The New Acropolis Museum in Athens once opened may provide the strongest argument yet for the return of the Parthenon Marbles.

From:
Financial Times

A manifesto for the Parthenon Marbles
By Peter Aspden
Published: November 29 2008 00:30 | Last updated: November 29 2008 00:30

It stands like a giant modernist spaceship that has belly-flopped by curious accident opposite one of the most important cultural sites on the planet. Polemics and controversy have been hard-wired into its being. It has taken decades in the planning, years in the realisation, and an extra few months beyond its intended inauguration in the fine-tuning. But, finally, the new Acropolis Museum (left), fresh home to the extraordinary artistic legacy of ancient Athens, is ready to open its doors to the public.

Next spring, visitors will set foot inside Swiss architect Bernard Tschumi’s glass-and-concrete edifice, all sharp edges and skewed angles, and address for themselves one of the the most intractable cultural disputes of modern times. When they travel to the museum’s top floor, they will see marble panels from the famous frieze that used to encircle the Parthenon, the symbol of Athenian democracy that stands like a staid, elderly relative, looking wearily across at the upstart building from its incomparable vantage point on top of the Acropolis a few hundred metres away.
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Sharon Waxman’s new book seems now to have been reviewed in almost all the major news publications in the US – perhaps an indication of the current level of interest in the subject.

Loot: The Battle Over the Stolen Treasures of the Ancient World
Author: Sharon Waxman
Publisher: Times Books
ISBN: 0805086536

From:
San Francisco Chronicle

Nonfiction review: ‘Loot’ by Sharon Waxman
Reagan Upshaw, Special to The Chronicle
Saturday, November 29, 2008

Loot
The Battle Over the Stolen Treasures of the Ancient World
By Sharon Waxman
Times Books; 414 pages; $30

The title, stamped in gold capital letters on the dust jacket, gives away the author’s agenda: This is a muckraking book about art objects from ancient cultures that have found their way into major museums of Europe and the United States. Sharon Waxman has a nose for scandal and spends much of the book following up on reports of thefts by grave robbers, smuggling by dealers and sexual hanky-panky between museum personnel.
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Bernard Tschumi, one of the two designers of the New Acropolis Museum (along with Michael Photiadis) is to give a talk this coming Tuesday at the RIBA in London on the New Acropolis Museum. Tickets must be booked in advance as space is limited. There is also a second talk for students on the morning of the day after.

From:
Hellenic Foundation for Culture

New Acropolis Museum: The London Preview
Events organized by the HFC in UK and
the Royal Institute of British Architects
2 & 3 December 2008, Jarvis Hall – RIBA,
London

The Hellenic Foundation for Culture and the Royal Institute of British Architects (RIBA) present the London preview of the New Acropolis Museum, scheduled to open in Spring 2009, on 2 & 3 December 2008, at RIBA’s Jarvis Hall in London. The events are organized under the auspices of the Greek Ministry of Culture with the support of the Organisation for Construction of the New Acropolis Museum.
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More coverage of the return of a looted Byzantine icon to Greece following successful legal action earlier this year.

From:
Artinfo

Britain Returns Stolen Byzantine Icon to Greece
Published: November 20, 2008

ATHENS—Britain has returned a 14th-century Byzantine icon painting stolen from a Greek monastery 30 years ago, BBC News reports. The painting, which is valued at £1 million ($1.4 million), depicts Jesus being lowered from the cross. It was commissioned 700 years ago for the St. John the Baptist monastery in Serres, in northern Greece, and hung there until 1978, when thieves cut it into six pieces and smuggled it out of the country.

In 2002, British police recovered the icon after it was offered for sale by a London-based Greek art collector. The seller failed to provide proof of ownership, prompting the High Court in London to order the painting’s return. An appeal by the seller was dismissed.
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More coverage on the return of a religious icon to Greece – after a thirty year battle. As expected, the British Museum feels the need to disassociate any return from the Elgin Marbles debate.

From:
The Guardian

After 30 years, Greece welcomes back stolen icon
Detective work and British judges close case of missing Byzantine masterpiece
Helena Smith in Athens
guardian.co.uk, Thursday November 20 2008 00.01 GMT
The Guardian, Thursday November 20 2008

A stolen icon, considered one of the finest examples of Byzantine art, was back in Greece yesterday after decades of police work, diplomacy and, finally, a key ruling by the high court in London.

The recovery of the piece, believed to have been painted by a master iconographer in the 14th century and depicting the removal of Christ’s body from the cross, came 30 years after it was stolen from a monastery in northern Greece.
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A religious icon stolen 30 years ago from a Greek monastery has been returned following a British court ruling earlier this year. I’m mused to see the use of the word Elginism at the end of the article.

From:
World Bulletin

Britain returns stolen Byzantine icon to Greece
The painting of Christ being taken down from the Cross was snatched from a monastery in the city of Serres in 1978 and discovered in 2002.
Wednesday, 19 November 2008 16:15

Britain returned a 14th century Byzantine icon to Greek authorities on Wednesday, 30 years after it was stolen from a monastery in northern Greece, the Culture Ministry said.

The painting of Christ being taken down from the Cross was snatched from a monastery in the city of Serres in 1978 and discovered in 2002 in the hands of a Greek collector in London.
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As part of the Acropolis restoration, research is being done into the use of lasers for cleaning the structural elements of the building in a similar way to the sculptures.

From:
Russia Today

Features
November 6, 2008, 17:05
Athens’ Acropolis to shine again

One of the world’s most cherished monuments is undergoing a long-overdue and well-deserved pampering.

Decades of pollution from cars and industry wreaked upon on the Greek capital have caused a dense, black coating encrusting the marble of the temples of the Acropolis.
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Further coverage of yesterday’s return of a fragment of the Parthenon Sculptures by the Vatican following previous requests. The British Museum state that this does not alter anything – they continue to follow this line though, despite events carrying on outside their reach suggesting that the rest of the world is moving in a different direction.

It is notable, that whilst the Palermo & Heidelberg fragments already returned were from relatively small museums, the Vatican Museums are a vast collection by any standards – this shows that larger institutions which tend to be less flexibly governed are also able to return pieces of the sculptures.

From:
International Herald Tribune

Vatican returns Parthenon fragment to Greece
The Associated Press
Published: November 5, 2008

ATHENS, Greece: The ancient marble head of a youth was fitted into place Wednesday at a museum in Athens in a deal that Greek officials hope will serve as a model for returning other treasures.

The one-year loan from the Vatican’s Museo Gregoriano Etrusco could be used as a way to regain other iconic Parthenon sculptures that have been systematically removed from Greece in the past. Several European museums — especially the British Museum in London — hold Parthenon artifacts and Greece has long campaigned for their return.
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The Vatican have so far only returned one piece of the Parthenon Marbles from their collection – this article however hints that another of the two remaining ones will be on its way to Greece in the coming months.

From:
Athens News Agency

11/06/2008
Vatican returns Parthenon fragment

A fragment of a Parthenon frieze returned to Greece by the Vatican’s Museum Gregoriano Etrusco was presented by Culture Minister Michalis Liapis stressing that “this gesture by one of the most important museums in Europe sets an example for others to follow and eventually restore the unity of the Parthenon Marbles”.

The special event on Wednesday was held at the New Museum of the Acropolis in the presence of Vatican’s ambassador to Greece Patrick Coveney, Greece’s ambassador to the Vatican M. Hiskakis, head of the Vatican museum’s classical antiquities department Giandomenico Spinola and Organization for the Construction of the New Museum of the Acropolis President Prof. Dimitris Pantermalis.
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Some further coverage of the loan to Greece of a Parthenon Frieze fragment by the Vatican.

Dorothy King has covered this & posted some images of the frieze fragment (& of the other two fragments that remain in the Vatican) on her website.

From:
Deutsche Presse-Agentur

Vatican returns fragment of Parthenon Marbles to Greece
Submitted by Mohit Joshi on Wed, 11/05/2008 – 14:29.

Athens – The Vatican returned a small fragment of the Parthenon Marbles to Athens Wednesday on a one-year loan, setting in motion what Greece hopes will be a precedent for the British Museum to return the sculptures it has.

“This is a gesture from one of the most important museums in Europe,” Greek Culture Minister Michalis Liapis said.
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Following the return of the Heidelberg fragment in 2006 & the Palermo fragment earlier this year, the Vatican has now also returned a fragment from the frieze on a one year loan. The Vatican still holds two other fragments from the Parthenon sculptures in their collection on which negotiations are still continuing.

From:
Reuters

Vatican lends Parthenon Marbles fragment to Greece
Wed Nov 5, 2008 7:30am EST
By Daniel Flynn

ATHENS (Reuters) – The Vatican returned a small fragment of the Parthenon Marbles to Greece on Wednesday on a one-year loan, fuelling calls for the British Museum to hand back its own priceless sculptures from the ancient temple.

The loan of the fragment, one of three in the Vatican Museum’s vast collection of antiquities, follows a request for its return by Greece’s late Orthodox Archbishop Christopoulos at a meeting with Pope Benedict in 2006.
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Even before the New Acropolis Museum has properly opened, it has become one of the key reasons given for why people should visit Athens. As such, it provides an amazing public relations tool in Greece’s endeavours to retrieve the Elgin Marbles.

From:
Austin American Statesman

TRAVEL
Athens puts on chic face for its traditional sights and sounds
By Shelley Emling
INTERNATIONAL STAFF
Saturday, November 01, 2008

ATHENS, Greece – Not so long ago, many travelers dismissed Athens, with its scruffy streets, traffic pandemonium, and lackadaisical service, as mostly a jumping-off point for some really gorgeous Greek island.

But since the 2004 Olympics this capital city, bathed in millennia of history, has been rejuvenated for the new millennium.
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