Zahi Hawass looks back as the campaign he has spearheaded for the return of looted Egyptian antiquities in museums around the world.

From:
Asharq Alawsat

Egypt’s Stolen Artifacts Must Be Returned!
10/12/2010
By Dr. Zahi Hawass

When the campaign to restore Egypt’s stolen antiquities first began, the world – particularly the archeological community – was surprised by the force of our call and insistence that our stolen artifacts and heritage be returned to us. The initial rallying call for our antiquities to be returned to their homeland was made from the heart of the British Museum, after I was invited to give a lecture there.

After the lecture, the museum curator invited British intellectuals and several politicians to a dinner that was held in one of the museums halls, where I noticed that a number of Egyptian antiquities were on display. Such antiquities included the magnificent statue of King Ramses II, the greatest Egyptian pharaoh of them all, as well as a statue of King Tuthmosis III, who has been nicknamed the “Napoleon of Ancient Egypt” as he is credited with expanding the ancient Egyptian empire as far north as Anatolia and as far south as the fourth Cataract of the Nile [Dar al-Manasir]. After dinner, the museum curator delivered a pleasant speech welcoming me to the British Museum; the curator also paid tribute to British-Egyptian relations in the field of archeology and praised the cooperation that exists between the British Museum and Egypt.
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The British Museum act prevents the institution from de-accessioning artefacts from its collection – but a suggested loan of the Rosetta Stone (which it is also suggested does not even need to be long term) could lead to a possible solution to the problem. Or not, as the case may be.

From:
BBC News

Page last updated at 21:31 GMT, Tuesday, 8 December 2009
Rosetta Stone row ‘would be solved by loan to Egypt’

Egypt’s head of antiquities will drop a demand for the permanent return of the Rosetta Stone if the British Museum agrees to loan it out, he says.

The Stone – a basalt slab dating back to 196BC which was key to the modern deciphering of hieroglyphics – has been at the museum since 1802.
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Following their success in persuading the Louvre to return disputed artefacts, Egypt has once again set its sights on other artefacts of questionable provenance held in museums around the world.

From:
Agence France Presse

Egypt battling for more relics after Louvre success
By Ines Bel Aiba (AFP) – 2 days ago

CAIRO — Many relics from ancient Egypt remain in foreign museums and Cairo is struggling to persuade other countries to send them back, like France which agreed to return a set of 3,000-year-old wall painting fragments.

“It is the Egyptian people’s right to see works of art from their country’s civilisation,” said Abdel Halim Nureddin, a former head of Egypt’s antiquities authority.
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Another review of Sharon Waxman’s new book about the looted ancient treasures from around the world that fill many of the great museums of the West.

From:
The Star (Toronto)

That which was stolen shall be returned
The complex story of the fate of ancient artifacts in foreign museums is packed with smugglers, intrigue and Imperialism
Feb 08, 2009 04:30 AM
Hans Werner

Loot: The Battle Over the Stolen Treasures of the Ancient World
by Sharon Waxman
Times Books, 414 pages, $33

If you’ve ever stood there awestruck in front of Nefertiti in the Egyptian Museum of Berlin, the Elgin Marbles in the British Museum (London), or the Denderah Zodiac ceiling in the Louvre (Paris), you may get a sinking feeling to imagine them gone, vanished or replaced with replicas. That goal of some powerful people is the subject of Loot: The Battle of the Stolen Treasures of the Art World by Sharon Waxman, a former culture correspondent for The Washington Post and The New York Times. Also the author of Rebels on the Backlot, about the new Hollywood, Waxman presents a lucid and intelligent investigative report into the dilemma of what the great museums of the world are to do in the face of demands to return signature artifacts to the countries of origin.
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