For some artefacts, museums hold onto the excuse that at the time, it was accepted practice. But for many more recent artefacts that are looted, that excuse holds no water. Who should be blamed for this though – the dealers or the collectors? Are too many people / institutions willing to accept items with fairly questionable provenances that if investigated properly would clearly not be valid?

From:
Financial Times

December 2, 2011 12:02 am
Lost treasures
By Feargus O’Sullivan

In March this year, a statue of Aphrodite, the ancient Greek goddess of love and beauty, left the J. Paul Getty Museum in Los Angeles, its home since 1988, to return to the Sicilian town of Aidone, where it was discovered.

Six months later, the Boston Museum of Fine Arts returned the Weary Herakles to Turkey, so the torso of the mythological Greek hero could be reunited with the legs and pelvis of a statue discovered near Antalya in the early 1980s.
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Maurizio Fiorilli has in recent years been no stranger to restitution cases in his work for the Italian Government. Here he talks about some of the issues he is dealing with, as well as the way that the problems of looting are exacerbated by the policies of many of the museums that receive the stolen artefacts.

From:
Sunday Telegraph

Maurizio Fiorilli: scourge of the tomb raiders
Last Updated: 12:01am BST 10/08/2008

Bad news for the art thieves who for years have been selling Italy’s ancient treasures to foreign museums: ‘Il Bulldog’ is on your case. Alastair Smart meets the resolute attorney demanding their return

Pasquale Camera didn’t do light lunches. After a third plate of veal Napolitano, washed down by his nth glass of Barolo, the 25-stone ex-police captain galumphed his way out of a Naples restaurant, climbed into his Renault 21, and set off north for Rome. The August heat was intense, and just a few miles up the motorway, he fell asleep at the wheel, smashed into the guardrail and overturned his car. He died instantly.
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