Egypt’s ultimatum to the Louvre over disputed artefact claims achieved a rapid response. Can other parties making restitution claims against museums learn from this?

From:
Afrikanet

Datum: 10.10.09 21:32
Kategorie: Kultur-Kunst
Von: Dr. Kwame Opoku
France to return ancient Egyptian frescos – Lessons from Zahi Hawass

LOUVRE GIVES IN TO DEMAND OF ZAHI HAWAS FOR THE RETURN OF STOLEN ARTEFACTS. IS THIS THE END OF A STORY OR THE BEGINNING?

According to press reports, France has agreed to return the the five ancient Egyptian frescos that Zahi Hawass claimed had been stolen from Egypt even though the French asserted they had bought them in “good faith”.
Read the rest of this entry »

Following their success in persuading the Louvre to return disputed artefacts, Egypt has once again set its sights on other artefacts of questionable provenance held in museums around the world.

From:
Agence France Presse

Egypt battling for more relics after Louvre success
By Ines Bel Aiba (AFP) – 2 days ago

CAIRO — Many relics from ancient Egypt remain in foreign museums and Cairo is struggling to persuade other countries to send them back, like France which agreed to return a set of 3,000-year-old wall painting fragments.

“It is the Egyptian people’s right to see works of art from their country’s civilisation,” said Abdel Halim Nureddin, a former head of Egypt’s antiquities authority.
Read the rest of this entry »

In a surprisingly rapid response to Egypt’s threats to withdraw cooperation with the Louvre, the French Museum has now agreed to the return of five fresco fragments, admitting that there are now serious doubts over their provenance.

From:
Bloomberg

France to Give Back to Egypt Five Artifacts Bought by Louvre
By Farah Nayeri

Oct. 9 (Bloomberg) — France said it is returning to Egypt five fresco fragments acquired by the Louvre Museum, saying there were “serious doubts” about their provenance, and responding to Egyptian demands for their return.

The 35-member commission overseeing France’s national museum collections met today, and unanimously agreed that the fresco fragments from the wall of a prince’s tomb must be given back, the culture ministry said in an e-mailed release. Culture Minister Frederic Mitterrand has decided to return them.
Read the rest of this entry »

More coverage of Zahi Hawass’s threats to cut ties between Egypt & the Louvre, as arguments over disputed artefacts in the French museum escalate. Hawass also alleges that the Louvre knew the artefacts were obtained illegally at the time that they were acquired.

From:
Independent Online (Zaire)

Artefacts drive wedge between Egypt, Louvre
October 08 2009 at 09:18AM
By Paul Schemm

Egypt’s antiquities czar took his campaign to recover the nation’s lost treasures to a new level on Wednesday by cutting ties with one of the world’s premier museums, the Louvre, over disputed artefacts.

The Paris museum’s refusal to return painted wall fragments of a 3 200-year-old tomb near the ancient temple city of Luxor could jeopardise its future excavations in Egypt.
Read the rest of this entry »

In the past, Egypt’s Zahi Hawass has asked for the return of disputed artefacts in the Louvre. Now, as a means to escalate the issue, he is trhreatening to withdraw any co-operation between Egypt & the Louvre until the issue is resolved.

From:
Agence France Presse

Egypt breaks ties with France’s Louvre Museum
By Christophe de Roquefeuil (AFP)
7th October 2009

CAIRO — Egypt announced on Wednesday that it has cut all cooperation with France’s Louvre Museum until it secures the return of “stolen” Pharaonic antiquities in the latest row involving the exhibits of a major European institution.

“We made the decision to end any cooperation with the Louvre until they return” the works, antiquities chief Zahi Hawass told AFP.
Read the rest of this entry »

The Parthenon was originally a religious monument although this meaning of it has been largely lost, being displaced by the building’s position as a national (& international) icon. Religion regularly comes back into its story though – both throughout the history of the building (which was also a church & a mosque) & has recently been highlighted again by the Greek Orthodox church’s objection to parts of a video on display in the New Acropolis Museum.

From:
Religion Dispatches

When Religion Goes Missing in the Modern Museum
By Louis A. Ruprecht
August 4, 2009

The brand-new Acropolis Museum, designed to showcase the repatriated plunder of another century, has instead a few other things to offer — among them, views of other museumgoers from beneath, as well as a newly censored video showing Greek Christians hard at work destroying Classical art.

I. A Museum Half-Full, Half-Empty

On the week of the summer solstice, that most energized and sacred week in the pagan calendar, the Greek government opened a new national museum. The plans for the building, designed by Swiss-born architect Bernard Tschumi, were first revealed at the Venice Biennale in 2002. They have been completed in ambitious fashion. But the new museum is empty.
Read the rest of this entry »

News stories on Athens’s New Acropolis Museum continue. Now that the opening event has passed though, more thought is given to the actual purpose of this building & how well suited it is to this task.

Most journalists who have seen the building are in favour of return – even many of those who previously regarded it as a bad idea.

From:
Evening Standard (London)

Life & Style
Now let’s return the Elgin Marbles
Rowan Moore
24.06.09

After 33 years the Acropolis Museum in Athens is finally open — and it’s enough to make a London patriot reconsider the case for giving the Greeks back their history…

Thomas Bruce, 7th Earl of Elgin and 11th Earl of Kincardine, may have been a chancer and cheat but by ripping sculptures from the Parthenon he helped save one of the world’s great art treasures for posterity. By bringing them to Britain he also helped put Greek art at the centre of world attention, at a time when Athens was a little-visited backwater.
Read the rest of this entry »

Another review of Sharon Waxman’s new book – this time in the Australian Press.

From:
The Australian

Pillagers called to account
Rosemary Sorensen
January 08, 2009

AFTER Michael Brand took on the directorship of the J. Paul Getty Museum in California and inherited the ugly mess of its acquisitions history, he suggested that being an Australian was an advantage.

“I went in (to negotiate with the Italian government the return of looted artworks the Getty owned) with no background in antiquities, no history at the Getty, a neutral person,” Brand told author and journalist Sharon Waxman last year. “It might even have helped that I was Australian — who knows?” Waxman, in her recently published book Loot, concurs, calling Brand a “blank slate”.
Read the rest of this entry »

Another review of Sharon Waxman’s new book on the looting of the ancient world by museums of the West.

From:
Forbes

Book Review
Give Me Back My Ancient Art
Judith H. Dobrzynski, 12.12.08, 12:00 AM EST
A battle rages between museums and countries of origin.

From time to time, the battle for antiquities that rages between museums, collectors and dealers on one side and governments and archaeologists on the other breaks into the headlines–“Bail Set in Greece for Ex-Getty Curator,” “Antiquities Trial in Rome Focuses on London Dealer” and the like.

The coverage rarely lasts long or goes deep; it tends to sympathize with the countries making claims. Most people probably shake their heads in disapproval of the looters, smugglers, museums and collectors, and turn the page.
Read the rest of this entry »

Sharon Waxman’s book Loot continues to receive large numbers of reviews in the US. Even if people only read the review & do not buy the book, this will still increase awareness on the issues of looted artefacts & help to keep the subject on the radar.

From:
The Payson Roundup (Arizona)

Loot: The Battle Over the Stolen Treasures of the Ancient World
Reviewed by Larry Cox
December 3, 2008

For the past two centuries, the treasures of the ancient world have been shamelessly plundered. One of the most graphic examples involves the tomb of Amenophis III in Egypt’s Valley of the Kings. Looters in the 19th century hacked the head out of the pharaoh in three murals. Those fragments are now on display in the Louvre, leaving behind the original mural, which is permanently defaced.

Other ancient treasures also were looted and are now scattered throughout the world. The Elgin marbles originally crafted for the Acropolis are in London, dozens of Etruscan masterworks now reside in American collections, and there are now almost as many mummies in France as in Egypt.
Read the rest of this entry »

This interview with Sharon Waxman indicates that the Getty’s reaction to her recent book on looted artefacts has not been particularly positive, due to her coverage of some of the institution’s practises.

From:
Boston Globe

Sharon Waxman: On the trail of ‘Loot’
Posted by David Beard, Boston.com Staff December 2, 2008 07:22 AM

Sharon Waxman, a former Washington Post and New York Times culture reporter, appears in Cambridge on Wednesday to speak about “Loot” (Times Books), her account of the US and European plunder of Third World antiquities — and the return home for some of the art. She spoke from her home in Los Angeles.

Q: Your last book, “Rebels on the Backlot,” was about six Hollywood bad boy film directors of the 1990s. Could “Loot” be any more different?
Read the rest of this entry »

Sharon Waxman’s new book looks at both sides of the arguments over looted artefacts held in museums. Museums come up with increasingly tenuous arguments to justify their positions – but public mood is shifting in favour of making sensible agreements to repatriate artefacts with source nations.

From:
Los Angeles Times

BOOK REVIEW
‘Loot: The Battle Over the Stolen Treasures of the Ancient World’ by Sharon Waxman
As museums battle nations of artifacts’ origin, the author weighs both sides in a sane manner.
By Wendy Smith
November 25, 2008

Journalist Sharon Waxman’s “Loot,” a cogent survey of the conflict over classical antiquities, is notable for its common sense, a rare quality in a debate generally characterized by high-pitched rhetoric. As Italy, Greece, Egypt and Turkey attempt to reclaim ancient artworks, their government officials depict Western museums as predatory institutions working hand-in-glove with tomb robbers, crooked dealers and shady collectors to strip vulnerable nations of their patrimony. In response, the beleaguered directors and curators of the Louvre, the British Museum, the Metropolitan Museum and the J. Paul Getty Museum proclaim that they are repositories of universal culture, the places best qualified to conserve masterpieces that, if returned to their countries of origin, would languish in institutions that no one visits.
Read the rest of this entry »