Showing results 757 - 768 of 792 for the tag: Cultural Property.

April 28, 2008

Excuses for retention of artefacts

Posted at 1:37 pm in Similar cases

Many excuses are made by the museums of the west for the retention of artefacts. In this case, the argument is that making art works out of artefacts, particular those originating from “primitive” cultures will increase their chance of survival.

From:
Afrikanet

WOLF LEPENIES AND THE ETHNOLOGY MUSEUM, BERLIN.
Written by Dr. Kwame Opoku
Sunday, 27 April 2008
WHY DO EUROPEANS, EVEN INTELLECTUALS, HAVE DIFFICULTY IN CONTEMPLATING THE RESTITUTION OF STOLEN AFRICAN CULTURAL OBJECTS? WOLF LEPENIES AND THE ETHNOLOGY MUSEUM, BERLIN.

Universal culture can only be achieved when all cultures are able and free to make their contribution but this cannot be done when the guardians of one culture hijack the masterpieces of another culture. (Picture: Mask pwo or mwana pwo, Chokwe, Angola. Ethnology Museum, Berlin.)

In a recent article in a leading German newspaper, Abschied vom intellektuellen Kolonialismus with the title, Farewell to intellectual Colonialism; What Berlin can learn from the debate over the Musée du Quai Branly in Paris. (1) Wolf Lepenies, holder of the Peace Price of the German Book Industry and recipient of several other academic distinctions, reminded me once again of the enormous difficulties Europeans, even intellectuals, seem to experience when they deal with African problems and above all, when they consider matters in which the interests of Europeans and Africans are involved. Somehow they seem unable or unwilling to give to Africans the same consideration as they give to others.
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April 22, 2008

Kwame Opoku responds to Philippe de Montebello

Posted at 11:24 am in Similar cases

Philippe de Montebello, Director of New York’s Metropolitan Musum has never been popular with restitutionists, despite being unwillingly responsible for some of the most significant artefact restitutions in recent years. He always gives the impression that he does not really even try to understand the issues & implies that he has been forced into making decisions by situations outside his control.

From:
Modern Ghana

DOES THE DEMAND FOR THE RESTITUTION OF STOLEN AFRICAN CULTURAL OBJECTS CONSTITUTE AN OBSTACLE TO THE DISSEMINATION OF KNOWLEDGE ABOUT AFRICAN ARTS? COMMENTS ON A LETTER FROM PHILIPPE DE MONTEBELLO, DIRECTOR, THE METROPOLITAN MUSEUM OF ART, NEW YORK.
By Dr. Kwame Opoku
Mon, 21 Apr 2008
Feature Article

Reference is made to the letter from Philippe de Montebello, Director of the Metropolitan Museum of Art (1), New York, which was published in AFRIKANET on Friday, 18 April, 2008. http://www.afrikanet.info/. In his letter, Philippe de Montebello refers to my article entitled “Is Legality still a viable concept for European and American Museum Directors?” http://www.afrikanet.info/index. The Director of the Metropolitan does not address the main point of my article, namely, that the arguments the European and American museums present in defence of their holding of stolen African cultural objects are extremely weak. It seems the director is more interested in the picture inserted in the article than in the serious comments on legality. I shall therefore only comment on the points raised in his letter.

We are sorry that the Director of the Metropolitan Museum had to go to so much trouble in order to identify the Nok terracotta. Incidentally, why must a Nok sculpture be described as “haunting, strange-looking object”? This description comes from a museum director who has artworks from the Egyptians, Guro, Lobi, Dogon, Bamana, Senufo, Baule, Lumbo, Igbo, Fan Yoruba, Chokwe, etc among his collections. I thought we had long moved away from the period when the Europeans and Americans described whatever came out of Africa in these terms. Or are we going back to those days when an unbridgeable difference was assumed to exist between African art and European art? Surely, after the influence of African art on modern art and after so many exhibitions on African art, some organized by the Metropolitan Museum, such a description sounds somewhat odd, especially coming from a Director of one of the leading museums of the West.
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November 12, 2003

Saving antiquities for the Nation

Posted at 8:52 am in Similar cases

Often, when an artwork in the UK comes up for sale, much is made about how it must be saved for the nation – to prevent it falling into the hands of a collector of museum abroad. When countries such as Greece request the return of their artefacts however, their statements are criticised as being purely nationalistic.

From:
Guardian

Tate chief attacks ‘save for the nation’ art policy
Fiachra Gibbons, arts correspondent
Wednesday November 12, 2003
The Guardian

Sir Nicholas Serota, the most powerful man in the museum world, dramatically broke ranks with his colleagues yesterday to challenge the idea that vast sums of money should be spent to stop important works of art leaving Britain.

The director of the Tate museums delivered a devastating indictment of the reflex to blindly save treasures “for the nation” when foreign collectors or museums try to buy them, a sacred cow of cultural policy until now.
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November 8, 2003

Debates over the ownership of stolen artwork

Posted at 9:07 am in Similar cases

Italy’s plans to return the Axum Obelisk to Ethiopia re-open the debate about whether items of stolen cultural property should be returned to their countries of origin.

From:
Guardian

Ownership of Stolen Artwork Debated
Saturday November 8, 2003 8:46 PM
By TOM RACHMAN
Associated Press Writer

ROME (AP) – An ancient obelisk that Italian Fascist forces hauled out of Ethiopia in the 1930s is being disassembled in central Rome for its journey home – a rare restitution that comes amid international debate over the rightful ownership of looted works.

A major step in the complicated return of the fragile yet weighty Axum Obelisk came Friday, when workers removed a 22-foot-long chunk from the top that weighs about 40 tons.
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November 3, 2003

Haida bones returned by Chicago’s Field Museum

Posted at 9:19 am in Similar cases

The remains of over one hundred of their ancestors have been returned to the Haida First Nations tribe in Canada by Chicago’s Field Museum.

From:
Times Colonist (Canada)

The Homecoming
Haida rejoice as ancestral bones return to rest
Jack Knox
Times Colonist

OLD MASSETT, Queen Charlotte Islands – They carried the 46 boxes of bones out of St. John’s Anglican church and drove them to the cemetery Saturday — past the totem poles towering out of the earth, past the hip and funky Haida Rose Cafe, past the weather-beaten homes with the red Haida Nation flags drooping in the rain.

Not a long drive, certainly not as long as the long haul to Chicago, from where the Haida just retrieved the remains of close to 150 ancestors snatched from their resting places in the name of science a century ago. The bones had spent the last 100 years packed away in the Field Museum of Natural History, where they had been taken after being scooped up by anthropologists.
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October 26, 2003

Looted mummy of Ramses I returned to Egypt by Atlanta’s Michael Carlos Museum

Posted at 9:27 am in Similar cases

An Egyptian mummy taken from the country over 140 years ago, has been returned by the Michael Carlos Museum, after tests indicated that it was probably the body of Pharaoh Ramses I.

From:
BBC News

Last Updated: Sunday, 26 October, 2003, 14:44 GMT
Egypt’s ‘Ramses’ mummy returned

An ancient Egyptian mummy thought to be that of Pharaoh Ramses I has returned home after more than 140 years in North American museums.

The body was carried off the plane in Cairo in a box draped in Egypt’s flag.
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October 24, 2003

Looted Axum Obelisk to return home to Ethiopia

Posted at 9:36 am in Similar cases

The Axum Obelisk was taken from Ethiopia by Mussolini’s forces in 1937, after they had conquered the country. Plans are now under-way to return it back to its original location.

From:
Globe & Mail (Canada)

Friday, Oct. 24, 2003
A monumental plunder:
Massive object was taken from Ethiopia by Mussolini, ALAN FREEMAN reports from Rome
By ALAN FREEMAN
From Friday’s Globe and Mail

The Aksum obelisk is finally about to go home to Ethiopia, if only a way can be found to get it there.After years of delays and prevarications, the Italian government has decided to return the 24-metre-high granite funeral stele — plundered by the Fascist regime of Benito Mussolini in 1937 as booty from his newly conquered African empire.

Scaffolding already obscures the obelisk, which stands on the curbside of a busy piazza in central Rome.
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September 19, 2003

Namgis First Nations tribe ask British Museum to return masks

Posted at 8:13 am in British Museum, Similar cases

A Canadian First Nations group has requested that the British Museum returns some masks that were taken from their ancestors, but the British Museum has declined to consider the case for returning them.

From:
New York Times

ALERT BAY JOURNAL
September 18, 2003
Reclaiming the Stolen Faces of Their Forefathers
By CLIFFORD KRAUSS

ALERT BAY, British Columbia — A local newspaper column last year suggested that the Namgis, a small band of Native Canadians in British Columbia, ought to go to London and steal the Crown Jewels to get some bargaining leverage over the British Museum.

The half facetious idea came after the group had tried diplomacy for several years to get back a beloved wooden mask stolen from them 82 years ago that is now boxed up in a storage room of the museum.
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August 17, 2003

The fight for the return of Haida remains

Posted at 8:53 am in Similar cases

The Haida Repatriation Committee has been fighting for the return of their ancestral bones from museums around the world. They have already had a lot of successes, but it has been a difficult struggle & there is still a lot further to go.

From:
Globe and Mail

POSTED AT 4:04 AM EDT Saturday, Aug. 16, 2003
Bones of contention
For decades the remains of B.C.’s Haida ancestors have been locked away in metal drawers as specimens in museums around the world. Now, the Haida are fighting to bring them home, ALEXANDRA GILL writes
By ALEXANDRA GILL
From Saturday’s Globe and Mail

SKIDEGATE, B.C. — Andy Wilson has spent the past seven years collecting some very special bones. Bones so precious they can’t be kept here, in the main cemetery, overlooking the tiny town of Skidegate on the Queen Charlotte Islands.

The bones are buried in a sacred grove, somewhere in the spruce forest behind us, explains Wilson, the soft-spoken man who co-chairs the local committee responsible for bringing the human remains of his Haida ancestors back home.
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July 29, 2003

British Museum rejects calls for Rosetta Stone return

Posted at 9:42 am in British Museum, Similar cases

The British Museum has stated that they will not consider any return of the Rosetta Stone to Egypt, whether permanently, or in the form of a loan.

From:
Mail & Guardian

Tuesday, July 29, 2003
The Rosetta Stone will stay in London, and that’s final
Cairo
29 July 2003 10:34

Egypt’s antiquities chief will continue to press the British Museum to loan the 2 200-year-old Rosetta Stone to Cairo for a limited time, though British curators say they can’t let a piece central to their collection go.

“The trustees do not consent to the loan of what might be called “iconic” objects …. To loan such pieces would result in our disappointing the five-million or so visitors who come to the museum every year,” British Museum officials said in a statement issued on Monday in London.
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Differences in attitudes to artefact repatriation

Posted at 9:25 am in British Museum, Similar cases

Museums in the USA were founded on very different principles to many of those in Europe. Nowadays, this difference is starting to manifest itself in their more pragmatic approach to the restitution of disputed artefacts in their collections.

From:
Slate

Trading Places
Cultural property disputes are reshaping the art world—but how?
By Carol Kino
Posted Monday, July 28, 2003, at 12:25 PM PT

It’s a sad truth that the depredations of war and imperialism have sometimes had positive side effects for art history. Take the Metropolitan Museum’s recent “Manet-Velázquez” show, on the influence of 17th-century Spanish painting on 19th-century French art. For most of the 18th century, Spanish artists like Murillo, Zurbaran, and Velázquez were little known outside their homeland. Then in the early 1800s, hundreds of Spanish paintings arrived in Paris as Napoleonic war loot. Some were briefly shown at the Louvre before Napoleon’s defeat, after which they were returned. Later that century, French artists began adopting the Spanish artists’ realist aesthetic and loose, sensuous brushwork—a move that laid the foundations of Impressionism and radically changed the course of modern art.

Unlike many European museums, American museums were built with civic and capitalist muscle, rather than imperial might. Yet well into the 1970s their attitude toward acquisitions—as any expert will admit off the record—was frequently “don’t ask, don’t tell.” But today American courts are dealing with an unprecedented number of Holocaust reparation cases. And last year, the Justice Department successfully prosecuted a well-known New York dealer, Frederick Schultz, for conspiring to receive stolen Egyptian antiquities. As a result, some foreign collectors and museums have become more cautious about loaning work to museum shows—particularly those in America—and everyone has become vastly more diligent about conducting provenance research before buying.
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July 25, 2003

Egypt calls for British Museum to return Rosetta Stone

Posted at 9:30 am in British Museum, Similar cases

Egypt’s Zahi Hawass has requested that the British Museum returns the Rosetta Stone.

From:
BBC News

Last Updated: Monday, 21 July, 2003, 14:00 GMT 15:00 UK
Egypt calls for return of Rosetta Stone

Egyptian authorities are calling for the British Museum to return the 2,000-year-old Rosetta Stone to Cairo.

The artefact is one of the British Museum’s most prize pieces, helping to attract millions of visitors each year.
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