Lecture at Kings College London by Dimitris Kourkoumelis

Dimitris Kourkoumelis is giving a talk this evening organised by the Greek Archaeological Committee UK at Kings College London on new finds on the wreck of the Mentor off the island of Kythera. The Mentor was of course one of the ships used by Lord Elgin to transport the Parthenon Marbles back to the UK from Greece. It sank in a storm and the sculptures had to be retrieved the following year by sponge divers from Kalymnos.

Underwater excavations of The Mentor off Kythera

From:
Kings College London

Greek Archaeological Committee UK Annual Lecture
Locatio Great Hall, King’s Building, Strand Campus
Category: Lecture, Other
When: 22/11/2016 (19:00-20:30)
Contact: This event is open to all and free to attend. Booking is not required.

Please direct enquiries to chs@kcl.ac.uk.
Recent research and new finds from the MENTOR shipwreck at Cythera (1802)

The recent archaeological expeditions (2009, 2011-15) conducted by the Ephorate of Underwater Antiquities at the wreck of the brig Mentor, which sank in 1802 off Kythera, have been focused mainly on excavating the section of the hull that is still well preserved, as well as collecting information about the passengers, the crew and the cargo of the ship. The brig, owned by Lord Elgin, was transporting some of the antiquities and sculptures taken from the Acropolis monuments, and sank off the small port of Avlemonas in September 1802. From the 19th to the 21st century, there have been several underwater investigations on the wreck undertaken with the aim to discover the “marble” sculptures, which, according to rumour, should still remain at the site.
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William St Clair, Author of Lord Elgin and the Marbles, is giving the 21st annual Runciman lecture at Kings College London tomorrow.

From:
Kings College, London

21st Annual Runciman Lecture
Thursday 2 February 2012
Great Hall, Strand Campus, 18.00
Looking at the Athenian Acropolis: from modern times to antiquity
Speaker: William St Clair

William St Clair will discuss the ways in which the Acropolis has historically been interpreted by three main constituencies, the people of Athens, visitors from abroad, and those who only saw Athens in their imaginations with the help of pictures. Beginning in modern times when current viewing conventions were invented, and going back through chronological layers, he suggests how his approach can improve our understanding of how the Acropolis was understood in antiquity.

His starting point is that it was the viewers who made the meanings.
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