March 7, 2013
I have to say that I completely disagree with the general approach that this article advocates – which could be summarised, as something like: Wealthy Museums of the West (along with the countries in which they are based) can now use their disputed artefacts as bargaining chips, to secure political / cultural changes in the countries of the original owners.
If somebody robs your house, should that then give them the upper hand in securing some form of change in your lifestyle, before agreeing to return the items that they took?
Quite what gives these museums the right to enforce change on countries in this way is unclear, other than being down to the fact that they were fortunate enough to know people dis-reputable enough to have managed to acquire the artefacts in the first place – hardly a great endorsement for their policies, or for taking the moral high ground.
Looted art – hostage or weapon against terror?
Exclusive: Marisa Martin suggests U.S. start using its diplomacy tool
Published: 12/12/2012 at 8:58 PM
Vikings stormed Britain, while Mongols left Bagdad a culture-free zone. Warlords came, saw and trashed all the books and statues while they were at it. Even now someone is whacking away at the ankles of a limestone Buddha in India or Bangladesh.
Have times changed for the better?
Napoleon revitalized looting trends by demanding art from conquered Italians and churches. Since then, the Captains of Genocide have handled the art of their victims differently, particularly the Nazis. Probably the most prolific war thieves ever, they discarded entire races whiles secreting their art in stashes all over the globe. Art Loss Register, an international database, lists 300,000 missing and stolen artworks with approximately 85 percent occurring before 1945, not coincidentally with the demise of the Nazis.
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