Showing results 589 - 600 of 663 for the tag: British Museum.

July 28, 2008

New Acropolis Museum due to open in October but without its star attraction

Posted at 12:53 pm in Elgin Marbles, New Acropolis Museum

The New Acropolis Museum in Athens is due to open imminently. Unfortunately though, there is still no sign of its star exhibits being there for the opening.

From:
Guardian

Acropolis now
Athens’s new museum is spectacular, even without its star exhibits. Kevin Rushby gets a sneak preview
Kevin Rushby, The Guardian, Saturday July 26 2008

Walking through bright sunshine and crowds of tourists in an Athenian street, I glanced down and read the publicity blurb in my hand. The story was there, contained in just a few words: “Museum mission: to house all the surviving antiquities from the Acropolis within a single museum of international stature.” Actually the entire story is distilled into one word: ALL. But they might have added that it has been a 207-year mission to return the so-called Elgin Marbles – the first being cut down from the Parthenon on July 31, 1801.

A little further up the road and both buildings are in sight: to my right, rising from a skirt of trees, is the knobbly hill of the Acropolis, crowned by the Parthenon; to my left, behind some low buildings, is the New Acropolis Museum. The international stature of the Parthenon requires no words, but does this new museum live up to the lofty ambition? And the big question: does it have the requisite stature even when ALL the antiquities are not present – because half of them are in London?
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July 25, 2008

British MP campaigns to allow museum deaccessioning

Posted at 12:35 pm in British Museum, Elgin Marbles, Similar cases

Andrew Dismore, a British MP is launching a new campaign this week for a change in the law that would allow major museums in the UK (such as the British Museum) to legally deaccession artefacts from their collections if they desired. The current impetus for this stems from the Feldmann case in 2005, although the implications affect many other cases too. Currently, the British Museum claims that even if they wanted to return the Elgin Marbles, the anti-deaccessioning clauses in their charter would prevent them from doing so.

From:
Totally Jewish

‘Change Law So Looted Art Can Be Returned’
by Simon Williams – Thursday 24th July 2008

Launching a new campaign this week, a Labour politician set his sights on changing the law to enable national museums and galleries whose collections include artworks stolen by the Nazis to return them to their rightful owners.

Hendon MP Andrew Dismore, who several years ago was among those who campaigned successfully for the establishment of the spoliation panel to help resolve disputes over stolen artefacts, is hoping that a drive which began recently with a series of parliamentary questions will conclude with new legislation later this year.
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July 24, 2008

An interview with Dimitrios Pandermalis

Posted at 12:58 pm in Elgin Marbles, New Acropolis Museum

Dimitrios Pantermalis is the president of the Organisation for the Construction of the New Acropolis Museum. He talks here about various aspects of the New Acropolis Museum.

Make sure to also watch the videos of his interview available in two parts here & here.

From:
Global Atlanta

New Acropolis Museum to Open in Fall After Monumental Move
Phil Bolton – Publisher
Atlanta – 07.23.08

The new Acropolis museum in Athens, Greece, is scheduled to open in September, marking the end of the monumental tasks of building a 270,000-square-foot structure on an earthquake prone site and then transferring 2,500-year-old antiquities into their new home.

Dimitrios Pandermalis, president of the new museum and an archaeologist who has been overseeing the project for years, told GlobalAtlanta in a filmed interview that when the museum is finally opened its anticipated 3 million annual visitors will have “a realistic idea” of what classicism is all about.
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The disputes that surround the Codex Sinaiticus Bible

Posted at 12:47 pm in Elgin Marbles, Similar cases

One may be able to see the Codex Sinaiticus virtually reunited from today. This doesn’t solve the complex four way dispute over its ownership that continues behind the scenes though. The British Museum would do well to remember this case when suggesting that the issue of the Elgin Marbles can be solved by providing the Greeks with copies.

From:
The Times

From The Times
July 24, 2008
Ancient Bible with a murky past is on the path to a new era of clarity

The story of the Codex Sinaiticus Bible, the oldest complete copy of the New Testament in existence, reads like a script from an Indiana Jones film.

Ever since a German explorer controversially removed it from an Egyptian monastery, four countries have fought for control over the ancient manuscript.
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July 21, 2008

Progress in the digitisation of the Codex Sinaiticus

Posted at 12:54 pm in British Museum, Similar cases

One hears about many collaborative projects at their inception – all too often though interest dies out & the planned eventual result never appears publicly. In the case of the digitisation of the Codex Sinaiticus though, the project has progressed to the extent that much of the work will be available for viewing online later this week.

From:
Agence France Presse

One of world’s oldest Bibles to be put online
21st July 2008

BERLIN (AFP) — One of the world’s oldest Bibles, the Codex Sinaiticus, which was discovered in Egypt in the 19th century, is to be made available online this week, the Leipzig University library said Monday.

The Codex Sinaiticus, which dates from the fourth century, is one of the two most ancient copies of the entire Bible in Greek. The other is the Codex Vaticanus.
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Gordon Brown speaks on the Elgin Marbles

Posted at 12:44 pm in Elgin Marbles

British Prime Minister Gordon Brown has commented publicly on the Elgin Marbles, during an interview on BBC’s One Show. His response predictably follows the line of previous statements by the Department of Culture Media & Sport on the issue.

You can listen to the show online on the BBC’s website for the next few days. The relevant section is about fifteen minutes into the programme.

From:
Daily Telegraph

Gordon Brown’s son calls him ‘Gordon’ rather than ‘dad’
By Rosa Prince, Political Correspondent
Last Updated: 8:44PM BST 17/07/2008
Gordon Brown has told how his five-year-old son John had taken to calling him “Gordon” rather than “dad”.

[…]

Despite a tape-recorded plea from Stelios Haji-Ioannou, the owner of the budget airline Easyjet, Mr Brown said that he did not support the return of the Elgin Marbles to Greece.

Insisting the best place for the Marbles was the British Museum, he added: “From everywhere in the world people can see them free of charge.”

July 19, 2008

Four hundred Benin Bronzes in Chicago’s Field Museum

Posted at 10:37 am in British Museum, Similar cases

Kwame Opoku writes about the opening of the exhibition Benin-Kings and Rituals: Court Arts from Nigeria in Chicago & how maybe some of the sculptures would be appreciated more if they were returned to their original context.

From:
Modern Ghana

Further Report from the exhibition “Benin-Kings and Rituals: Court Arts from Nigeria”
By Kwame Opoku, Dr.
Feature Article | Fri, 18 Jul 2008

The article below provides us further report on the opening of the exhibition which is now at the Art Institute of Chicago. until 21 September,2008. I was very interested to note that the Field Museum in Chicago has some 400 Benin bronzes, a fact which up to now seems to have escaped the attention of many of us who believe that the time has come for the various holders of the Benin bronzes to take a courageous step in returning some of the pieces. Americans and Europeans cannot need these Benin bronzes as much as the people of Benin.
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July 15, 2008

Is the British Museum afraid?

Posted at 12:42 pm in British Museum, Elgin Marbles, Similar cases

Kwame Opoku in his latest piece notices the same coincidence as I did with the current burst of over-zealous publicity for the British Museum.

From:
Afrikanet

Written by Dr. Kwame Opoku
Tuesday, 15 July 2008
Panic and Panegyrics:Comments on “Songs of Praise” for the British Museum

We have had within the last few days a spate of articles, all praising in fulsome language the British Museum and its director, Neil MacGregor. One article, “Is the British Museum the greatest museum on earth” written by Damien Whitworth, appeared in the Times on 12 July.

Another sycophantic article, by Ben Macintyre in The Times of July 10, 2008, is captioned, “Let’s all have tickets to the universal museum”, arguing that “It’s pointless trying to work out who owns ancient art objects. We need to share them around the world”. A third article, by Tristram Hunt, “The British Museum is now our top attraction. If only others would shrug off their deadening ways and follow its lead”, appeared in The Observer on Sunday July 6, 2008.
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July 12, 2008

Following the Egyptian example for recovery of looted artefacts

Posted at 10:00 pm in British Museum, Similar cases

Of all the African countries, Egypt has been by far the most successful in recovering their looted artefacts (three thousand in the last three years) from abroad. By studying the way in which they have operated, it is possible for other nations to see more clearly how their own efforts in this area could be re-structured to make them more successful. It is worth bearing in mind though that whilst Egypt has had many successes, it still hasn’t had any luck in securing even short term loans of some of its most treasured artefacts such as the Rosetta Stone & the bust of Nefertiti.

From:
Afrikanet.info

Recovering stolen cultural objects – the Egyptian example
Written by Dr. Kwame Opoku
Friday, 11 July 2008
ARE THE EGYPTIANS SHOWING THE WAY TO THE REST
OF THE AFRICAN STATES
IN THE RECOVERY OF STOLEN CULTURAL OBJECTS?

From the information we have so far at our disposal, it seems the Egyptians are the most advanced among the Africans when it comes to the question of recovery of stolen or illegally exported cultural items. They seem in any case to be the best organized and the most active in pursuing this objective no matter the obstacles.

And the obstacles here are indeed great. One must contest with the long entrenched European ideology that Western Europe has a God-given right and indeed duty to collect and supervise all the cultural achievements of mankind. The concrete expression of this ideology is found in the ideology of the defendants of the so-called “universal museum”. There are also the large investments in antiquities and the powerful illicit trade in 3000 artefacts antiquities.
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How the Parthenon sculptures will be displayed in the New Acropolis Museum

Posted at 7:51 pm in New Acropolis Museum

After much speculation & various conflicting reports, it now appears in the New Acropolis Museum, the copies of the British Museum’s Parthenon Sculptures will be displayed with a whiter colour than the authentic sculptures that they sit amongst. There is a certain irony in this of course, harking back to the cleaning controversy of the 1930s. Maybe once the actual sculptures are returned, they will still look much whiter.

This article is also notes that the museum is now scheduled to open in September of this year.

From:
The Art Newspaper

Parthenon frieze will be recreated in New Acropolis museum
Originals to be displayed next to plaster casts of British Museum’s marbles
Martin Bailey | 10.7.08 | Issue 193

LONDON. The long-awaited formal opening of the New Acropolis Museum in Athens has now been scheduled for September, after a series of delays. The gallery housing the Parthenon marbles, at the top of the museum, with a view towards the actual Parthenon 300m away, will be finally unveiled, although many of the other displays are not expected to be completed until next year.

After years of discussions, the museum has now decided how it will present the marbles. The originals are being displayed alongside plaster casts of the pieces removed from Greece, most of which are in the British Museum in London.
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The British Museum and the Universal Museum

Posted at 6:59 pm in British Museum, Elgin Marbles, Similar cases

I’m getting a sense of deja-vu here, having read another ridiculously sycophantic piece on the British Museum followed by a response by Dr Kwame Opoku who points out the various flaws glossed over by the first piece. Clearly the British Museum’s Public Relations department has been particularly successful in the last few weeks (to the extent of appearing too obvious?). I see no other reason to explain why there should be three such congratulatory articles about their institution in the press in a single week.

From:
The Times

From The Times
July 10, 2008
Let’s all have tickets to the universal museum
It’s pointless trying to work out who owns ancient art objects. We need to share them around the world
Ben Macintyre

The visitors pouring through the doors of the British Museum represent the triumph of an idea born in the white intellectual heat of the Enlightenment – as valuable today as it was 250 years ago when the museum first opened, but now under attack, despite its fabulous success, as never before.

The British Museum is the greatest universal museum in the world. On my first visit there, as a teenager, I remember feeling physically overwhelmed by the sheer scale and variety of the artefacts, art and ideas on display: Mesopotamian relics, Roman statuary, pharaonic carvings, Viking burial treasures.
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Is the British Museum really leading the world?

Posted at 6:53 pm in British Museum, Similar cases

The British Museum’s Public Relations department have clearly been successful in securing various op-ed journalists to write about how amazing their institution is & will continue to be.

A response by Dr Kwame Opoku follows after the first article.

From:
The Guardian

How one cultural vision has lessons for the whole world
The British Museum is now our top attraction. If only others would shrug off their deadening ways and follow its lead
Tristram Hunt
The Observer,
Sunday July 6, 2008

According to its director, Neil MacGregor, the monstrous iron gates of the British Museum have only twice in its history had to be closed to the public. The first time was in 1848, for fear of angry Chartist radicals. And the second was earlier this year, as thousands queued for the museum’s Terracotta Army exhibition.

But boast he might as last week the British Museum was named the nation’s top visitor attraction – thrashing Tate Modern, Alton Towers, and even Madame Tussauds. Instead of Nemesis roller coasters and Will Smith waxworks, tourists and Brits alike clearly preferred the Great Court, Egyptian galleries, and blockbuster exhibitions on show at Great Russell Street. And all the signs are that this month’s Emperor Hadrian exhibition will draw even greater numbers.
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