India (like many countries) has various artefacts in museums abroad, that it would like to be returned. The tone of the article is a little extremist – undoubtedly, there are benefits to be gained from publicising a country’s culture by having it in museums around the world – but at the same time, this should never outweigh a country’s own requirements for access to their culture.

From:
Organiser.org

European, American Museums: Fortified Havens For Plunder From India
By Radha Rajan

SHOULD the people of India, Greece, Egypt and Africa, and Native American peoples succeed in getting American and European museums and libraries to return all objects which constitute the tangible roots of ancient civilisations, and thousands of years of history pre-dating the cults of Jesus and Mohammed, then the Louvre, British Museum, Smithsonian, Vatican and the Kunsthistoriches Museum to mention just five, would be emptied of all their prized possessions.

European and American museums and libraries are no more than fortified thieves’ dens and state-sponsored and supported safe havens for Abrahamic plunder; they house the spoils of Christian war and genocide against African peoples, against the nations of now extinct and almost extinct Native American peoples, colonial loot from Asia, and from archaeological and anthropological pseudo-science expeditions, which European marauders undertook across continents.
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A (somewhat subjective, but still interesting) list in the New York Times of the most disputed antiquities, following the return of some Egyptian Artefacts from the Metropolitan Museum.

From:
Gadling

The world’s most disputed antiquities: a top 5 list
by Melanie Renzulli on Aug 3rd 2011 at 1:00PM

New York’s Metropolitan Museum of Art announced Tuesday that it would return 19 Egyptian antiquities that have lived at the museum for most of the last century. These artifacts, excavated from the 14th century B.C. tomb of Pharaoh Tutankhamun (King Tut), include a sphinx bracelet, a small bronze dog, and a broad collar with beads, among other bits and pieces. Zahi Hawass, the former Secretary General of the Supreme Council of Antiquities of Egypt, argued for the artifacts’ return in November 2010, claiming that the artifacts had been removed from the tomb illegally in the 1920s. But, the instability in Egypt during and following that country’s revolution this year has delayed the repatriation of King Tut’s belongings.

One of the biggest arguments in the art world is the repatriation of objects, particularly antiquities. On one side of the debate are art scholars who feel that ancient objects should remain in the care of their current (usually Western) museums or locations. The other side argues that antiquities should be returned to the countries from which they were removed because they were taken during times of war and colonization or were stolen and sold through the highly lucrative art black market.
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An interesting look at 10 different cases (some well known, some more obscure) where countries are involved in disputes over the ownership of looted cultural property. Some of the cases have been resolved, but many are still no closer to reaching a conclusion than the day after the artefacts were originally taken.

From:
Business Insider

10 Ancient Artifacts That Countries Are Still Fighting Over
Vivian Giang | Jul. 14, 2011, 7:51 PM

Legendary historical artifacts have traded hands from conquerors to thieves and ended up thousands of miles from their origin.

The question of ownership is extremely murky.

With a black market in looted art worth as much as $6.3 billion a year, the mantra of “finder’s keepers” can be tempting. Past and present owners, however, may claim an object, sometimes leading to disputes and wars between nations.
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The British Museum has strict rules in place that limit the selling off (known as deaccessioning) of artefacts in its collection, unlike museums in some other countries. This means that (with a few exceptions), the museum can only ever grow larger – the only way of shrinking it is to split it into separate smaller institutions.

In marked contrast to this though, in various places across Britain, churches (& related institutions) that are short of cash are ending up selling off their artefacts, to try & pay for the repair & upkeep of the buildings.

Surely, on a national level, we ought to be focussing more on maintaining our own heritage, rather than desperately trying to cling on to items that we took from foreign countries, during different eras, when such acts were tolerated more than they would be today?

From:
The Independent

The great Church art sell-off runs into trouble
Parishes accused of off-loading treasures just to fund building maintenance
By Andrew McCorkell
Sunday, 26 June 2011

Increasing numbers of churches are trying to sell valuable historic artefacts and paintings to pay for repairs and upkeep. But the great parish sell-off, which could turn into a sort of high-class countrywide boot sale, is running into opposition.

A case to be heard at the end of this summer will test the freedom of parishes to sell off their prize possessions. At the centre of it is a 16th-century helmet that has hung above a marble tomb at Wootton St Lawrence Church, in Hampshire, for more than 300 years. Known as an armet, the Wootton artefact marked the resting place of Sir Thomas Hooke and was sold for £54,000 at auction in December to an anonymous American collector.
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Once again, as so many times before, we see that the (admirable) aims to exhibit artefacts in the area where they were found, is acceptable for more recently discovered items, but when countries such as Greece request similar treatment it is described as cultural nationalism.

From:
BBC News

3 June 2011 Last updated at 13:24
Ancient gold jewellery returns to Rhayader Museum

Two rare troves of ancient gold are being displayed together for the first time in a new exhibition.

The treasures were found 55 years apart in fields in Rhayader, Powys, but have been kept at the British Museum and the National Museum of Wales.
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As long as there have been tourists, there have been people taking souvenirs – nowadays, there are far more laws in place to cover this, but in the past, it was seen by some as perfectly acceptable to bring back cultural artefacts, or parts of buildings that you had seen, to prove to others that you had been there. The thing is, that when it happens now, people are shocked and horrified by the sight of the looting process taking place, but somehow manage to forget that similar (unseen) processes formed part of the acquisition of many other artefacts that we see as key to the collections of museums today.

From:
Register-Guard

DON KAHLE: Egypt’s loss of treasure began with early tourists
By Don Kahle
For The Register-Guard
Published: (Friday, Jun 3, 2011 12:28PM) Midnight, June 3

CAIRO — Any tourist traveling to Egypt should stop first at the British Museum in London. The museum contains many of Egypt’s most prized relics — and it also provides a primer on how tourism got off on the wrong foot.

The Brits’ version of our Smithsonian Museum starts with an exhibit about the Enlightenment ideals upon which this museum of antiquities was built. This signature exhibition elegantly summarizes how tourism’s roots led to a franchise of consumerism, objectification, bigotry and neocolonialist venturism.
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An anonymous art dealer, is trying to purchase an artefact, believed to have been looted from Afghanistan, with the sole aim of returning it. Interestingly, the British Museum is getting involved – clearly repatriation is much more important for recently taken artefacts than it is for older ones (that are already in their collection).

From:
Guardian

Prized Afghan antiquity is rescued by British art dealer
Gandharan Buddha will be on show at the British Museum until mid-July
Dalya Alberge
Sunday 29 May 2011 00.04 BST

An anonymous art dealer passionate about Afghan heritage has teamed up with the British Museum in an effort to buy and repatriate a spectacular antiquity believed to have been looted from the Afghan national museum in Kabul during the 1990s.

The British dealer, who said he had a “very strong emotional attachment” to Afghanistan, resolved to buy the 2nd-century Gandharan Buddha after he recognised it in a photograph sent by a colleague in Japan. The sculpture, which had disappeared in the bloody civil war, had been bought by a Japanese collector.
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Another review of the new children’s book by Anthony Horowitz, about a plot to return the Parthenon Marbles from the British Museum to Athens.

From:
Guardian

Scorpia Rising by Anthony Horowitz – review

Sunday 8 May 2011 11.00 BST

‘The detail is amazing, he drags you straight into the room’

The finale of the enthralling Alex Rider series, comes with a bang, and this time, the majority of the book is from the bad guy’s point of view. Alex returns this time with SCORPIA, the evil criminal organisation, on his tail. Jack Starbright, his new guardian is with him this time as Alex goes to Cairo, in Egypt, with him and Mr Smithers, Horowitz’s version of James Bond’s Q; the gadget man. At the beginning, we see the arch-villain: Zeljan Kurst, meeting a dying Greek millionaire in the British Museum. I recently visited the Museum myself and the detail is amazing, he drags you straight into the room. This book will see, a major twist, Smither’s final shocking gadget, and a new side of Alan Blunt. I would recommend this, to anyone between the ages of 10 to 13, because it’s a bit violent for under 10’s.

The British Committee for the Reunification of the Parthenon Marbles have published a tribute to the journalist & author Christopher Hitchens, who was a long standing supporter of the campaign to return the Elgin Marbles to Athens.

From:
Sourcewire

Tribute to the late Christopher Hitchens from the BCRPM
Friday, 16 December 2011

The British Committee for the Reunification of the Parthenon Marbles (BCRPM) today paid tribute to the late Christopher Hitchens who died earlier this week, for his keen support for the return of the Parthenon Marbles to Greece.

Eleni Cubitt, Honorary Secretary for the Committee said: “We are all deeply saddened by the news of Christopher’s death and we send our sincere condolences to his family at this time. Christopher’s contribution and belief in our cause was a great strength to me personally and he will be sorely missed as one of our key supporters.”
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Following Christopher Hitchens death, Stephen Fry talks about why he now thinks that the time is now right for the Parthenon Marbles in the British Museum to return to Athens.

From:
StephenFry.com

A Modest Proposal
By Stephen Fry
December 19th, 2011

Greece is the Word

I have a modest proposal that might simultaneously celebrate the life of Christopher Hitchens, strengthen Britain’s low stock in Europe and allow us to help a dear friend in terrible trouble.

Perhaps the most beautiful and famous monument in the world is the Doric masterpiece atop the citadel, or Acropolis, of Athens. It is called the Parthenon, the Virgin Temple dedicated to Pallas Athene, the goddess of wisdom who gave the Greek capital its name.
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More coverage of the dispute between Iran & the Louvre in Paris.

From:
Press TV

Iran rejects Louvre Museum claims
Thu Apr 28, 2011 12:34PM

In a statement released on Wednesday, the National Museum of Iran said that a cultural agreement was signed between Iran’s Cultural Heritage, Handicrafts and Tourism Organization (ICHTO) and the Louvre Museum on October 31, 2004, under which the two museums were supposed to hold exhibitions in the Iranian and French capitals.

The agreement, which is in English, Persian and French, has clearly stated that the two museums can exchange experts and cooperate in research and educational activities, IRNA reported.
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Mathematics Lecturer Nik Lygeros (who is also the Greek with the highest IQ level) talks about why he feels that the British Museum should return the Elgin Marbles.

From:
Greek Reporter

Greek Genius Comments on Return of Parthenon Marbles
Posted on 25 April 2011 by Polina Dimea

The restoration of the Parthenon marbles is a national issue that appeals to every Greek soul.

Dr. Nik Lygeros is the Greek with the highest IQ score (189 of the Standford-Binet Intelligence scale). He is a mathematics lecturer at the University of Lyon. His passion for Greece is obvious throughout his whole work and his lectures related to people, history and culture of Greece. He is one who voted for the restoration of the Parthenon marbles.
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