Showing results 1 - 12 of 650 for the tag: Elgin Marbles.

October 17, 2014

Kathy Lette’s views on the Parthenon Marbles

Posted at 7:31 am in Elgin Marbles

No one can have missed the wave of media attention over the last few days over a team of lawyers visiting Athens for consultations over the viability of legal action for the return of the Parthenon Marbles. You probably would have missed the story though, had it not been for one of the members on the team – the newly married Amal Clooney, formerly Alamuddin.

A lot of misinformation has permeated the press, relating to this story, as they are more drawn to the aspects of celebrity involvement than anything else.

First of all, Amal is not there merely because of her husband’s fame. I know for a fact that she has been researching the possibility of a case involving the Parthenon Sculptures, since at least 2011.

Secondly, she is not going to save Greece’s antiquities, as many sources claimed. I am sure she would be the first to agree with me on this one. She is there as by far the most junior member of a team of three very highly regarded lawyers. The other two, Geoffrey Robertson & Professor Norman Palmer already have significant experience in the field of cultural property restitution, such as bringing about changes in English law, to allow the return of all Aboriginal human remains held in Britain’s museums. She is no doubt a key member of the team, but anyone who suggests that she is the one leading the fight has clearly not researched things very well.

However, the draw of celebrities (& she seems to be treated as one because of her husband) in the media is immense. The amount of publicity it has given the issue can only help, particularly as the campaign for return is seen as having the young attractive intelligent one that the media loves on their side. Like Melina Mercouri before her, she gives a vibrancy to the campaign that lifts it above one of arguing academics & makes it something that is lapped up by the category of newspapers who would never normally show the slightest interest in such a story.

I was struck though, by the slightly peculiar lines of questioning by some of the press though – I noticed in more than one article that Amal was asked about what her husband thought about her work on the Marbles. Whether this is out of the fact that he is a celebrity, or that she is female, or that the journalists are trying to create a story when there is none, is unclear. But the fact remains, that neither of the other two lawyers were ever asked this question.

So, with tongue planted firmly in cheek, I decided to ask the famous author Kathy Lette (who is also the wife of Geoffrey Robertson), for her views on the Marbles, just so that if the media wants to ask her husband, the answer is already out there.

So – here it is. An exclusive story first published here – Kathy Lette’s views on the Parthenon Marbles restitution:

Kathy Lette

Kathy Lette

From:
Facebook

My view on the Elgin Marbles is how amusing it is to see the press pack losing their marbles over Amal.

Amal’s interest in the Acropolis has given the men of the world a real edifice complex!

So there you have it – we are still none the wiser what her real thoughts on the subject are – so I can’t add her to my list of supporters just yet…

October 9, 2014

Greece, the Parthenon Marbles & UNESCO

Posted at 1:16 pm in British Museum, Elgin Marbles

There have been various articles in the Greek language press in the last few days relating to UNESCO mediation & the Parthenon Marbles.

Having read through them, I still can’t see that there is any substance to them, other than re-publicising of old news. UNESCO was already accepted as the official mediator in the issue. This had to have been the case, because UNESCO was the conduit through which the mediation request was conveyed to Britain.

Notwithstanding the above, surely even the most stalwart supporters of the mediation option must be starting to loose faith in its possibility as a route to a solution? It is now over a year since the action was publicly announced & still no response has been made by Britain. It seems unlikely that any response will be made, until such time as it appears like an attractive option compared to the alternatives. At present, there is no obligation to enter into mediation, so why would the British Museum from a position where they feel that they are sitting comfortably, to one in which would potentially be far less comfortable.

Parthenon Marbles in British Museum

Parthenon Marbles in British Museum

From:
Euro Weekly News

Greece presses for return of Elgin Marbles
Tuesday, 07 October 2014 11:19

THE Greek delegation to UNESCO launched a new campaign last Monday October 6 for the return of the Parthenon’s famous Elgin Marbles.

Currently housed in London’s British Museum, the marble friezes, which depict fascinatingly intricate sculptures of mythological scenes, once adorned the pediment of the Parthenon, perhaps Ancient Greece’s most iconic structure.
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Top lawyers to advise Greece on Parthenon Marbles

Posted at 12:54 pm in British Museum, Elgin Marbles

Geoffrey Robertson (who has previously dealt with high profile cases such as fighting extradition of Wikileaks founder Julian Assange), along with Amal Alamuddin (who may be better known to many as the new Mrs George Clooney) are amongst lawyers, who have been asked to meet with the Greek Prime Minister Antonis Samaras to discuss the issue of the Parthenon sculptures.

It is not yet known what form these discussions might take, or what approach they might be inviting the Greek government to take.

Amal’s involvement with the Parthenon Marbles follows the statements made by her now husband, George Clooney at the premiere of the film Monuments Men earlier this year.

Amal Alamuddin & Geoffrey Robertson

Amal Alamuddin & Geoffrey Robertson

From:
Sydney Morning Herald

Amal Alamuddin and Geoffrey Robertson team up to win back Elgin Marbles for Greece
Nick Miller, Europe Correspondent
October 9, 2014 – 11:13AM

London: The new “Mrs Clooney” has her first post-wedding job – and it’s a doozy.

In tandem with fellow human rights barrister Geoffrey Robertson, Amal Alamuddin is taking sides in one of the most controversial cultural arguments of recent history: she will try to win the return of the Elgin Marbles to Greece.
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October 2, 2014

Promakhos screening at Australia’s Greek film festival

Posted at 12:49 pm in Elgin Marbles, Events

I was fortunate enough to see a preview screening of Promakhos a few months ago. It is now going to be possible for the public to see it, in both Sydney & Melbourne as part of the Greek Film Festival.

The Sydney screening will be followed with a Q&A session with David Hill, chair of the International Association of the Parthenon Sculptures.

Promotional image for the Promakhos movie

Promotional image for the Promakhos movie

From:
Greek Film Festival

CLOSING NIGHT EVENT: Promakhos
Greece/USA/UK, 2014, 91mins (Drama)
Director Coerte Voorhees and John Voorhees

Someone needs to stand up for Greece, make a case for her…”

For over two centuries, the legality behind the removal of the Parthenon Marbles from the Acropolis has been the subject of much controversy and passionate debate. Very credible cases against the British Museum have been put forward by a number of lawyers – including the father of this film’s makers – however, Greek governments have steered clear of any involvement.
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September 18, 2014

Acropolis Museum is in global top ten

Posted at 12:58 pm in New Acropolis Museum

The Acropolis Museum in Athens has made it into TripAdvisor’s list of the world’s top ten museums.

Acropolis Museum

Acropolis Museum

From:
Greek Reporter

Acropolis Museum Among World’s Best
by Nikoleta Kalmouki
Sep 17, 2014

Operating for five years now, the Acropolis Museum in Athens has charmed foreign and local tourists with its treasures from the Greek Bronze Era to the Roman and Byzantine period.

It is the most visited museum in Greece and attracts millions of visitors each year. The Acropolis Museum is 8th on the list of the best museums in the world compiled by TripAdvisor, based on visitor votes.
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The impact of Scottish independence on the British Museum

Posted at 12:46 pm in British Museum, Similar cases

This article was published some time ago, but its content is still relevant today.

Everyone reading this weebsite hopefully realises that the so called Elgin Marbles were not from Elgin, nor did they ever pass through Scotland to the best of my knowledge. The fact remains though, that they were brought to the UK by a Scotsman, although subsequently purchased off him by the British Government. Whilst they might not be under contention in Scotland’s independence debate, many of the other artefacts may well be more closely tied to Scotland than to Britain.

Further to this, the British Museum is a national museum for the whole of the UK – if a country was to split from the union, would they then be entitled to a percentage share of all the artefacts in the collection.

Neil MacGregor refuses to answer any of these questions, saying that they will be considered as & when the issue becomes real for them.

Lewis Chessmen - discovered in Scotland, but many of them are now in the British Museum

Lewis Chessmen – discovered in Scotland, but many of them are now in the British Museum

From:
Guardian

What would be the implications for the British Museum if Scotland voted for independence?
If Scotland became independent after 2014, the British Museum would be presented with an “existential question”, according to its director Neil MacGregor
Tuesday 25 June 2013

“Let’s jump off that bridge when we get to it,” said Neil MacGregor, director of the British Museum, when pressed on the putative future of the institution were Scotland to become independent.

The question was raised at a British Museum press conference today not by a journalist, but, intriguingly, by Gus O’Donnell, cabinet secretary under three prime ministers and once the most powerful civil servant in the land.
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September 5, 2014

The Elgin Marbles – Looted or Rescued?

Posted at 4:57 pm in Elgin Marbles, Events

A lecture by Alan Read at the Dulwich Picture Gallery (with a somewhat controversial choice of title) looks at how the significance of the Parthenon Marbles has changed over time.

From:
Dulwich Picture Gallery

The Elgin Marbles: looted or rescued?

The Parthenon sculptures have been the subject of controversy since their creation 2,500 years ago. How did a Scottish aristocrat acquire the very best of them, and how did the British Museum buy them in 1816? This lecture celebrates their magnificence, and examines how their significance has changed, from decorations on an ancient temple to disputed cultural objects in the present day. Lecturer: Alan Read

Date: 18 November 2014, 7pm
Price: £12 / £10 Friends (includes a glass of wine)

Conference in Rome on the Parthenon Sculptures

Posted at 1:13 pm in Elgin Marbles, Events

Professor Dario Siegle is organising a one day conference on the Parthenon Sculptures, taking place in Rome on Wednesday 8th October 2014.

There are various speakers from Greecec & Italy taking part in the event.

You can view the programme for the event here.

Conference flyer

Conference flyer

August 29, 2014

The meaning of the Parthenon Frieze

Posted at 12:58 pm in Elgin Marbles

A few years ago, the commonly accepted theory was that the Parthenon Frieze depicted the Panathenaic Procesion. Recently though, various alternative theories have been put forward that possibly it is illustrating some completely different event.

Joan Breton Connelly’s book, the Parthenon Enigma bases a fictional story around another possible meaning of the frieze.

From:
Weekly Standard

Deep Frieze Meaning
What is the Parthenon telling us?
Sep 8, 2014, Vol. 19, No. 48 • By A. E. STALLINGS

The Parthenon represents, for many, a golden age in human achievement: the 5th-century b.c. Greek flowering of democracy, sciences, and the arts. But what if its chief ornament, the Parthenon frieze, turned out to be not an embodiment of reason and proportion—of stillness at the heart of motion, quiet piety, and enlightened civic responsibility—but (or, rather, also) something darker, more primitive: a representation of the critical moment in an ancient story of a king at war, a human sacrifice, and a goddess’s demand for virgin blood?

That’s the argument at the heart of The Parthenon Engima. The plot involves not only ritual murder and burial, but fragments of a lost play of Euripides found on mummy wrappings. Even the title suggests a Dan Brown thriller.
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August 28, 2014

Parthenon Marbles should return, because of their beauty

Posted at 12:43 pm in British Museum, Elgin Marbles

Jonathan Jones argues persuasively in the Guardian, that the Marbles should eb returned. Key to his reasoning is the matter of context, something that I have often argued about previously. No matter what the British Msueum says, it is impossible to see the Marbles in the same way in the British Museum as it would be in the Acropolis Museum, within sight of the Parthenon.

Parthenon Marbles in British Museum

Parthenon Marbles in British Museum

From:
Guardian

18th August 2014
Jonathan Jones
The Parthenon marbles are the world’s most beautiful art – and that’s why we should give them back
These consummately beautiful sculptures demand a proper setting – and a trip to Athens has convinced me the Acropolis Museum is that place

What can you do with the world’s most beautiful art? Where does it belong? How should it be cared for and displayed?

The art in question is the array of sculpture created in Athens in the 5th century BC to decorate the Parthenon, the temple to Athena that still, today, dominates the skyline of the Greek capital.
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August 12, 2014

Encasing the Parthenon Marbles in sand as bomb protection considered during first World War

Posted at 8:00 am in British Museum, Elgin Marbles

Newly released information reveals that one of the way that the British Museum considerd protecting the Parthenon Marbles during the First World War was to fill the room where they were housed with sand. The idea was ditched, because of worries that the walls of the room would not be able to hold the weight of the sand. In the end, the sculptures were instead protected with sandbags in the gallers.

Not that many years later, in the Second World War, when the risk of bombing was far greater, they were instead transferred to disused London Underground tunnels for safety.

Parthenon Marbles being removed from the London Underground in 1948

Parthenon Marbles being removed from the London Underground in 1948

From:
Art Newspaper

British Museum’s battle on the home front during the First World War
Archive reveals how air raids threatened the collection and King George V intervened to stop the building being requisitioned
By Martin Bailey. Museums, Issue 259, July-August 2014
Published online: 30 July 2014

The British Museum’s curator of Oriental prints and drawings wrote what became one of most famous war poems in the English language. Laurence Binyon penned the lines of “For the Fallen” in September 1914 that are inscribed on thousands of memorials: “They shall grow not old, as we that are left grow old / Age shall not weary them, nor the years condemn / At the going down of the sun and in the morning / We will remember them.”

Binyon volunteered for military service in 1915. He told the museum’s director: “I know I am not the best material [he was 45], but it does seem as if every man would be wanted before the end.” Binyon worked as a hospital orderly in eastern France in 1916.
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August 7, 2014

Riding from Athens to London for the Parthenon Marbles

Posted at 12:48 pm in British Museum, Elgin Marbles

I wrote last year about the Italian Dr Luca Lo Sico, who planned to cycle from London to Athens in support of the Parthenon Marbles.

He has now arrived in Athens, and been welcomed by Deputy Culture and Sports Minister Angela Gerekou.

He follows in the pedals of Dr Chris Stockdale, who undertook a similar cycle ride in 2005 for the same reason.

Deputy Culture and Sports Minister Angela Gerekou with Salvatore Lo Sicco

Deputy Culture and Sports Minister Angela Gerekou with Salvatore Lo Sicco

From:
Greek Reporter

London to Athens on a Bike for the Parthenon Marbles Return
Ioanna Zikakou
Aug 7, 2014

Salvatore Lo Sicco, a British-Italian professor who works in the UK, traveled from London to Athens on his bike to rally for the repatriation of the Parthenon Marbles.

Lo Sicco started his route outside the British Museum, which houses the Marbles that Lord Elgin removed from Athens in the 1800′s, and finished in front of the steps of the Acropolis Museum.
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