Showing results 13 - 15 of 15 for the tag: Context.

July 28, 2008

Percieved similarities of cultural artefacts

Posted at 10:56 am in Similar cases

The British Museum (& others) make much of the fact that they allow comparison of cultural artefacts from different parts of the world within close proximity to one another, allowing comparisons to be drawn. Is this really the only (or even best) method though & how much relevance does it actually have? In some situations, there are clear comparisons to be drawn, but in other cases, perceived similarities are more coincidental than they are indicators of a bigger unifying picture.

Modern Ghana

By Kwame Opoku, Dr.
Feature Article | Sun, 27 Jul 2008

“We Westerners are the ones who confer the quality of art to these objects. These statues should not return to Africa.” Jean Paul Barbier-Mueller (1)

Seldom have I been to an exhibition where almost everything seemed to have been so well-planned and very carefully considered as the exhibition at the Musée Jacquemart-André, Paris, entitled, Afrique – Oceanie, Les chef-d’oeuvres de la collection Barbier-Mueller,19 March – 24 August 2008.
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May 6, 2008

Nashville’s Parthenon

Posted at 12:30 pm in Acropolis

Nashville Tennessee is home to the most accurate replica of the Parthenon. Despite the accuracy of parts of it however, anyone who has seen the real Parthenon in Athens will understand that without its surrounding context, it can never even come close to recreating the experience.

Home & Away magazine (American Automobile Association)

The Temple in Tennessee
Nashville’s Parthenon stands as a tribute to ancient Grecian culture.
By Andrea Gross

The Parthenon is one of the world’s most renowned buildings, an artistic and architectural wonder that serves as a reminder of the glories of ancient Greece. And, as we all know, it sits atop the Acropolis, one of the highest hills in Athens.

To the surprise of many, it also sits atop a small hill in Nashville.
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April 2, 2008

A selective sort of context

Posted at 8:27 pm in British Museum, Elgin Marbles

Yet again, in discussions about the Parthenon Marbles (amongst other things), Neil MacGregor reverts back to his favourite Universal Museum argument. There is nothing inherently wrong with the Universal Museum idea – but at the same time, it is only one premise (out of many) that a museum could be based on. Just because the British Museum happens to fit within this (largely self created) category, it does not mean it is the only option, nor does it mean that it is the right option. Many archaeologist would convincingly argue, that seeing site specific historic artefacts within the context they were created for is far more important than seeing them within the context of other tenuously related artefacts from different times & cultures.

Time Out (London)

Neil MacGregor: interview
By Ossian Ward. Photography Gautier Deblonde
Posted: Tue Apr 1 2008

You may think you‘re in London when you visit the British Museum but according to its acclaimed director Neil MacGregor you are actually walking the corridors and galleries of a global institution. As the record-breaking ’First Emperor‘ exhibition comes to an end, MacGregor tells Time Out why he‘s excited about the future
Neil MacGregor: interview

Neil MacGregor loves talking about the world, because most of it is on display at the British Museum, where he’s been director since 2002. ‘The museum was set up in 1753 to be a comparative world collection. One that should be usable by the world and free to people of all nations.’ I don’t think I’ve ever heard anyone repeat one word so often in the space of an hour. ‘In order to make citizens equipped for the world, they’ve got to study the world. There was no equivalent of Oxford or Cambridge in London at that point, so in a way this became the Open University. In fact, it’s like the World Service, helping to build global citizenship and community.’
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