Showing results 85 - 96 of 98 for the tag: London.

July 2, 2009

The best location for the Parthenon Marbles

Posted at 4:05 pm in British Museum, Elgin Marbles, New Acropolis Museum

The Parthenon Marbles have been displayed in London for nearly two hundred years & many people have benefited from them being there during that time. Now though, it is time for the British Museum to re-asses the situation & consider whether they would be better displayed in Greece.

From:
New York Times

Majestic in Exile
By NIKOS KONSTANDARAS
Published: June 18, 2009

As a Greek, I have to visit the Parthenon Marbles in the British Museum whenever I am in London.

I understand the strong feelings of my compatriots who want to see these unsurpassed sculptures returned home, ending the wrong done by Thomas Bruce, 7th Earl of Elgin, two centuries ago. I feel the sense of dislocation — the incongruity — of the brilliance of Classical Athens at its peak trapped in a dull northern light, carried off by a foreign aristocrat and sold at a time when Greece itself was enslaved and its people unable to prevent the looting of their treasures.
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June 25, 2009

The Economist on the Elgin Marbles

Posted at 9:13 pm in British Museum, Elgin Marbles, New Acropolis Museum

This week’s Economist has two articles about the Parthenon Marbles. The previous week they featured an archive article from 1983 on the same subject.

From:
Economist

Leaders
Lord Elgin and the Parthenon marbles
Snatched from northern climes
Jun 25th 2009

Greek demands to get back the Elgin marbles risk stopping a better idea: museums lending their treasures

THERE is much to be said for moral clarity. Greece is insisting that the British Museum surrender the marble sculptures that Lord Elgin took down from the Parthenon and carted away in the early 1800s. Anything less, it says, would “condone the snatching of the marbles and the monument’s carving-up 207 years ago.” The Greek demand for ownership will arouse widespread sympathy, even among those who accept the British Museum’s claim to the marbles. With the opening of an impressive new museum in Athens (see article), the sculptures from the Parthenon now have good cause to be reunited, if only for artistic reasons.

But sometimes clarity is self-defeating. A previous Greek administration was willing to finesse the question of ownership and co-operate with the British Museum over a joint display of the marbles. By hardening its position, the Greek government risks driving museums everywhere into clinging to their possessions for fear of losing them. If the aim is for the greatest number of people to see the greatest number of treasures, a better way must be found.
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March 25, 2009

Come to see the Rosetta Stone… only in London

Posted at 1:52 pm in British Museum, Similar cases

A new campaign to encourage visitors to visit London is listing tings that con;y only be seen by coming to London. One of the items on this list is the Rosetta Stone – somewhat ironic, considering where it came from & the disputes over its ownership – perhaps unsurprising though considering the views of the current Mayor.

From:
Mayor of London

Press Release
‘Only in London’ – Mayor reveals plans for £60 million tourism boost to capital’s economy
20-3-2009 153

The Mayor of London, Boris Johnson, today called on the world to come to London for the experience of a lifetime, as he announced a new £2million international marketing campaign to boost overseas visitors to the capital.

The Mayor launched the campaign on The London Eye, one of the capital’s most popular and unique attractions, on the first day of British Tourism Week.
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February 21, 2009

Museum diplomacy?

Posted at 12:15 pm in British Museum, Similar cases

The British Museum is fond of terms such as Cultural Diplomacy as a way of describing some of their current initiatives, but as I have commented before, this only ever seems to occur when it is on their terms & they are in a position to call the shots.

In the case of the Shah ‘Abbas exhibition, Cultural Diplomacy seems to take the form of leveraging your looting – lending back disputed artefacts in exchange for borrowing further artefacts.

From:
Time

The Art of Museum Diplomacy
By WILLIAM LEE ADAMS Thursday, Feb. 19, 2009

When western diplomats seek concessions from Iran, they typically dish out tough rhetoric and threaten sanctions. Neil MacGregor, the cherub-faced director of the British Museum, uses a more refined arsenal: cultural relics and priceless artifacts. In January, MacGregor traveled to Tehran to finalize the loan of treasures from eight of Iran’s best museums. In exchange, he promised to loan the National Museum of Iran the Cyrus Cylinder, a 2,500-year-old clay cylinder inscribed with decrees from the Persian emperor Cyrus the Great. Following a request by the Iranian Vice President’s office, he also vowed to raise international awareness of damage done to archaeological sites in Gaza during Israel’s recent military operation. The lofty maneuvering paid off: three weeks later, dozens of crates containing Persian rugs and 17th century mosque ornaments were winging their way to London.
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February 14, 2009

Arguments for & against the return of the Elgin Marbles

Posted at 6:03 pm in Elgin Marbles

A summary of the key arguments / points on both sides of the Parthenon Marbles debate.

From:
The First Post

Should Britain return the Elgin Marbles?
FIRST POSTED FEBRUARY 13, 2009

THE ARGUMENTS FOR

Cultural treasures from ancient civilisations belong in the places they come from. Museums in Sweden, Germany, America and the Vatican have already acknowledged this and returned items taken from the Acropolis. The British museum should follow suit and put an end to more than two centuries of bad feeling in Greece.
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December 13, 2008

The barrier to compromise over the Elgin Marbles

Posted at 1:38 pm in British Museum, Elgin Marbles

The Financial Times has published various letters in response to their earlier article on what is required for the Parthenon Marbles to be returned.

From:
Financial Times

The real barrier to a compromise over Marbles
Published: December 6 2008 02:00 | Last updated: December 6 2008 02:00

From Prof John Kapranos Huntley.

Sir, It is refreshing to read a balanced commentary on the future of the Parthenon Marbles by someone who so clearly understands the conflicting feelings and aspirations that surround it (Peter Aspden, “A manifesto for the Marbles”, Life & Arts , November 29/30). A putative voice for reason and conciliation has been raised. What might drown it out is the underlying conflict over a matter the FT and its readership would hopefully go a long way to defend: property rights.

The Parthenon Marbles are not simply artefacts; they are fixtures attached to buildings on the Parthenon for more than 2,300 years until they were forcibly removed. They are not independent pieces of statuary or pottery to be crated around the “cultural” museums of the world.
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November 30, 2008

Bernard Tschumi to lecture at RIBA on New Acropolis Museum

Posted at 8:30 pm in Events, New Acropolis Museum

Bernard Tschumi, one of the two designers of the New Acropolis Museum (along with Michael Photiadis) is to give a talk this coming Tuesday at the RIBA in London on the New Acropolis Museum. Tickets must be booked in advance as space is limited. There is also a second talk for students on the morning of the day after.

From:
Hellenic Foundation for Culture

New Acropolis Museum: The London Preview
Events organized by the HFC in UK and
the Royal Institute of British Architects
2 & 3 December 2008, Jarvis Hall – RIBA,
London

The Hellenic Foundation for Culture and the Royal Institute of British Architects (RIBA) present the London preview of the New Acropolis Museum, scheduled to open in Spring 2009, on 2 & 3 December 2008, at RIBA’s Jarvis Hall in London. The events are organized under the auspices of the Greek Ministry of Culture with the support of the Organisation for Construction of the New Acropolis Museum.
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October 30, 2008

The comercialisation of the British Museum

Posted at 3:05 pm in British Museum

The British Museum has in recent years made much of its global reputation, arguing that it represents the best place for artefacts such as the Elgin Marbles to be seen in the context of artefacts from other cultures. From these recent letters in The Times though, it would appear that not everyone is completely sold on the current approach taken by the Museum.

From:
The Times

October 27, 2008
British Museum gripe
Commercialisation of British Museum needs to be stopped

Sir, Passing the British Museum last Thursday, I decided to pop in during normal opening hours. What an awful shock. Tickets for the Hadrian exhibition had sold out, and when I tried to visit the Reading Room it was shut — because the Hadrian exhibition was in there. When I asked when the Reading Room would be open again I was told perhaps in 2012.

It turns out that this famous iconic heart of the British Museum, recently restored at public expense, has been hidden and refitted as exhibition space. Why? Because so much exhibition space has been handed over to shops and cafés.
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October 27, 2008

Why Britain must re-think the Parthenon Marbles issue

Posted at 1:54 pm in British Museum, Elgin Marbles

The British Museum continues to hang onto the Elgin Marbles, but many in Greece are now suggesting that the 2012 Olympics in London should be used a a deadline for return, with the Olympic flame being handed over in exchange for the Marbles.

From:
American Chronicle

Britain must rethink the case of Parthenon Marbles Restitution
Nicolas Mottas
October 26, 2008

It was in 1801 when the then British ambassador in Constantinople, Thomas Bruce (the known as Lord Elgin), obtained a firman from the Ottoman authorities taking permission to remove sculptures from the Athens’ Parthenon.

Two centuries later – in fact 207 years later – the British capital, London, is preparing to host the 30th Olympiad in 2012. The ancient masterpieces of the Parthenon still remain in the British Museum, around 2440km far from their original place, as long as the Greek demand for the Marbles restoration has been collided to the years-long denial of the Museum’s administration. However, two facts create a new dynamic in favour of the campaign for the restitution of the Parthenon sculptures: the construction of the New Acropolis Museum and the 2012 London Olympics.
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June 2, 2008

The price of free art

Posted at 12:53 pm in British Museum

The British Museum regularly makes a virtue of the fact that the Elgin Marbles Can be seen “free of charge, seven days a week“. There are downsides to free museum admission though & in the end, there is a price to be paid for everything.

From:
The Times

June 1, 2008
Is there a price to pay for free art?
We love art now, especially when it’s free, but there is a price to pay for free art discovers our writer as he joins the crowds at London’s leading attractions
Bryan Appleyard

In Tate Modern, Simon Halberstam, a father of three, thinks for a moment, then says: “It’s better for them to stand in front of a urinal than stay at home with a Wii.” Marcel Duchamp’s ironic “ready-made” sculpture, Fountain, he’s saying, is superior as an educational tool to Nintendo’s enervating games console. And so Halberstam, with his friend Michael Rosehill and his two children, are spending the spectacularly wet bank holiday at the Tate.
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November 22, 2003

D H Lawrence’s obscene paintings that were once offered back to Britain in return for Elgin Marbles

Posted at 8:35 am in Similar cases

A collection of paintings by D H Lawrence have gone on display, 70 years after being banned. At one point, they were inherited by a Greek hotelier in Mexico, who offered to sell them back to Britain in return for the Parthenon Marbles.

From:
Guardian

Lawrence ‘obscenities’ finally get a showing
Maev Kennedy, arts and heritage correspondent
Saturday November 22, 2003

A collection of paintings went on display yesterday – more than 70 years after the images were banned – but there is no sell-by date on obscenity.

In June 1929 a squad of embarrassed policemen raided the Warren gallery in London, and seized 13 paintings by DH Lawrence. They were spared from being burned on condition that they were never exhibited in Britain again.
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October 7, 2003

Marbles Reunited exhibition opens in London

Posted at 8:03 am in Elgin Marbles, Marbles Reunited

A new exhibition about the benefits of reuniting the Parthenon Sculptures in Athens has gone on display at ICA in London.

From:
BBC News

Last Updated: Tuesday, 7 October, 2003, 12:07 GMT 13:07 UK
Marbles exhibition opens in London

A virtual exhibition, which shows how the Elgin Marbles would look if they were reunited, has opened in London.

Marbles Reunited shows those sculptures removed from Greece 200 years ago by Lord Elgin next to those which remained in Athens.
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