited the New Acropolis Museum in Athens can deny the powerful argument that it represents for the reunification of the Parthenon Sculptures. The British Museum’s response however is to continue ignoring the issue & pretending it will go away, claiming that the opening of the new museum does not change anything.

From:
Sydney Morning Herald

A new life for ancient history
August 30, 2009

The New Acropolis Museum in Athens brings together Greece’s greatest treasures, writes David Whitley.

If ever something was on a hiding to nothing, it’s the New Acropolis Museum in Athens. It cost €130 million ($222 million) to build, is designed to hold many of Greece’s most important national treasures and is already being promoted as a tourism flagship.
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The New Acropolis Museum is an entirely modern architectural solution, but it respects the ancient buildings that it relates to, while never trying to compete against them.

From:
San Francisco Chronicle

New Acropolis Museum looks forward, honors past
Kenneth Baker, Chronicle Art Critic
Sunday, August 9, 2009

Designing a museum figures nowadays as a rite of passage in the careers of many celebrity architects. New York’s Bernard Tschumi faced an unusually stern test in this vein after winning a competition in 2001 to build the New Acropolis Museum.

For starters, he and Athens architect Michael Photiadis had to contend with house ruins – dating from the fourth to seventh centuries A.D. – unearthed on the museum site, about 1,000 feet southeast of the Acropolis and its crowning fifth century B.C. relic, the Parthenon.
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Whilst there have been many articles praising the design of the New Acropolis Museum, it is hardly surprising that some people have other views about the design of the building. The building was however the result of a number of competitions, so although some may dislike the design it is clear that many believed it was the best solution to the complex project brief. In many cases we might want a building to be somehow different, but there are always compromises to be made – trade offs between the building & its surroundings, openness & security etc.

From:
Archinect

Archinect Op-Ed: The Acropolis Museum; An Unhappy Fit
Jul 31, 2009
by Jan Lepicovsky

Last June, after three decades of competitions and debate, the Acropolis Museum in Athens opened to the public. It was designed by internationally re-known architect Bernard Tschumi, and it houses nearly 4000 ancient Greek artifacts, including the great stones of the parthenonʼs frieze. I first visited the Acropolis 15 years ago as an undergraduate student of architecture. Last month I had the opportunity to visit the site again, now with the eyes of an experienced architect. Hearing about the controversy surrounding the new museum, I was eager to see how one of the great theorists and idols from my student yeas responded to such a challenging, high-profile commission. My first glimpses of the building brought that familiar rush of excitement and anticipation, the kind you get at a concert just before the performer takes the stage. The simple geometric volumes, one rotated above the other, were familiar from pictures and, seeing it live, I could appreciate its powerful yet restrained presence. I walked the long way around to the front in order to take in the whole exterior. By the time I had made it around the block to the entrance, my initial excitement had faded and a different impression began to form.
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Bernard Tschumi, the architect who designed the New Acropolis Museum will be a keynote speaker at the annual Latsis University Prizes Ceremony at the University of Geneva.

He is giving this talk at 18:00 on Monday 5th October.