Showing results 73 - 84 of 317 for the tag: New Acropolis Museum.

October 28, 2010

Why the Parthenon Marbles should now be returned to Greece

Posted at 1:16 pm in British Museum, Elgin Marbles, New Acropolis Museum

Many of the previous arguments that have been raised by the British Museum for their continuing retention of the Elgin Marbles have been invalidated since the opening of the New Acropolis Museum. They still refuse to acknowledge this fact though. Almost anyone who visits the new museum realises that it represents a far better place for displaying all the surviving sculptures withing site of the Acropolis, yet the British Museum continues to claim that the museum chances nothing.

From:
Brown Daily Herald

Anthony Badami ’11: Arguing against Elginism
By Anthony Badami
Opinions Columnist
Published: Thursday, September 16, 2010

The view of Athens from atop the Acropolis, more accurately known as the Citadel of Athens, is heart-stirring and breathtaking. The matrix of bleached-white stone which comprises the city below provides an impressive foreground, while the surrounding cerulean sea is pleasant and welcoming in comparison, a description proven even more appropriate as the city’s furthest points seem to submerge into the shimmering water. Eyeing the bay, it is as if you are watching a shower of minute diamonds drizzle into an undulating azure pool. All of these wondrous components taken together have the effect of rendering the scene cinema-like. It is truly a view worth seeking.

Unfortunately, much of the cultural and political accompaniments to this surreal scenery are either ruined or relocated or both. Through centuries of pillaging, theft, tribal conflict and religious warfare, a significant portion of Athenian classical art and architecture has been ransacked and stolen.
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October 25, 2010

Building the New Acropolis Museum – a children’s book by Greek Australian Niki Dollis

Posted at 1:07 pm in New Acropolis Museum

Niki Dollis who has worked with the Organisation for the Construction of the New Acropolis Museum for the entire duration of the project (& will be known to anyone who visited the site before the building opened), has written a book for children about the actual process of construction of the new museum & the reasons that a new museum was needed.

The book came out earlier this year – it has currently sold out, but I’ve been told that more copies are printed & it will soon be available again in the shop at the New Acropolis Museum.

From:
Greek Reporter

Greek Australian Writes Storybook: “Building the New Acropolis Museum”
Posted on 18 September 2010 by Apostolos Papapostolou

The book “Building the New Acropolis Museum” is by Niki Dollis and illustrated and designed by Elena Zournatzi. The children’s book tells the story of the realization of a dream. As Niki Dollis mentions in her introduction, it is “a book about hope, expectation… but also hard work for the construction and preparation of the New Acropolis Museum”. The storybook is published by Livanis Publishing Organization. Dollis is the Director of Mr. Pantermalis’ office, who is the head of the New Acropolis Museum.

Through the 60 pages of her book Dollis familiarizes young and all readers, with the notion of a museum. It is a very interesting subject to begin with especially when it serves as an open window to the world of ancient Greece, such as the New Acropolis Museum.
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October 18, 2010

The problems of photography in the New Acropolis Museum

Posted at 8:59 pm in Elgin Marbles, Greece Archaeology, New Acropolis Museum

In the old Acropolis Museum located actually on the Acropolis itself, I never had any problems taking photographs. Within the New Acropolis Museum however, whilst I took many pictures while the building was under construction, I’ve had great difficulty in taking any pictures within the building since the exhibits were in place. Even at the opening in 2009, although people (only a very limited number of invited guests) were allowed to take photos in the lower levels of the building, numerous staff were making sure that no one took photos inside the Parthenon Gallery.

Whilst I can understand that museums make money from selling reproduction rights to items in their collections, I can not see how stopping all photography (when the general tradition in Greece is for museums to allow it) is a move that benefits anyone. In many cases, photographs would have acted as an advert for the museum. The building has already been published in numerous newspapers & magazines, so there is now no secret behind the appearance of the interior (which could have been argued as a reason prior to its opening).

From:
The Times Blogs

August 03, 2010
How much does a picture of the Parthenon cost?

How can we keep the Greek economy afloat? Well, one answer is by asking for permission to reproduce pictures from Greek museums.

Just recently I produced a new edition of my Parthenon book, brought up to date with a new chapter on the new Acropolis Museum (plus all the to-ing and fro-ing about the Elgin Marbles in the years since the first edition came out).
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September 30, 2010

Has hanging onto other nations cultural property become more important than exhibiting our own?

Posted at 1:08 pm in British Museum, Similar cases

For many years, certain elements of the British Press liked to suggest that Greece was incapable of looking after the Parthenon Marbles if they ever were returned. During the construction of the New Acropolis Museum, questions were again raised about every possible aspect of the way the museum was being built & the way the artefacts would be displayed. The New Acropolis Museum does however have many parallels with the proposed Stone henge Visitor Centre.

Both Stone Henge & The Athenian Acropolis are iconic examples of their historical epochs. For a long time, both sites had planned on building new visitor centres, but the projects were plagued by delays lasting decades that stopped any meaningful progress. Now however, Greece has a brand new Acropolis Museum, while visitors to Stone Henge still have to make do with distinctly lacklustre visitor facilities that mainly consist of a tunnel around the road containing a gift shop & some information boards. The British Museum makes much of how the Parthenon Marbles can be seen in their institution for free, but on the other hand, Stone Henge (with or without visitor centre) charges an admission centre except to National Trust or English Heritage members.

From:
New York Times

The Age of Austerity Challenges Stonehenge
By JULIA WERDIGIER
Published: August 11, 2010

STONEHENGE, England — The prehistoric monument of Stonehenge stands tall in the British countryside as one of the last remnants of the Neolithic Age. Recently it has also become the latest symbol of another era: the new fiscal austerity.

Renovations — including a plan to replace the site’s run-down visitors center with one almost five times bigger and to close a busy road that runs along the 5,000-year-old monument — had to be mothballed in June. The British government had suddenly withdrawn £10 million, or $16 million, in financing for the project as part of a budget squeeze.
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August 28, 2010

The New Acropolis Museum’s first birthday

Posted at 12:31 pm in Elgin Marbles, New Acropolis Museum

The New Acropolis Museum celebrated its first birthday on 20th June. With over two million visitors in this time, it has rapidly become one of the destinations on the must see list for tourists in Athens. It has raised awareness of the Parthenon Marbles significantly, as the casts of them in the Parthenon Gallery now make it very clear how many of the sculptures are in the British Museum.

From:
Athens News Agency

06/23/2010
New Acropolis Museum celebrates first anniversary

More than two million people have visited the new Museum of the Acropolis during its first year of operation, according to figures presented by the museum to mark the first anniversary since it first opened to the public on June 20, 2009.

The museum’s board chairman Prof. Demetris Pandermalis said the museum received a total of 2,010,641 visitors in that time, had set research and scientific goals, made progress in the area of conservation and also in educational programmes.
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August 19, 2010

Mary Beard’s “The Parthenon”

Posted at 8:17 pm in Acropolis, British Museum, Elgin Marbles, Greece Archaeology, New Acropolis Museum

The new edition of Mary Beard’s Book – The Parthenon, has various changes, particularly in relation to the New Acropolis Museum which was still in the early stages of construction when the first edition was published.

From:
Lancashire Evening Post

Book review: The Parthenon by Mary Beard
By Pam Norfolk
Published on Fri May 28 15:07:23 BST 2010

Travellers have braved wars and bandits to see it, politicians and superstars have competed to be photographed in front of it and some of the world’s greatest artists and designers have been inspired by it…

The ancient Parthenon in Athens has been a centre of pilgrimage since it was built over 2,500 years ago and its stunning architectural beauty has never failed to disappoint the millions of visitors.
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August 12, 2010

Is London a safer location for the Parthenon Marbles?

Posted at 1:13 pm in British Museum, Elgin Marbles

Matthew Parris in The Times has (although I am still hoping the remarks were made tongue in cheek) sadly descended to the level of many other commentators in the past, who claim that London is a far safer location for the display of the Parthenon Marbles. Notwithstanding any other issues associated with this argument, the fact remains that even the supposedly safe places can become unsafe – meaning that there is no form of guarantee that London is any safer than Athens for the display of artefacts. This fact is evidence by such things as the huge number of artworks destroyed in the collapse of New York’s World Trade Center in 2001.

If the argument is taken to its logical conclusion, then surely all artefacts should be located in secure underground vaults – perhaps only viewable by video cameras. If this was the case though, it should be determined by some sort of international body, by the voluntary consent of the parties concerned, not post-rationalised bay a single party without any sort of real consent from the original owners.

From:
The Times

May 20, 2010
Never mind the oil slick, just watch our carpet
BP should take a wider view when it comes to health and safety
Matthew Parris

[…]

Losing their Marbles

Speaking of mayhem, I see a silver lining to the cloud of rioting and destruction in Athens. I’ve always felt that there was merit in the argument that, as the Elgin Marbles were part of the Parthenon, they should be reunited with it, but I’m equally impressed with the argument that they were brought to Britain for safekeeping, and are ours now. It is at last clear how these two may be reconciled. Bring the Parthenon to London, too, for safekeeping.

[…]

August 2, 2010

Who draws the borders of culture?

Posted at 7:42 pm in British Museum, Elgin Marbles, New Acropolis Museum

I’m fairly unconvinced by the viewpoint represented in this article. The argument is never about where the impact of the Parthenon Marbles is greater, but about where they actually belong & who they belong to.

From:
New York Times

Abroad
Who Draws the Borders of Culture?

Swarms of visitors see the Elgin marbles daily in the British Museum. The Greeks want them moved to a new museum near the Parthenon, but would their impact be greater there?
By MICHAEL KIMMELMAN
Published: May 4, 2010

IT was gridlock in the British Museum the other morning as South African teenagers, Japanese businessmen toting Harrods bags, and a busload of German tourists — the usual crane-necked, camera-flashing babel of visitors — formed scrums before the Rosetta Stone, which Egyptian authorities just lately have again demanded that Britain return to Egypt. From the Egyptian rooms the crowds shuffled past the Assyrian gates from Balawat (Iraq is another country pleading for lost antiquities) and past the Roman statue of the crouching Aphrodite (ditto Italy), then headed toward the galleries containing what are known in Britain as the Elgin marbles (but in Greece as the Parthenon marbles, or simply booty), where passers-by plucked pamphlets from a rack.
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June 8, 2010

New Acropolis Museum leads rise in Greek Museum visitor numbers for 2009

Posted at 10:05 pm in New Acropolis Museum

It is now nearly a year since the New Acropolis Museum opened in Athens. This museum has led to a big increase for the visitor figures to museums in Greece – hopefully once the newness wears off its popularity will continue.

From:
Agence France Presse

Greece museum visitors increase by 40 percent
(AFP) – Apr 12, 2010

ATHENS — The number of visitors to Greek museums jumped by 41 percent last year compared to 2008, whilst fewer made trips to its archaeological sites, the national statistics service said Monday.

The hike in visitor numbers to 2,813,548 was largely due to the opening of a new Acropolis museum in Athens that brought in over 800,000 people.
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May 24, 2010

New Zealand Parthenon replica to head to Athens

Posted at 9:22 pm in Acropolis, New Acropolis Museum

Victoria University School of Architecture in Wellington, New Zealand, has produced ten scale models of various aspects of the Parthenon. These are now being shipped to Athens for display in the New Acropolis Museum.

From:
Stuff (New Zealand)

Parthenon heads from Wellington to Athens
By MIKE WATSON – The Dominion Post

One of the world’s most recognisable buildings has been cut down to size by a Wellington architectural lecturer in models to be exhibited in Athens.

Ten models depicting sculptures and detailed sections of the Parthenon and Acropolis have been made by Victoria University School of Architecture and Design lecturer Jeni Mihova, and graduates Jordan Wisniewski and Matt Fraser.
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May 23, 2010

Mixed review of the New Acropolis Museum

Posted at 11:43 am in Elgin Marbles, New Acropolis Museum

This review seems to like some bits of the New Acropolis Museum, but not others. I guess I shouldn’t have expected unequivocal praise from a site called Grumpy Traveller. In some ways, its liking of the interior far more than the exterior echoes the comments Mary Beard made last year.

From:
Grumpy Traveller

Athens, Greece: Review of the new Acropolis Museum
David Whitley has mixed feeling on Bernard Tschumi’s new showcase for the treasures of the Parthenon.

New Acropolis Museum in Athens

If ever something was on a hiding to nothing, it’s the new Acropolis Museum in Athens. It cost EUR130 to build, is designed to hold many of Greece’s most important national treasures and is already being promoted as a tourism flagship.

Naturally, the critics had a field day before it was even opened. Some pointed to the cost, some to the position at the foot of the Acropolis rather than on it, others to the fact that a Swiss architect – Bernard Tschumi – was employed rather than a Greek.
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May 22, 2010

When deaccessioning from museums is possible

Posted at 2:25 pm in British Museum, Similar cases

The British Museum (& most state / local authority owned museums in the UK), often stand behind the screen of anti-deaccessioning regulations, using these as an excuse to avoid restitution claims, stating that there is no point even entering into discussion, as they would not be allowed to return the artefacts if they did want to. In many countries though, deaccessioning is far less of a problem & can be relatively commonplace, as evidenced that the International Council of Museums publishes specific guidelines on the subject.

The guidelines are in fact published for the entirely different reason, that recently, a number of US art collections have tried to sell off large chunks of their collections. Therefore, it is clear that deaccessioning, while not perhaps legally regulated, should have clear ethical guidelines in place for institutions to sign up to as they wish – on the other hand, this is a completely different thing to outlawing the practice altogether.

From:
Eflux

Museum deaccessioning:
April 4, 2010
International Committee of ICOM for Museum and Collections of Modern Art

The International Council of Museums
General Principles on Conditions of Deaccession from Museum Collections
http://www.cimam.org

GENERAL PRINCIPLES ON CONDITIONS OF DEACCESSION FROM MUSEUM COLLECTIONS

Ethical codes must evolve in response to the evolving nature of standards and practices in museums and in society, and need to be periodically reviewed, discussed and updated.

In view of recent controversial practice with regard to selling art from museum collections, CIMAM states its opposition in the first instance to the notion of deaccession. In those instances where deaccession is deemed defensible or necessary, CIMAM’s General Assembly adopts the following set of principles for the conditions of deaccession, and urges the directors of member institutions to accept these principles as guidelines for their institutions.
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