Michaelle Jean, Canada’s Governor General plans to make a visit to the New Acropolis Museum during a trip to Athens.

From:
Athens News Agency

11/02/2009
Canada’s Gov. General in Olympia

The Governor General of Canada, Michaelle Jean, on Friday evening visited the “Art Matters” forum in Athens along with her Canadian filmmaker husband Jean-Daniel Lafond, with the focus on possible film co-productions between Greece and Canada as well as international film festivals.

Jean and her husband were welcomed to the forum — which was created by Lafond — by the president of the Greek Film Centre Giorgos Papalios.
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More coverage of the controversy surrounding the exhibition of the Dead Sea Scrolls at the Royal Ontario Museum.

From:
Forward – The Jewish Daily

Furor Over Dead Sea Scrolls Exhibition
By Michael Kaminer
Published July 15, 2009, issue of July 24, 2009.

Toronto — Crowds at the Royal Ontario Museum’s heavily hyped Dead Sea Scrolls exhibition — Dead Sea Scrolls: Words That Changed the World, which runs until January 3, 2010 — have far exceeded the museum’s own expectations. In the show’s first nine days, more than 18,000 people flocked to the museum’s spectacular new Daniel Libeskind-designed Michael Lee-Chin Crystal pavilion — about 52% above the exhibitors’ own projections.

But hosannas for the showing, featuring four scroll fragments on loan from the Israel Antiquities Authority and displayed in public for the first time, have not been universal. Last April, the Palestinian Authority appealed to Canada’s prime minister, Stephen Harper, to cancel the show, citing international conventions that make it illegal for a government agency to take archaeological artifacts from a territory that its country occupies.
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The Dead Sea Scrolls are on display in the Royal Ontario Museum – this is not without controversy though, as Palestinian Groups claim state that these artefacts come from the occupied territories.

In many ways, this is a case that could be solved easily – the issue is that the true reasons behind various aspects of the recent history of the scrolls are not ignored – but the museum is ignoring these problems for fear of upsetting other people (by stating the truth rater than ignoring it).

From:
Independent

Robert Fisk’s World: You won’t find any lessons in unity in the Dead Sea Scrolls
I looked at the texts in Toronto – a tale that was bound to pose a series of questions

Saturday, 11 July 2009

At last, I have seen the Dead Sea Scrolls. There they were, under their protective, cool-heated screens, the very words penned on to leather and papyrus 2,000 years ago, the world’s most significant record of the Old Testament.

I guess you’ve got to see it to believe it. I can’t read Hebrew – let alone ancient Hebrew (or Greek or Aramaic, the other languages of the scrolls) – but some of the letters are familiar to me from Arabic. The “seen” (s) of Arabic, and the “meem” (m) are almost the same as Hebrew and there they were, set down by some ancient who knew, as we do, only the past and nothing of the future. Most of the texts are in the Bible; several are not. “May God most high bless you, may he show you his face and may he open for you,” it is written on the parchments. “For he will honour the pious upon the throne of an eternal kingdom.”
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Legislative difficulties & high costs may mean that many sacred items that ought to be in the Blackfoot cultural centre have little chance of being returned.

From:
Calgary Herald

Displaced Blackfoot artefacts remain out of reach
Feb 08, 2009 Web embargo to 7 a.m. ET
By Jamie Komarnicki, Canwest News Service

CALGARY – More than 18 months after a sprawling Blackfoot cultural centre opened on the Siksika reserve, museum officials say scores of displaced artifacts potentially worth millions of dollars remain out of reach.

Faced with legislative hassles and jaw-dropping costs, curators of Blackfoot Crossing Historical Park fear that sacred items lost years ago to unscrupulous explorers and collectors may never return to their native land, said president Jack Royal.
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More coverage of Influence, Janet Munsil’s play who’s plot revolves around the Parthenon Marbles in the British Museum.

From:
Vancouver Sun

Gods of Greece must be pleased with Influence
Peter Birnie, Vancouver Sun
Published: Sunday, November 09, 2008

Review: A delicious trip into history awaits with the world premiere of Influence. Janet Munsil has written a winner, one which is sure to have a healthy future when it’s tidied up just a titch.

Just as John Keats was obsessed with the gods of ancient Greece, Munsil wraps herself up in an intoxicatingly self-conscious study of what drove the romantic poet, and indeed drives all great artists, to become beholden to their muses. Katrina Dunn does a terrific job of directing this fast-paced romp ’round artistic licence, drawing precise and near-perfect performances from her talented cast.
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A new play aims to tell a new story, based around the story of the Elgin Marbles.

From:
The Vancouver Province

Succumbing to Influence
Director says starting fresh is satisfying
Lynn Mitges, The Province
Published: Monday, November 03, 2008

In a brand-new work, director Katrina Dunn has to balance pathos, drama and farce in real-time and in one place.

Dunn, artistic director for Touchstone Theatres, says that this form of theatre is unusual and part of the charm of Victoria playwright Janet Munsil’s new work. Influence eschews the common filmic fashion, which is characterized by back-and-forth snippets of time.
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The donation of artefacts back to Canada by the Elgin family has now been delayed by the British Government. One fears that any return decision on the Elgin Marbles would probably suffer a similar fate.

From:
Ottawa Citizen

Red tape likely to delay Elgin artifacts display
Library and Archives’ acquisitions yet to receive OK from Britain
Paul Gessell, The Ottawa Citizen
Published: Saturday, April 26, 2008

Library and Archives Canada held a news conference yesterday to announce it has acquired, through a combination of donation and purchase, thousands of personal letters, state documents, paintings and other artifacts owned by Lord Elgin, governor general from 1847-1854.

The announcement was somewhat premature. Britain still has not given the green light for the export of all the loot.
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