When it first occurred, the looting of Iraq was one of the most publicly visible destructions of a nature’s culture that had been seen, with much of the ransacking shown on live TV feeds, while troops on the ground struggled to assess the situation. It has to an extent though helped people to understand the kind of situations in which many other artefacts in museums, such as the Benin Bronzes were acquired – a knowledge that we aren’t always talking about smugglers taking an artefact, but in many cases about violent acts of vandalism taking place at the same time.

Since the dark days of 2003, much has been done to help retrieve some of the items lost during the looting, although few would dispute that the best course of events would have been for the looting to have been prevented in the first place.

A new database now aims to catalogue much of Iraq’s ancient sites, with the intention that this will allow better monitoring & protection of them.

From:
CNN

Iraq harnesses technology to protect ancient treasures
By Laura Allsop for CNN
July 21, 2011 — Updated 1517 GMT (2317 HKT)

(CNN) — Known to many as the “cradle of civilization,” Iraq is a treasure trove of important archaeological sites including Babylon, Ur and Nimrud.

Yet hostile circumstances on the ground have left the country’s antique heritage vulnerable to looting and damage.
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More coverage on the deal signed between Greece & the USA to restrict the importation of historic artefacts.

From:
Art Info

The U.S. and Greece Agree to Ban Imports of Most Antiquities, Despite Concerns Raised by Debt Crisis

Collectors in the market for Greek antiquities may soon find them harder to come by on this side of the Atlantic.

Standing at the Parthenon Museum in Athens, Greece last week, Secretary of State Hillary Clinton signed an agreement with the Greek Minister of Foreign Affairs Stavros Lambrinidis to restrict imports of ancient Greek artifacts to the United States.
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US Secretary of State, Hilary Clinton, has signed an agreement with Greece, to restrict importation of antiquities, in an aim to help prevent looting of archaeological sites.

From:
The Art Newspaper

Clinton signs memorandum with Greece restricting import of antiquities
New agreement looks to end looting and black market sales by reducing the incentive to illegally remove such objects in the first place
By Helen Stoilas | Web only
Published online 21 Jul 11

ATHENS. While in the Greece on a diplomatic visit this weekend, US Secretary of State Hillary Clinton signed a Memorandum of Understanding with Greek Minister of Foreign Affairs, Stavros Lambrinidis, concerning the imposition of import restrictions on archaeological and Byzantine objects. The new memorandum, which still has to be ratified by the Greek Parliament, would make it illegal for protected works of art to enter the US without the approval of Greek authorities.

The signing of the memorandum was yet another demonstration of the US government’s vocal support of Greece’s austerity measures to help the debt-ridden country get back on its feet. “America is just as committed to Greece’s future as we are to preserving your past,” Clinton said at the signing. “During these difficult economic times, we will stand with you. We are confident that the nation that built the Parthenon, invented democracy, and inspired the world can rise to the current challenge.”
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An interesting look at 10 different cases (some well known, some more obscure) where countries are involved in disputes over the ownership of looted cultural property. Some of the cases have been resolved, but many are still no closer to reaching a conclusion than the day after the artefacts were originally taken.

From:
Business Insider

10 Ancient Artifacts That Countries Are Still Fighting Over
Vivian Giang | Jul. 14, 2011, 7:51 PM

Legendary historical artifacts have traded hands from conquerors to thieves and ended up thousands of miles from their origin.

The question of ownership is extremely murky.

With a black market in looted art worth as much as $6.3 billion a year, the mantra of “finder’s keepers” can be tempting. Past and present owners, however, may claim an object, sometimes leading to disputes and wars between nations.
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An interesting followup to the previous post about the ongoing problems of artefact looting within Greece.

From:
SAFE

Wednesday, July 13, 2011
Repatriation Effects: Greece’s National Archaeological Museum

In the Galleries:

While we all revile the looting of archaeological sites and the illicit trade of artifacts, we can now begin to review the effects of the repatriation of ancient material back to the countries of origin. Here I am not referring to Native American remains, but the statues and vases created by the ancient cultures of the Mediterranean. Recently, I visited the National Archaeological Museum in Athens, Greece, which has seen financial and public relations troubles partly due to the national economic crisis. Here, I saw the 2007 repatriated kore from the J.P. Getty Museum standing amongst other statues without any bells or whistles describing its sordid history. Also on display was a bronze athlete, repatriated in 2002, propped in its own corner. I believe that the return of these objects reflect legal and ethical principles, which absolutely must be upheld.
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A meeting of UNESCO’s ICPRPC committee in Azerbaijan has considered the protection of cultural artefacts from Azerbaijan, as well as re-visiting the standing restitution appeals for the return of the Parthenon Marbles & the Bogazkoy sphinx.

From:
News.Az

Azerbaijan appeals UNESCO to protects cultural heritage in occupied lands
Wed 06 July 2011 04:25 GMT | 5:25 Local Time

The 17th meeting of the UNESCO’s Intergovernmental Committee for Promoting the Return of Cultural Property to its Countries of Origin or its Restitution in Case of Illicit Appropriation (ICPRCP) was held.

The Department of international relations and cultural programs of Azerbaijan Ministry of Culture and Tourism reports that the issues which were included in the agenda – The restitutions appeals on Parthenon marbles (the United Kingdom of Great Britain – Greece), Bogazkoy sphinx (Germany – Turkey) were examined, the reports by member states and UNESCO partner organizations were listened.
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Times have changed a lot since the Seventh Earl of Elgin removed half the marble sculptures from the Parthenon, but looting of archaeological sites continues to be a problems for Greece, as it is in many other countries around the world. Looting is a problem that must be tackled in multiple ways, if it is to be prevented.

Protecting the sites of the looting is possible in some cases, but in somewhere such as Greece, there are vast tracts of land rich in buried relics, that have yet to be excavated. Underwater remains from shipwrecks & land areas that have become submerged presents an even trickier problem.

Blocking artefacts leaving the country is a second level of defence – but as with any type of defence against smuggling, where there are long land & sea borders, it is hard to guarantee that things do not slip through the net.

Many artefacts that are going to be traded on the international markets, tend to pass through other countries on the way to their eventual destination – the use of Geneva as a hub for trafficking in stolen artefacts is just one particularly notorious example.

Auction houses or private dealers represent the next step in the chain – the auction houses ought to be the easier of the two to stop, but recent cases show that they are often more concerned with making a sale than asking too many questions about the origins of what they are selling.

Finally, ultimate culpability rests with the buyers. If no one was willing to acquire unprovenanced artefacts, then the market would dry up – it is as simple as that. With no money in the system to drive the looting, those who are currently pilfering archaeological sites would find that there was no financial benefit in what they were doing. This is by far the most critical step & applies in equal measures to private collectors & museums. In the end, the individual that buys the artefact without asking an questions about where it came from is the only thing that creates a demand for looting around the world.

From:
Kathimerini (English Edition)

30-06-11
Illicit antiquities trade continues to thrive in Greece
Short-staffed archaeological sites are easy targets
By Iota Sykka

The majority of visitors to state museums in Greece find the experience disappointing. There are various reasons for this, including closed halls due to staff shortages — a factor which also affects service — and impractical opening hours. However, what is a disappointing situation to many presents an ideal opportunity for a few.

The issue of museum security — particularly when it comes to safeguarding archaeological sites — is a constant headache for the Greek Ministry of Culture, which is struggling to cope with the limitations of being short-staffed.
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Many museums jealously guard their large collections of artefacts sourced from far corners of the world, pleased with the number of visitors that are drawn to their institutions to see them. Surely though, when it ends up that the foreign museums have more of a cultures artefacts that the national museums in their home country have, isn’t it time to re-think whether the balance needs to be redressed?

From:
Modern Ghana

MORE DOGON IN MUSÉE DU QUAI BRANLY, PARIS THAN IN NATIONAL MUSEUM, BAMAKO?
By Kwame Opoku, Dr.
Feature Article | 16 hours ago

“Malian cultural heritage has for several decades, undergone a massive transfer toward Europe and the United States. Analyzing the phenomenon in its universality, it seems very clearly to be the translation of an unequal relation between poor (weak) and wealthy (powerful) nations. The cultural assets of poor nations are being exported to rich nations. Examples to the contrary do not exist”.

There is no doubt that the current exhibition at the Musée du Quai Branly, entitled, “Dogon” is the most comprehensive and definitely one of the best exhibitions on the well-known culture of the Dogon, Mali. The exhibits are all so impressive that one cannot easily pick out any objects as more interesting and show them to readers, especially Africans who may not be able to visit this excellent exhibition in view of existing restrictions placed on Africans seeking to visit Europe. In any case, France would not accept as ground for requesting a visa for France, the current exhibitions on Dogon, Angola and Voodoo in Paris.
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The Korean manuscripts that ended up in Paris’s Bibliotheque Nationale have now returned to Korea. Agreements have also been made for the return of various artefacts held by Japan.

From:
Art Daily

Korean Royal Books Looted by French Soldiers in the 19th Century Get Colorful Welcome
Friday, June 24, 2011
By: Kelly Olsen, Associated Press

SEOUL (AP).- South Korea celebrated the return of nearly 300 royal books looted by French soldiers in the 19th century with solemn ceremonies Saturday bringing alive the color and pageantry of a bygone royal age.

Bearers dressed in bright red costumes of the Joseon Dynasty carried a palanquin containing some of the books to central Seoul’s Gyeongbok Palace to the piercing sound of traditional horns and gongs.
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Once again, as so many times before, we see that the (admirable) aims to exhibit artefacts in the area where they were found, is acceptable for more recently discovered items, but when countries such as Greece request similar treatment it is described as cultural nationalism.

From:
BBC News

3 June 2011 Last updated at 13:24
Ancient gold jewellery returns to Rhayader Museum

Two rare troves of ancient gold are being displayed together for the first time in a new exhibition.

The treasures were found 55 years apart in fields in Rhayader, Powys, but have been kept at the British Museum and the National Museum of Wales.
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As long as there have been tourists, there have been people taking souvenirs – nowadays, there are far more laws in place to cover this, but in the past, it was seen by some as perfectly acceptable to bring back cultural artefacts, or parts of buildings that you had seen, to prove to others that you had been there. The thing is, that when it happens now, people are shocked and horrified by the sight of the looting process taking place, but somehow manage to forget that similar (unseen) processes formed part of the acquisition of many other artefacts that we see as key to the collections of museums today.

From:
Register-Guard

DON KAHLE: Egypt’s loss of treasure began with early tourists
By Don Kahle
For The Register-Guard
Published: (Friday, Jun 3, 2011 12:28PM) Midnight, June 3

CAIRO — Any tourist traveling to Egypt should stop first at the British Museum in London. The museum contains many of Egypt’s most prized relics — and it also provides a primer on how tourism got off on the wrong foot.

The Brits’ version of our Smithsonian Museum starts with an exhibit about the Enlightenment ideals upon which this museum of antiquities was built. This signature exhibition elegantly summarizes how tourism’s roots led to a franchise of consumerism, objectification, bigotry and neocolonialist venturism.
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An anonymous art dealer, is trying to purchase an artefact, believed to have been looted from Afghanistan, with the sole aim of returning it. Interestingly, the British Museum is getting involved – clearly repatriation is much more important for recently taken artefacts than it is for older ones (that are already in their collection).

From:
Guardian

Prized Afghan antiquity is rescued by British art dealer
Gandharan Buddha will be on show at the British Museum until mid-July
Dalya Alberge
Sunday 29 May 2011 00.04 BST

An anonymous art dealer passionate about Afghan heritage has teamed up with the British Museum in an effort to buy and repatriate a spectacular antiquity believed to have been looted from the Afghan national museum in Kabul during the 1990s.

The British dealer, who said he had a “very strong emotional attachment” to Afghanistan, resolved to buy the 2nd-century Gandharan Buddha after he recognised it in a photograph sent by a colleague in Japan. The sculpture, which had disappeared in the bloody civil war, had been bought by a Japanese collector.
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