In the parliamentary debate leading up to the British Government’s acquisition of the Parthenon Marbles, the Society of Dilettanti gave various accounts. Their evidence though shows that what people then thought of as Greek sculpture was something quite different to the real thing, which they had trouble identifying.

From:
New York Review of Books

Volume 56, Number 8 · May 14, 2009
A Silly, Very Cultured Club
By Ingrid D. Rowland
Dilettanti: The Antic and the Antique in Eighteenth-Century England
by Bruce Redford

J. Paul Getty Museum/Getty Research Institute, 220 pp., $49.95

Bruce Redford’s Dilettanti is not itself a dilettantish work, for the book’s succinctness and lightness of touch reflect skill of the highest order. Still, there is an evident link between Redford’s fine-tuned scholarship and the sense of sheer delight (Italian diletto ) that gave its name to the Society of Dilettanti, devoted to the study of ancient Greek and Roman art, when it was formed in 1734. That link is distilled in the motto of this peculiarly English gentlemen’s club, Seria Ludo; the paradoxical Latin phrase meant that in their playfulness, ludo, they also addressed serious matters, seria.[1]
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