Showing results 25 - 36 of 599 for the tag: Cultural Property.

February 27, 2013

Not all types of restitution are equal – law enforcement & return of looted artefacts

Posted at 1:43 pm in British Museum, Similar cases

This piece by Kwame Opoku raises the interesting point, that the often gets lost when described in press articles – that there are two very different types of restitution. One type happens regularly, is legally enforced & has no real involvement of museums & galleries. The other type happens rarely (if at all) & is determined by the museums. But, in the media, these two very different types of cases often become one & the same, implying that there is a level of co-operation between countries over disputed artefacts that is not really there. Certainly, there is one layer that exists, but the layers beneath it are applied far more erratically.

From:
Ligali

Wed 13 February 2013
Opinion: What We Understand By “Restitution”
Kwame Opoku questions whether Nigeria’s approach to restitution of cultural artefacts is really working and offers a more progressive approach and honest definition.
Submitted By: Kwame Opoku

“Short of giving details of the anticipated repossession of Nigerian artefacts from France, Usman insisted that diplomacy remained the “best and only option for now and we would change our strategy if it’s not working.”

We are all pleased that the French, just like the US Americans are returning Nigerian looted artefacts that have been intercepted by the police or customs whilst in transit or at arrival at port of destination. This is the result of normal collaboration between customs/police institutions of France/USA and those of Nigeria. They are not the result of efforts by cultural institutions seeking the return of looted items, as far as we know. These are the results of investigation of criminal activities pursued by the customs/police institutions.
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February 26, 2013

The Koh-i-noor and promoting Britain’s trade ties with India

Posted at 2:18 pm in Similar cases

David Cameron’s trip to India was ostensibly to promote trade ties with Britain. Reading between the lines, this could be seen more as: We see lots of money sloshing around in India nowadays & we want to see if we can get a slice of it.

The questions about the Koh-i-noor diamond can hardly have been unexpected though. Afterall, It happened on his previous visit to the country & it is well known that India would like the gem to be returned. This makes it all the more surprising that his response sounded as though little real thought had gone into it.

If Cameron wanted to promote trade with India, surely a gesture of agreeing to return the Diamond could form a great catalyst for this – although I have a feeling that due to its position in the crown jewels, the Prime Minister would probably not have the authority to return it anyway. At the end of the day though, its removal from the Crown Jewels would not be a massive loss for Britain – financially, our situation would be the same with or without it.

Like many other restitution cases, the Koh-i-noor diamond is a complex one. This editorial piece raises some of the issues, but there are many others on both sides. The article highlights the fact that Pakistan has allowed much of its own heritage to crumble & deteriorate in recent years – therefore, does it deserve to have other items returned. I would counter this argument though – there are no laws currently that allow other countries to remove artefacts for their own safety (without permission from the original owners), so should the fact that the artefact is already out of the hands of the original owners be used to promote such a viewpoint, which would not normally be considered a legal possibility.

From:
Dawn

24 Feb 2013
Jewel in the crown

THOUGH David Cameron may have been keen to promote trade ties on his recent visit to India, the British prime minister turned down a long-standing demand to return the Koh-i-Noor diamond. Mr Cameron felt returning the dazzling gem would not be “sensible”. Questions over the Koh-i-Noor’s rightful ownership stem from the legacy of Britain’s colonial past. Originally mined in southern India centuries ago, the fabled stone changed hands several times, passing through the treasuries of the subcontinent’s Hindu, Muslim and Sikh kings before being presented to Queen Victoria by the colonial government of India. Considered a trophy from perhaps the most prized of Britain’s realms, the diamond is today part of the crown jewels firmly ensconced in the Tower of London. But Britain was not the only European colonial power to have appropriated the cultural property of others. More recently, there was widespread looting of Iraq’s historical treasures following the 2003 United States invasion; the Americans did little as gangs of looters made off with priceless treasures in the anarchy following Saddam Hussein’s fall.

It is valid to ask if historical artefacts whisked away from former colonies and now sitting in Western museums will receive proper care if returned to their countries of origin. We in Pakistan, for example, have allowed our heritage to crumble. Also, it is true that ancient collections in the Louvre or the British Museum have become part of world heritage. But how many of the world’s people can simply hop on a plane to enjoy the treasures taken from their countries? Ethically, there is weight in the argument that treasures looted in the age of empire be returned to their countries of origin to right historical wrongs and allow the people of former colonies to better appreciate their own heritage, while placing responsibility on those countries to preserve the artefacts.

Bronze age gold cape to return to Wales on loan

Posted at 1:59 pm in British Museum, Similar cases

More coverage of the return (on loan) of the Mold Cape, planned to take place later this year. This is not the first tie that the cape has been returned on loan – a previous exhibition of it in Wrexham took place in 2005.

From:
BBC News

23 February 2013 Last updated at 11:07
Mold gold cape to be displayed in Cardiff and Wrexham museums

A unique ceremonial Bronze Age gold cape which was discovered in Flintshire 180 years ago is to go on display in Cardiff and Wrexham this summer.

The Mold Gold Cape, thought to have been a woman’s, will be loaned first to the National Museum in Cardiff in July.
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February 25, 2013

Do the Londoners upset about the missing Banksy consider how Greece feels about the Parthenon Marbles?

Posted at 2:14 pm in Similar cases

The story of the Banksy artwork that disappeared from a wall in London has reached some sort of conclusion, with the news that the auction is no cancelled. It is great to see people getting so enthusiastic about preserving local artwork, but do the people whose protests stopped this auction ever consider how the original owners of many of the disputed artefacts in Britain’s museums feel?

If we consider the circumstances, the missing Banksy is a very weak case – there is nothng to indicate that it was not the owner of the wall who was selling it. Or that he had a right to do whatever he wanted to with this wall.

In term of the artwork, it could be argued that it was site specific – but only to the extent that Banksy had chosen that wall for it. realistically, it could have been applied equally well in many other locations. Furthermore, consider the duration that the artwork existed in this location for – only a matter of months. If this is contrasted to the Parthenon Marbles, they were located in-situ for over two millenia, and were designed specifically with that location in mind – to the extent that they formed an integral part of the building that they were on – they could not be removed without destroying parts of the building.

Stopping this auction & enriching the streets of the borough of Haringey might be a good cause – but the people supporting it really ought to think about the many far more important cases that Britain’s museums try & brush off as unimportant.

Interestingly, a new artwork has already appeared on the wall that the Banksy has been removed from – so restoring it is not possible without destroying another piece of art…

From:
Guardian

Banksy mural: I’m being scapegoated, says Miami art dealer
Richard Luscombe in Miami
Friday 22 February 2013 15.47 GMT

The owner of a Florida art house handling the controversial auction of a Banksy mural prised from a north London wall has spoken out to claim he is being unfairly scapegoated, and insists the sale is legal and will take place.

Slave Labour, a spray painting depicting a barefooted boy making Union Jack bunting in a sewing machine, by the celebrated street artist Banksy, was removed from the wall of a Poundland shop in north London last week under mysterious circumstances. As local authorities, residents and the shop’s owner have denied all knowledge, protests from UK authorities have turned to the Miami auctioneer.
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February 24, 2013

The Koh-i-noor diamond, the Parthenon Marbles & the Benin Bronzes – three disputed artefact cases

Posted at 7:31 pm in British Museum, Elgin Marbles, Similar cases

Kwame Opoku writes about British Prime Minister David Cameron’s comments on the Koh-i-noor diamond & the Parthenon Marbles during his trip to India.

From:
Kwame Opoku (by email)

DAVID CAMERON RULES OUT THE RETURN OF THE PARTHENON MARBLES AND THE KOHINOOR DIAMOND TO THEIR COUNTIES OF ORIGIN.

On the last day of his trade visit to India, David Cameron, the British Prime Minister, ruled out the return of the Kohinoor Diamond to India and added that the same applied to the Parthenon /Elgin Marbles. (1)

Cameron thought it was best that these objects be left where they are in the care of the British Museum
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The Koh-i-Noor – Whose history is it a part of & who should own it?

Posted at 7:04 pm in British Museum, Similar cases

David Cameron’s point of view on the return of the Koh-i-noor diamond has had a lot of coverage in recent days. In many ways, the view that he gives is very similar to the line taken by the British Museum on items such as Parthenon Marbles & the Benin Bronzes – that the British are ideally placed to display these artefacts as part of collections from all corners of the globe, where they can be seen by many people. This reasoning always reeks of imperialism to me however – it is an entirely self-appointed role – the artefacts weren’t generally taken with this purpose in mind originally & giving the great museums of the world this role was never something decided by the original owners of the artefacts either. Surely, if the aim is for these works to be seen by as many people as possible, then India would be an ideal location anyway. England may once have been at the centre of the world, but with the rise of the Middle East, South East Asia & China, India is ideally placed to be a hub linking these regions. There is little in reality to link the Koh-i-noor to England, although it should be remembered that is an object that has always moved from place to place. No doubt, one day it will move on, beyond England’s borders, but where it ends up at that stage, is ass yet unknown.

From:
Daily Star (Bangladesh)

Sunday, February 24, 2013
Sunday Pouch
Who owns history, Mr. Cameron?
Ashfaqur Rahman

Last Week, British Prime Minister David Cameron, during his official visit to India, made a disconcerting statement in Amritsar. He said his country would not return the 105 karat Kohinoor diamond, one of the largest in the world, which was taken in 1850 from South Asia as a “gift” to the British monarch Queen Victoria. He reiterated that the “diamond in the Royal Crown is ours.” “I do not believe in returnism, as it were. I don’t think it is sensible. The right answer is that the British Museum and other cultural institutions around the world should make sure that the things which we have and look after so well are properly shared with people around the world,” he said.

The history of the Kohinoor diamond is a fascinating one. It was mined in the thirteenth century in Andhra Pradesh, and was initially in possession of King Prataparudra in that region. Kohinoor stayed with the Mughals for a long time. Emperor Shahjahan affixed it on his Peacock Throne to add glamour to the piece. The Kohinoor fell into difficult times when it was seized by Persian King Nadir Shah when he attacked Delhi.
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February 22, 2013

Diamonds are forever… ours… David Cameron’s the anti-returnist’s reasoning behind keeping Koh-i-noor

Posted at 7:40 pm in Similar cases

Most common phrases we here about diamonds today (not least the one used in the title of this post) were created by the De Beers cartel – an organisation that’s main aim is to boost the price & sales of diamonds around the world. Even without De Beers though, diamonds have always been highly valued & sought after by the wealthy.

The fact is though, that there is a long story to the Koh-i-noor – it only became British property relatively recently & was taken in circumstances that many today would see as morally / ethically questionable. It had been valued by others for a long time before Britain got hold of it & various countries still claim that it is theirs. Many analogies / parallels can be drawn with this case, although I personally feel that the comparison to the Parthenon Marbles is a particularly poor one & merely serves to highlight how uneducated David Cameron is about both of the cases.

That said though, the cases can still both be equally valid – and something needs to be done to work towards resolving them rather than merely brushing off requests with flippant remarks.

From:
First Post

Diamonds are forever… British. Why Cameron really can’t give back the Koh-i-noor
by Sandip Roy Feb 22, 2013

Diamonds are forever and they are for your EYES only.

So India, you can look but don’t even dream about getting the Koh-i-noor back.

Instead David Cameron has given India a parting gift – a post-colonial word – returnism.
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Who owns the Banksy street art on a wall? The wall owner or the public?

Posted at 7:22 pm in Similar cases

As the case of the Banksy artwork removed from the wall in Wood Green continues, more & more people are trying to draw slightly absurd parallels to the Parthenon Marbles & calling for the British Ministry of Culture to intervene to block the auction from taking place. However in this case, I can’t really understand quite what the basis for the arguments is.

It now seems clear that the owner of the building (of which the wall on which the graffiti was on was a part) authorised & presumably organised the removal of the artwork. No doubt they stand to make a reasonable profit from it. Now, Banksy picks the walls he paints on – with no consultation with the owners, so this lucky owner is soon going to be wealthier than they were before – and it is entirely through luck.

Haringey Council are claiming that the art is something that enriched the area & was in part something that belonged to the people. It is unclear how they can make this judgement, though, when much of their time is spent cleaning graffiti (that is typically of much poorer quality) off walls. There is no body which decides what is graffiti & what is street art – and that one must be scrubbed off & one preserved, so there argument does not really carry much weight.

It would be great if the work could have stayed – but that is just my own personal opinion – nothing more. Just because you don’t like what is happening, it doesn’t mean that the law should suddenly intervene (without any clear legal framework under which to do so).

Comparisons to the Parthenon Marbles are far more ridiculous – street art by its nature is a transient thing – even with protection, paint will flake off in a few years, leading it to fade away. The sale is being made legally (despite the fact that many people are upset by it).

From:
Artinfo

February 20, 2013, 6:25 pm
London’s Stolen Banksy Heads to the Auction Block Despite 11th Hour English Rescue Attempt

Part of the inherent definition of street art is that it is, by nature, public. It appears on the sides of buildings and on sidewalks, in doorways and on concrete blocks. It most often appears in urban neighborhoods, and tends to lend itself to some sort of social commentary. The illicit nature of the craft is in itself subversive and, as a corollary, non-commercial. Or it was anyway.

In recent years, street art has become gritty-chic, touted by the likes of Kate Moss, and therefore increasingly popular as a collecting category. Original works by Banksy, probably the most important street artist of the last twenty years, now fetch six figures at auction. It was only a matter of time before people started ripping down walls to, quite literally, extract the value from them.
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Greece responds to David Cameron’s comments on the Parthenon Marbles

Posted at 6:59 pm in British Museum, Elgin Marbles

Costas Tzavaras, Greece’s minister responsible for cultural affairs has responded to David Cameron’s comments that he does not support the return of the Elgin Marbles.

From:
Athens Macedonian News Agency

Athens Macedonian News Agency: News in English, 13-02-21
Culture minister on Parthenon Marbles issue

AMNA — Greece and the United Kingdom have a different approach on the issue of the Parthenon Marbles, alternate Education Minister responsible for cultural affairs Costas Tzavaras said on Thursday in reply to statements by British Prime Minister David Cameron.

There is a clear “difference in approach and conception separating us (Greece) from the United Kingdom on the issue of the Parthenon Marbles”, he said.
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Could Koh-i-noor diamond be leased back to India?

Posted at 2:50 pm in Similar cases

Following David Cameron’s comments that there were no plans to return the Koh-i-noor diamond, a group in Mumbai is proposing that India could leas the diamond from Britain rather than it being returned. Similar deals has been proposed in the past for the Parthenon Marbles, where they could return to Greece as a long term loan, to avoid the anti-deaccessioning clauses in the British Msueum act – although, all such proposals have been rejected by the museum.

I do not know what the legal status of the Koh-i-noor is. Unlike the Parthenon Sculptures, it is not held by a museum, but is part of the crown jewels. Now, this is a far more unique situation & I have no idea of the legal framework attached to items such as this belonging to the Crown – so whether any sort of loan is possible without changes in the law is unclear. If anyone knows more about this, please clarify the details for me.

You can vote for the return of the Koh-i-noor on the Made In India website.

From:
Times of India

‘Kohinoor must be given to India on lease’
TNN | Feb 22, 2013, 03.46 AM IST

MUMBAI: A citizens’ group has provided a unique solution to the tug-of-war over the Kohinoor diamond. It has suggested to the British Prime Minister that the UK government lease it to India for a period of 25 years.

“We do appreciate the safety and preservation that you have offered to the Kohinoor,” a letter from Shailendra Singh, head of Made in India, to British PM David Cameron says, before going on to offer a solution: the British government can lease the Kohinoor back to India for 25 years. The organization had asked Indian citizens to vote for a petition on its website, http://www.iammadeinindia.com, asking for the return of the gem to India.
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Mold gold cape to return from British Museum to Wrexham on loan

Posted at 2:37 pm in British Museum, Similar cases

This story seems very similar to that of the Lindisfarne Gospels – and is made more similar by the fact that the British Library & the British Museum used to be one & the same institution.

Yet again, an artefact is returned – but only on a very short term loan. This seems to be an acknowledgement that in some ways it belongs closer to where it was created – but at the same time limiting its visit to as short a period as possible, to stop people getting any idea that it may make sense for it to be permanently on display outside the British Museum.

From:
Wrexham.com

Mold Gold Cape To Return To Area
Posted: February 22, 2013 Written by Rob Taylor

The Mold Gold Cape will go on loan from the British Museum for public display in Wales this summer. In partnership with Amgueddfa Cymru – National Museum Wales and Wrexham County Borough Museum & Archives, this will be the third time the cape will have been displayed in Cardiff and will go on to be shown in Wrexham, not far from where it was found. The Cape will be on display for free at both venues as part of the Spotlight Tours organised through the British Museum’s Partnership UK Scheme.

The Mold Cape is a unique ceremonial gold cape and made around 3,700 years ago, during the Early Bronze Age. A highlight exhibit at the British Museum, the cape will be shown at National Museum Cardiff 2 July to 4 August and then Wrexham County Borough Museum, 7 August to 14 September 2013.
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David Cameron, Modern India, Returnism, the Koh-i-Noor & the Parthenon Sculptures

Posted at 9:42 am in British Museum, Elgin Marbles, Similar cases

David Cameron’s comments on the Koh-i-noor diamond have provoked huge amounts of controversy amongst Indians everywhere, with thousands of posts on twitter speaking out against his attitude. The vocal attitude of the restitution supporters is to be encouraged – and perhaps other countries could learn from some of their techniques and apply them to their own campaigns. I was particularly intrigued by this comedy routine discussing the diamond – and its continued retention by Britain.

The British Prime Minister made apologies, for some of the worst acts committed in India during the time of the British Empire – something that may have required much thinking & soul searching (& possibly even a few conversations with lawyers about any potential increase in liability / culpability). At the same time though, this was only a statement, something that required no physical or financial commitment. On the case of the Koh-i-nor however, making any sort of commitment would mean that he had to actually do something rather than just talking about it.

The saying that actiona speak louder than words is well known – but the very different approach to these two issues by David Cameron suggests that our Prime Minister would far prefer to be a man of (cheap) words, than one of (expensive actions). Words are meaningless unless they are followed up by some physical commitment.

In part, the British PM is no doubt worried that the return of such a high profile artefact as the Koh-i-noor, a diamond famous around the world, that forms part of the crown jewels. He is worried that restitution could be a vote loser, whereas, the clamour of voices for return is still not loud enough for its continued retention to be seen as cause for concern. Where people think that there is a just case for return (of any artefacts), they must continue to make their feelings known – letting the current owners know that the issue is not going to go away if it is ignored – that some sort of compromise or negotiated agreement needs to be met. Almost always, there is potential for an agreement that can benefit both sides – but it often involves thinking outside the box, to consider what each side has that may benefit the other & most of all, to put aside worries about any temporary loss of face that may be caused by doing the right thing.

Throughout all of this, we must remember that the Koh-i-noor (like many other restitution cases) is a complex issue. Different parties take different positions on the circumstances of the original acquisition – was it a spoil of war, or a legitimate exchange? If someone’s hand is forced in making a deal, does the deal still hold the same legitimacy? Furthermore, India is not the only country claiming ownership of the gem – so even if it returned, they might then have to deal with other restitution claims from Iran, Pakistan & Afghanistan (these are the potential claimants that I know of – there may well be others).

Modern India is a very different place, from the one that gave up the diamond to Britain in 1849 – in much the same way as contemporary Greece bears little resemblance to 1800, when it formed an outpost of the Ottoman empire. If Britain wants to deal with (& benefit from the wealth of) these modern countries, perhaps it needs to do something to put right some of the actions that reduced their culture in the past – rather than just returning again wanting to take more (albeit in a very different way).

Where does this all leave the Elgin Marbles? Well, Cameron has previously made his (ill informed) views on this subject clear in the past, so the fact that he has not had a sudden change of heart should not be seen as a big surprise. What is ridiculous however, is his lumping of completely different cases together under the one umbrella – the suggestion that all cases should be dealt with by a single statement, rather than even starting to consider the varying individual merits & circumstances of each one.

Cameron upsets many with the use of the term Elgin Marbles – a phrase that has for a long time been deprecated by the British Museum & that (while known to the public), is no longer taken as being the correct name for these sculptures. Use of such terms in public statements, suggests that he has only a passing acquaintance with the actual facts of these cases, meaning that his cursory brushing away of any suggestions of restitution is all the more galling.

I spoke before of his use of the word returnism – a term that does not seem to have many other mentions elsewhere – perhaps I should not complain too loudly about this though – particularly as the title of this blog is equally guilty of nealogizing… I actually quite like the term – if I hadn’t named this site Elginism, perhaps returnism would have been a good alternative name.

From:
Global Post

Faine Greenwood
February 21, 2013 07:20
Britain doesn’t plan on returning Koh-i-Noor diamond to India, says Cameron

The enormous Koh-i-Noor diamond may have originated in India, but it won’t be returned to its original owners, reiterated British prime minister David Cameron on the third day of an official visit to India this week.

The 105-karat Koh-i-Noor diamond once graced the crown of Queen Elizabeth I and remains an integral part of the British collection of crown jewels, displayed at the Tower of London.
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