More coverage on the deal signed between Greece & the USA to restrict the importation of historic artefacts.

From:
Art Info

The U.S. and Greece Agree to Ban Imports of Most Antiquities, Despite Concerns Raised by Debt Crisis

Collectors in the market for Greek antiquities may soon find them harder to come by on this side of the Atlantic.

Standing at the Parthenon Museum in Athens, Greece last week, Secretary of State Hillary Clinton signed an agreement with the Greek Minister of Foreign Affairs Stavros Lambrinidis to restrict imports of ancient Greek artifacts to the United States.
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US Secretary of State, Hilary Clinton, has signed an agreement with Greece, to restrict importation of antiquities, in an aim to help prevent looting of archaeological sites.

From:
The Art Newspaper

Clinton signs memorandum with Greece restricting import of antiquities
New agreement looks to end looting and black market sales by reducing the incentive to illegally remove such objects in the first place
By Helen Stoilas | Web only
Published online 21 Jul 11

ATHENS. While in the Greece on a diplomatic visit this weekend, US Secretary of State Hillary Clinton signed a Memorandum of Understanding with Greek Minister of Foreign Affairs, Stavros Lambrinidis, concerning the imposition of import restrictions on archaeological and Byzantine objects. The new memorandum, which still has to be ratified by the Greek Parliament, would make it illegal for protected works of art to enter the US without the approval of Greek authorities.

The signing of the memorandum was yet another demonstration of the US government’s vocal support of Greece’s austerity measures to help the debt-ridden country get back on its feet. “America is just as committed to Greece’s future as we are to preserving your past,” Clinton said at the signing. “During these difficult economic times, we will stand with you. We are confident that the nation that built the Parthenon, invented democracy, and inspired the world can rise to the current challenge.”
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169 Greek archaeological sites & museums have now been upgraded to have better signage & visitor facilities.

From:
Greek Reporter

Services Upgraded in 169 Museums and Archaelogical Sites
Posted on 13 July 2011 by Anastasia Chaini

The upgrading of 20 museums and archaeological sites services, for a total of 169, will be completed by the end of the summer. The remaining 149 will go up to the A1 category in the next three years, based on the time schedule of the Minister of Culture and Tourism, Paul Geroulanos. Up until now, no Greek museum or archaeological site, not even the Acropolis, has gone up so high in the rankings.

The upgrading of the services mainly concerns the issue of leaflets in two languages​​, the placement of large informational signs, and the installation of outposts and toilets for the disabled and automatic water / soft drink machines, where necessary.
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An interesting look at 10 different cases (some well known, some more obscure) where countries are involved in disputes over the ownership of looted cultural property. Some of the cases have been resolved, but many are still no closer to reaching a conclusion than the day after the artefacts were originally taken.

From:
Business Insider

10 Ancient Artifacts That Countries Are Still Fighting Over
Vivian Giang | Jul. 14, 2011, 7:51 PM

Legendary historical artifacts have traded hands from conquerors to thieves and ended up thousands of miles from their origin.

The question of ownership is extremely murky.

With a black market in looted art worth as much as $6.3 billion a year, the mantra of “finder’s keepers” can be tempting. Past and present owners, however, may claim an object, sometimes leading to disputes and wars between nations.
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An interesting followup to the previous post about the ongoing problems of artefact looting within Greece.

From:
SAFE

Wednesday, July 13, 2011
Repatriation Effects: Greece’s National Archaeological Museum

In the Galleries:

While we all revile the looting of archaeological sites and the illicit trade of artifacts, we can now begin to review the effects of the repatriation of ancient material back to the countries of origin. Here I am not referring to Native American remains, but the statues and vases created by the ancient cultures of the Mediterranean. Recently, I visited the National Archaeological Museum in Athens, Greece, which has seen financial and public relations troubles partly due to the national economic crisis. Here, I saw the 2007 repatriated kore from the J.P. Getty Museum standing amongst other statues without any bells or whistles describing its sordid history. Also on display was a bronze athlete, repatriated in 2002, propped in its own corner. I believe that the return of these objects reflect legal and ethical principles, which absolutely must be upheld.
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William St Clair, Author of Lord Elgin and the Marbles, is giving the 21st annual Runciman lecture at Kings College London tomorrow.

From:
Kings College, London

21st Annual Runciman Lecture
Thursday 2 February 2012
Great Hall, Strand Campus, 18.00
Looking at the Athenian Acropolis: from modern times to antiquity
Speaker: William St Clair

William St Clair will discuss the ways in which the Acropolis has historically been interpreted by three main constituencies, the people of Athens, visitors from abroad, and those who only saw Athens in their imaginations with the help of pictures. Beginning in modern times when current viewing conventions were invented, and going back through chronological layers, he suggests how his approach can improve our understanding of how the Acropolis was understood in antiquity.

His starting point is that it was the viewers who made the meanings.
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Times have changed a lot since the Seventh Earl of Elgin removed half the marble sculptures from the Parthenon, but looting of archaeological sites continues to be a problems for Greece, as it is in many other countries around the world. Looting is a problem that must be tackled in multiple ways, if it is to be prevented.

Protecting the sites of the looting is possible in some cases, but in somewhere such as Greece, there are vast tracts of land rich in buried relics, that have yet to be excavated. Underwater remains from shipwrecks & land areas that have become submerged presents an even trickier problem.

Blocking artefacts leaving the country is a second level of defence – but as with any type of defence against smuggling, where there are long land & sea borders, it is hard to guarantee that things do not slip through the net.

Many artefacts that are going to be traded on the international markets, tend to pass through other countries on the way to their eventual destination – the use of Geneva as a hub for trafficking in stolen artefacts is just one particularly notorious example.

Auction houses or private dealers represent the next step in the chain – the auction houses ought to be the easier of the two to stop, but recent cases show that they are often more concerned with making a sale than asking too many questions about the origins of what they are selling.

Finally, ultimate culpability rests with the buyers. If no one was willing to acquire unprovenanced artefacts, then the market would dry up – it is as simple as that. With no money in the system to drive the looting, those who are currently pilfering archaeological sites would find that there was no financial benefit in what they were doing. This is by far the most critical step & applies in equal measures to private collectors & museums. In the end, the individual that buys the artefact without asking an questions about where it came from is the only thing that creates a demand for looting around the world.

From:
Kathimerini (English Edition)

30-06-11
Illicit antiquities trade continues to thrive in Greece
Short-staffed archaeological sites are easy targets
By Iota Sykka

The majority of visitors to state museums in Greece find the experience disappointing. There are various reasons for this, including closed halls due to staff shortages — a factor which also affects service — and impractical opening hours. However, what is a disappointing situation to many presents an ideal opportunity for a few.

The issue of museum security — particularly when it comes to safeguarding archaeological sites — is a constant headache for the Greek Ministry of Culture, which is struggling to cope with the limitations of being short-staffed.
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Two years on from the opening of the New Acropolis Museum, it is still the most popular attraction in Athens, but ticket prices are rising, as the initial subsidies are gradually removed. The museum has been a resounding success story for Greece – advertising an entirely different image of the country from the typical sun washed beaches of the islands, or the protests associated with the financial crisis.

From:
Kathimerini (English edition)

Tuesday June 21, 2011
The Acropolis Museum: A reintroduction
Despite chaos in the surrounding area, organizers are busy preparing its birthday celebrations
By Iota Sykka

At 11 a.m. on Thursday, as the country was aboil with developing news on the political front, so was the area connecting Amalias Avenue with Dionysiou Areopagitou Street, as the double-parked tour coaches waiting for their passengers to come out of the Acropolis Museum were hiding the traffic lights.

The entire pedestrian area was in a state of absolute Greek pandemonium. The sightseeing train was packed with visitors, as were the nearby cafes next to the souvenir shops selling poor-quality copies of treasured antiquities. Street musicians contributed to the noise as well, while drivers flouted the no-car law up and down the pedestrianized walkway. Two years ago, when the city was feverish with the museum’s inauguration, such a state of affairs would have been unthinkable.
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Despite their time on the monument (& the fact that for years, people have perceived them in their pure white form), traces of the original colouring from the sculptures on the Parthenon are still visible.

From:
Athens News Agency

06/14/2011
Traces of the Parthenon’s colourful past

(ANA-MPA) — An inset shows traces of mustard-coloured paint on the eponymous Lion’s Head pediment that was removed from the Parthenon’s northeast side on Friday 9 June 2011. The pediment was removed from atop the celebrated Classical Era ancient temple for restoration. The Parthenon was painted in bright colours during antiquity, as were most ancient temples, a far cry from the ubiquitous sun-baked and bare marble columns and friezes usually associated today with the Greco-Roman era. ANA-MPA/ORESTIS PANAGIOTOU

The Acropolis in Athens is now going to be open for longer. It is already better than it used to be though, as I remember visiting it in the 1990s, when it seemed that it was barely open in the afternoons during the winter months.

From:
The Independent

Longer opening hours for Athens Acropolis
AFP
Saturday, 21 May 2011

Greece is to extend the opening hours of the Acropolis in Athens due to public demand, Culture Minister Pavlos Geroulanosin announced Thursday.

The site will open from 8:00 am (0500 GMT) to 19:00 pm (1600 GMT) year-round after staffing changes prompted by a restructure of the country’s public bodies.
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The British Committee for the Reunification of the Parthenon Marbles have published a tribute to the journalist & author Christopher Hitchens, who was a long standing supporter of the campaign to return the Elgin Marbles to Athens.

From:
Sourcewire

Tribute to the late Christopher Hitchens from the BCRPM
Friday, 16 December 2011

The British Committee for the Reunification of the Parthenon Marbles (BCRPM) today paid tribute to the late Christopher Hitchens who died earlier this week, for his keen support for the return of the Parthenon Marbles to Greece.

Eleni Cubitt, Honorary Secretary for the Committee said: “We are all deeply saddened by the news of Christopher’s death and we send our sincere condolences to his family at this time. Christopher’s contribution and belief in our cause was a great strength to me personally and he will be sorely missed as one of our key supporters.”
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Following Christopher Hitchens death, Stephen Fry talks about why he now thinks that the time is now right for the Parthenon Marbles in the British Museum to return to Athens.

From:
StephenFry.com

A Modest Proposal
By Stephen Fry
December 19th, 2011

Greece is the Word

I have a modest proposal that might simultaneously celebrate the life of Christopher Hitchens, strengthen Britain’s low stock in Europe and allow us to help a dear friend in terrible trouble.

Perhaps the most beautiful and famous monument in the world is the Doric masterpiece atop the citadel, or Acropolis, of Athens. It is called the Parthenon, the Virgin Temple dedicated to Pallas Athene, the goddess of wisdom who gave the Greek capital its name.
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