August 17, 2010
The sophistication of medieval culture as demonstrated in the Lewis Chessmen
More coverage of the exhibition of the exhibition of the partially reunited Lewis Chessmen in Edinburgh
From:
Scotsman
Art review: Lewis Chessmen – Unmasked
Published Date: 26 May 2010
By Duncan Macmillan
LEWIS CHESSMEN: UNMASKED ****
NATIONAL MUSEUM OF SCOTLAND, EDINBURGHIN BRAVEHEART, our national hero is impersonated by an Australian. He paints his face like a football fan and seems to have had Billy Connolly as a voice coach. But if that is a travesty of Wallace, the portrayal of his followers as uncouth, unkempt and unwashed is worse. Sadly, however, when they appear in film, our ancestors are generally represented as wild men from the woods, a bunch of hairy bikers strayed from Mad Max, the film in which it was no doubt Mel Gibson’s performance that led someone to imagine he was qualified to play Wallace. That’s not flattering.
The exhibition at the National Museum of Scotland devoted to the Lewis Chessmen should dispose of the hairy biker myth, however. Much of our medieval heritage has been destroyed, but what survives makes it clear that the Scots, Lowland and Highland, were as sophisticated as anybody else in northern Europe. As elsewhere, wealth was largely in the hands of the crown, the church and the aristocracy, but all saw art as a means to prestige, patronage, comfort, or pleasure. The chessmen belonged to this world, but their exact origin is a mystery. It seems most likely they were found in or near the parish of Uig in Lewis around 200 years ago. They first appear on the record in an article in The Scotsman in 1831.
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