Showing results 1 - 12 of 577 for the tag: British Museum.

October 24, 2014

RIP Gough Whitlam – Parthenon Marbles reunification supporter

Posted at 6:47 am in Elgin Marbles

Former Australian Prime Minister Gough Whitlam was a long time supporter of the Reunification of the Parthenon Sculptures. I was fortunate enough to see him speak on the issue in 2001 at a conference organised by the Institute of Art and Law. I was later to discover that this was the last overseas trip he made.

He was 85 years old at the time, but if you met him, you would never have believed it. He talked eloquently at great length about the history of the sculptures & how they had come to be where they are today. The story was so convincingly told, that his conclusions that they must be returned were almost unnecessary – if you understood the story, you would have made up your own mind the same ways ass he did that there was only one rightful place that could be called the home of the Parthenon Sculptures.

Gough Whitlam died on 21st October, aged 98.

Former Australian Prime Minister Gough Whitlam

Former Australian Prime Minister Gough Whitlam

From:
The Australian

Gough Whitlam praised from both sides of politics
October 21, 2014 2:30PM

POLITICIANS from across the divide have heaped praise on Gough Whitlam, describing the former prime minister as a “visionary” leader who spurred both progressives and conservatives into public life.

Mr Whitlam, who died this morning aged 98, led Australia for three turbulent years from 1972, launching sweeping reforms of the nation’s economic and cultural affairs, until his dismissal by the governor-general John Kerr amid a constitutional crisis in 1975.
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October 17, 2014

Kathy Lette’s views on the Parthenon Marbles

Posted at 7:31 am in Elgin Marbles

No one can have missed the wave of media attention over the last few days over a team of lawyers visiting Athens for consultations over the viability of legal action for the return of the Parthenon Marbles. You probably would have missed the story though, had it not been for one of the members on the team – the newly married Amal Clooney, formerly Alamuddin.

A lot of misinformation has permeated the press, relating to this story, as they are more drawn to the aspects of celebrity involvement than anything else.

First of all, Amal is not there merely because of her husband’s fame. I know for a fact that she has been researching the possibility of a case involving the Parthenon Sculptures, since at least 2011.

Secondly, she is not going to save Greece’s antiquities, as many sources claimed. I am sure she would be the first to agree with me on this one. She is there as by far the most junior member of a team of three very highly regarded lawyers. The other two, Geoffrey Robertson & Professor Norman Palmer already have significant experience in the field of cultural property restitution, such as bringing about changes in English law, to allow the return of all Aboriginal human remains held in Britain’s museums. She is no doubt a key member of the team, but anyone who suggests that she is the one leading the fight has clearly not researched things very well.

However, the draw of celebrities (& she seems to be treated as one because of her husband) in the media is immense. The amount of publicity it has given the issue can only help, particularly as the campaign for return is seen as having the young attractive intelligent one that the media loves on their side. Like Melina Mercouri before her, she gives a vibrancy to the campaign that lifts it above one of arguing academics & makes it something that is lapped up by the category of newspapers who would never normally show the slightest interest in such a story.

I was struck though, by the slightly peculiar lines of questioning by some of the press though – I noticed in more than one article that Amal was asked about what her husband thought about her work on the Marbles. Whether this is out of the fact that he is a celebrity, or that she is female, or that the journalists are trying to create a story when there is none, is unclear. But the fact remains, that neither of the other two lawyers were ever asked this question.

So, with tongue planted firmly in cheek, I decided to ask the famous author Kathy Lette (who is also the wife of Geoffrey Robertson), for her views on the Marbles, just so that if the media wants to ask her husband, the answer is already out there.

So – here it is. An exclusive story first published here – Kathy Lette’s views on the Parthenon Marbles restitution:

Kathy Lette

Kathy Lette

From:
Facebook

My view on the Elgin Marbles is how amusing it is to see the press pack losing their marbles over Amal.

Amal’s interest in the Acropolis has given the men of the world a real edifice complex!

So there you have it – we are still none the wiser what her real thoughts on the subject are – so I can’t add her to my list of supporters just yet…

October 9, 2014

Greece, the Parthenon Marbles & UNESCO

Posted at 1:16 pm in British Museum, Elgin Marbles

There have been various articles in the Greek language press in the last few days relating to UNESCO mediation & the Parthenon Marbles.

Having read through them, I still can’t see that there is any substance to them, other than re-publicising of old news. UNESCO was already accepted as the official mediator in the issue. This had to have been the case, because UNESCO was the conduit through which the mediation request was conveyed to Britain.

Notwithstanding the above, surely even the most stalwart supporters of the mediation option must be starting to loose faith in its possibility as a route to a solution? It is now over a year since the action was publicly announced & still no response has been made by Britain. It seems unlikely that any response will be made, until such time as it appears like an attractive option compared to the alternatives. At present, there is no obligation to enter into mediation, so why would the British Museum from a position where they feel that they are sitting comfortably, to one in which would potentially be far less comfortable.

Parthenon Marbles in British Museum

Parthenon Marbles in British Museum

From:
Euro Weekly News

Greece presses for return of Elgin Marbles
Tuesday, 07 October 2014 11:19

THE Greek delegation to UNESCO launched a new campaign last Monday October 6 for the return of the Parthenon’s famous Elgin Marbles.

Currently housed in London’s British Museum, the marble friezes, which depict fascinatingly intricate sculptures of mythological scenes, once adorned the pediment of the Parthenon, perhaps Ancient Greece’s most iconic structure.
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September 18, 2014

The impact of Scottish independence on the British Museum

Posted at 12:46 pm in British Museum, Similar cases

This article was published some time ago, but its content is still relevant today.

Everyone reading this weebsite hopefully realises that the so called Elgin Marbles were not from Elgin, nor did they ever pass through Scotland to the best of my knowledge. The fact remains though, that they were brought to the UK by a Scotsman, although subsequently purchased off him by the British Government. Whilst they might not be under contention in Scotland’s independence debate, many of the other artefacts may well be more closely tied to Scotland than to Britain.

Further to this, the British Museum is a national museum for the whole of the UK – if a country was to split from the union, would they then be entitled to a percentage share of all the artefacts in the collection.

Neil MacGregor refuses to answer any of these questions, saying that they will be considered as & when the issue becomes real for them.

Lewis Chessmen - discovered in Scotland, but many of them are now in the British Museum

Lewis Chessmen – discovered in Scotland, but many of them are now in the British Museum

From:
Guardian

What would be the implications for the British Museum if Scotland voted for independence?
If Scotland became independent after 2014, the British Museum would be presented with an “existential question”, according to its director Neil MacGregor
Tuesday 25 June 2013

“Let’s jump off that bridge when we get to it,” said Neil MacGregor, director of the British Museum, when pressed on the putative future of the institution were Scotland to become independent.

The question was raised at a British Museum press conference today not by a journalist, but, intriguingly, by Gus O’Donnell, cabinet secretary under three prime ministers and once the most powerful civil servant in the land.
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September 5, 2014

The Elgin Marbles – Looted or Rescued?

Posted at 4:57 pm in Elgin Marbles, Events

A lecture by Alan Read at the Dulwich Picture Gallery (with a somewhat controversial choice of title) looks at how the significance of the Parthenon Marbles has changed over time.

From:
Dulwich Picture Gallery

The Elgin Marbles: looted or rescued?

The Parthenon sculptures have been the subject of controversy since their creation 2,500 years ago. How did a Scottish aristocrat acquire the very best of them, and how did the British Museum buy them in 1816? This lecture celebrates their magnificence, and examines how their significance has changed, from decorations on an ancient temple to disputed cultural objects in the present day. Lecturer: Alan Read

Date: 18 November 2014, 7pm
Price: £12 / £10 Friends (includes a glass of wine)

August 28, 2014

Parthenon Marbles should return, because of their beauty

Posted at 12:43 pm in British Museum, Elgin Marbles

Jonathan Jones argues persuasively in the Guardian, that the Marbles should eb returned. Key to his reasoning is the matter of context, something that I have often argued about previously. No matter what the British Msueum says, it is impossible to see the Marbles in the same way in the British Museum as it would be in the Acropolis Museum, within sight of the Parthenon.

Parthenon Marbles in British Museum

Parthenon Marbles in British Museum

From:
Guardian

18th August 2014
Jonathan Jones
The Parthenon marbles are the world’s most beautiful art – and that’s why we should give them back
These consummately beautiful sculptures demand a proper setting – and a trip to Athens has convinced me the Acropolis Museum is that place

What can you do with the world’s most beautiful art? Where does it belong? How should it be cared for and displayed?

The art in question is the array of sculpture created in Athens in the 5th century BC to decorate the Parthenon, the temple to Athena that still, today, dominates the skyline of the Greek capital.
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August 12, 2014

Encasing the Parthenon Marbles in sand as bomb protection considered during first World War

Posted at 8:00 am in British Museum, Elgin Marbles

Newly released information reveals that one of the way that the British Museum considerd protecting the Parthenon Marbles during the First World War was to fill the room where they were housed with sand. The idea was ditched, because of worries that the walls of the room would not be able to hold the weight of the sand. In the end, the sculptures were instead protected with sandbags in the gallers.

Not that many years later, in the Second World War, when the risk of bombing was far greater, they were instead transferred to disused London Underground tunnels for safety.

Parthenon Marbles being removed from the London Underground in 1948

Parthenon Marbles being removed from the London Underground in 1948

From:
Art Newspaper

British Museum’s battle on the home front during the First World War
Archive reveals how air raids threatened the collection and King George V intervened to stop the building being requisitioned
By Martin Bailey. Museums, Issue 259, July-August 2014
Published online: 30 July 2014

The British Museum’s curator of Oriental prints and drawings wrote what became one of most famous war poems in the English language. Laurence Binyon penned the lines of “For the Fallen” in September 1914 that are inscribed on thousands of memorials: “They shall grow not old, as we that are left grow old / Age shall not weary them, nor the years condemn / At the going down of the sun and in the morning / We will remember them.”

Binyon volunteered for military service in 1915. He told the museum’s director: “I know I am not the best material [he was 45], but it does seem as if every man would be wanted before the end.” Binyon worked as a hospital orderly in eastern France in 1916.
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August 7, 2014

Riding from Athens to London for the Parthenon Marbles

Posted at 12:48 pm in British Museum, Elgin Marbles

I wrote last year about the Italian Dr Luca Lo Sico, who planned to cycle from London to Athens in support of the Parthenon Marbles.

He has now arrived in Athens, and been welcomed by Deputy Culture and Sports Minister Angela Gerekou.

He follows in the pedals of Dr Chris Stockdale, who undertook a similar cycle ride in 2005 for the same reason.

Deputy Culture and Sports Minister Angela Gerekou with Salvatore Lo Sicco

Deputy Culture and Sports Minister Angela Gerekou with Salvatore Lo Sicco

From:
Greek Reporter

London to Athens on a Bike for the Parthenon Marbles Return
Ioanna Zikakou
Aug 7, 2014

Salvatore Lo Sicco, a British-Italian professor who works in the UK, traveled from London to Athens on his bike to rally for the repatriation of the Parthenon Marbles.

Lo Sicco started his route outside the British Museum, which houses the Marbles that Lord Elgin removed from Athens in the 1800′s, and finished in front of the steps of the Acropolis Museum.
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July 29, 2014

Are the British Museum planning on moving the Elgin Marbles

Posted at 1:07 pm in British Museum, Elgin Marbles

Various news articles give the impression that the British Museum will be moving some parts of the Parthenon Sculptures for an exhibition on ancient Greece taking place next year.

While the sculptures will not be leaving the museum at all during this process, it raises a couple of interesting points.

Firstly, the British Museum regularly makes the point that the sculptures can be seen free of charge in London – highlighting the fact that an admission fee is charged by the Acropolis Museum. However, large temporary exhibitions at the British Museum are never free – so you will no longer be able to see all the sculptures there for free while the exhibition is on.

Secondly, it has often been suggested in the past, that the sculptures are too valuable & fragile to be moved – that any handling might damage them. The fact that the British Museum is happy to move them around within the building shows that to move them to a more distant location would clearly be possible.

One assumes that Greece will probably be lending some sculptures to this exhibition. They should think long and hard so though, as to how they can also use their acto of generousity to highlight the British Msueum’s duplicity in this issue.

Parthenon Marbles in British Museum

Parthenon Marbles in British Museum

From:
Daily Telegraph

Elgin Marbles moved for first time in over half a century
British Museum to move the Elgin Marbles for the first time since their installation in 1962 as plans announced for blockbuster exhibition on ancient Greece
By Anita Singh, Arts and Entertainment Editor
3:53PM BST 02 Jul 2014

The Elgin Marbles are to leave their current home at the British Museum. Unfortunately for those who believe the treasures should be returned to Greece, they are not going very far.

The marbles are being relocated from one part of the museum to another – the first time they have been moved in over half a century.
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July 22, 2014

Preview screening of Promakhos – a film about the Parthenon Marbles

Posted at 5:19 pm in British Museum, Elgin Marbles

I was fortunate enough to be invited last week to a preview screening (essentially where they drum up intereste from possible distributors etc) for the film Promakhos, which I have already written about previously here.

The event was well attended, with Stephen Fry giving his thoughts on it afterwards and leadng a question & answer session with the two directors.

Marbles Reunited has already done a very good writeup of the event – so I won’t try & repeat their work, but will just give a summary of my own thoughts on the film.

Styled as a legal thriller, it follows the story of one person’s fight to use the courts to secure the return of the Elgin Marbles to Greece. There are many dramatic scenes in it, and perhaps the most memorable part is where Paul Debevec’s superlative three-dimensional model of the Parthenon is broght to life in the room, as the people wander around it, stepping into a rebuilt past through the use of virtual reality glasses.

As you can imagine, things do not always proceed smoothly – yet the film’s protagonist manages to maintain his vision & despite the ups & downs remains focussed on the goal of securing the return of the sculptures.

The cinematography is magnificent, and for anyone who has ever spent time in Athens, prefectly manages to capture the spirat of the city, through othersise unremarkable details, in a way that perhaps holds far more of its modern day charm than many films, that only see things through the eyes of a tourist. There are various allusions throught the film to ancient Greece & aspects of mythology, helping to further anchor the present day story into the ethos of ancient Athens & to show the importance of the Parthenon Sculptures to Greeks.

The film is set against the backdrop of the financial crisis & the unrest that followed in Athens – and as such is very much of its time. However, that it just because it takes place now – the story that it is telling could largely be transplanted to any other time in the campaign for the return of the sculptures & would continue to make sense. It is not something that the British Museum can just ignore with the hope that it goes away.

There are a few amusing moments too – particularly, when during the cases, others highlight their own countries requests for the return of arterfacts from the British Museum.

The film is not on display publicly anywhere yet – in the meantime though, you can watch the trailer, to give you a flavour of what it is about.

Stephen Fry with one of the directors at the preview screening of Promakhos

Stephen Fry with one of the directors at the preview screening of Promakhos

April 29, 2014

Swiss Committee for the Return of Parthenon Marbles organises talk in Zurich

Posted at 12:49 pm in Elgin Marbles, International Association

A followup to the earlier post about Dusan Sidjanski’s talk on the Parthenon Marbles.

Dusan Sidjanski of the Swiss Committee for the Reunification of the Parthenon Sculptures

Dusan Sidjanski of the Swiss Committee for the Reunification of the Parthenon Sculptures

From:
Greek Reporter

Swiss Committee on the Return of the Parthenon Marbles
Apr 19, 2014

The president of the Swiss Committee for the Return of the Parthenon Marbles, Professor Dusan Sidjanski, during the event titled “Europe and the Parthenon Marbles: a common cause,” stressed the need for return of the marbles to Greece.

In his speech, Dr. Sidjianski referred to the Swiss Committee’s concern for the legal claim of the return of the Parthenon Marbles, stressing that this is considered a European issue which needs to be resolved through dialogue between the European institutions as well as through informing the public and especially Britain.
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April 25, 2014

Greece’s economy might be rebounding, but the Parthenon Marbles have yet to return

Posted at 12:52 pm in Elgin Marbles, New Acropolis Museum

A common excuse given by supporters of retaining the Parthenon Sculptures in the UK, is that the time is not right for them to return. The New Acropolis Museum opened during the middle of one of the worst financial crises to affect the world in recent years & for some, their words carried some weight. Surely now though, when Greece is re-issuing government bonds & the remnants of the years of riots are being repaired, this is the ideal time to rebuild Greece’s culture, by righting a historic wrong?

Acropolis Museum in Athens

Acropolis Museum in Athens

From:
Bloomberg News

Athens Lacking Only Elgin as Windows Erase Crisis: Cities
By Marcus Bensasson and Nikos Chrysoloras Apr 24, 2014 5:27 AM GMT

The marble paving stones have been relaid in Athens’s Syntagma Square, the site of pitched battles between police and protesters during the worst of Greece’s economic crisis.

Yannis Stournaras has replaced his sixth-floor window overlooking the square. It was pierced by an errant bullet during one of the riots in 2010.
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