Showing results 1 - 12 of 468 for the tag: Restitution.

August 28, 2014

Ancient coins returned to Greece after New York investigation

Posted at 12:59 pm in Similar cases

As part of a plea bargain, during an investigation into black market trading of rare coins, the collector Arnold-Peter Weiss has agreed to return some of the disputed coins to GReece.

Ancient Greek coins returned after investigations into illicit trading

Ancient Greek coins returned after investigations into illicit trading

From:
Reuters

Ancient coins returned to Greece as part of New York plea deal
05/08/14 12:14 CET

A collection of ancient silver pieces forfeited during an undercover investigation into black-market coin trading in New York City was handed over to the Greek government at a ceremony on Monday, city officials said.

The repatriation of the five coins dating back to 515 BC resulted from a plea agreement by a Rhode Island orthopedic surgeon and longtime coin collector who was convicted of attempted criminal possession of rare stolen coins in 2012.
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Parthenon Marbles should return, because of their beauty

Posted at 12:43 pm in British Museum, Elgin Marbles

Jonathan Jones argues persuasively in the Guardian, that the Marbles should eb returned. Key to his reasoning is the matter of context, something that I have often argued about previously. No matter what the British Msueum says, it is impossible to see the Marbles in the same way in the British Museum as it would be in the Acropolis Museum, within sight of the Parthenon.

Parthenon Marbles in British Museum

Parthenon Marbles in British Museum

From:
Guardian

18th August 2014
Jonathan Jones
The Parthenon marbles are the world’s most beautiful art – and that’s why we should give them back
These consummately beautiful sculptures demand a proper setting – and a trip to Athens has convinced me the Acropolis Museum is that place

What can you do with the world’s most beautiful art? Where does it belong? How should it be cared for and displayed?

The art in question is the array of sculpture created in Athens in the 5th century BC to decorate the Parthenon, the temple to Athena that still, today, dominates the skyline of the Greek capital.
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August 7, 2014

Riding from Athens to London for the Parthenon Marbles

Posted at 12:48 pm in British Museum, Elgin Marbles

I wrote last year about the Italian Luca Lo Sico, who planned to cycle from Athens to London in support of the Parthenon Marbles.

He has now left Athens, after a sendoff by Deputy Culture and Sports Minister Angela Gerekou.

He follows in the pedals of Dr Chris Stockdale, who undertook a similar cycle ride (but in the opposite direction) in 2005 for the same reason.

Deputy Culture and Sports Minister Angela Gerekou with Salvatore Lo Sicco

Deputy Culture and Sports Minister Angela Gerekou with Salvatore Lo Sicco

From:
Greek Reporter

London to Athens on a Bike for the Parthenon Marbles Return
Ioanna Zikakou
Aug 7, 2014

Salvatore Lo Sicco, a British-Italian professor who works in the UK, traveled from London to Athens on his bike to rally for the repatriation of the Parthenon Marbles.

Lo Sicco started his route outside the British Museum, which houses the Marbles that Lord Elgin removed from Athens in the 1800′s, and finished in front of the steps of the Acropolis Museum.
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July 29, 2014

Are the British Museum planning on moving the Elgin Marbles

Posted at 1:07 pm in British Museum, Elgin Marbles

Various news articles give the impression that the British Museum will be moving some parts of the Parthenon Sculptures for an exhibition on ancient Greece taking place next year.

While the sculptures will not be leaving the museum at all during this process, it raises a couple of interesting points.

Firstly, the British Museum regularly makes the point that the sculptures can be seen free of charge in London – highlighting the fact that an admission fee is charged by the Acropolis Museum. However, large temporary exhibitions at the British Museum are never free – so you will no longer be able to see all the sculptures there for free while the exhibition is on.

Secondly, it has often been suggested in the past, that the sculptures are too valuable & fragile to be moved – that any handling might damage them. The fact that the British Museum is happy to move them around within the building shows that to move them to a more distant location would clearly be possible.

One assumes that Greece will probably be lending some sculptures to this exhibition. They should think long and hard so though, as to how they can also use their acto of generousity to highlight the British Msueum’s duplicity in this issue.

Parthenon Marbles in British Museum

Parthenon Marbles in British Museum

From:
Daily Telegraph

Elgin Marbles moved for first time in over half a century
British Museum to move the Elgin Marbles for the first time since their installation in 1962 as plans announced for blockbuster exhibition on ancient Greece
By Anita Singh, Arts and Entertainment Editor
3:53PM BST 02 Jul 2014

The Elgin Marbles are to leave their current home at the British Museum. Unfortunately for those who believe the treasures should be returned to Greece, they are not going very far.

The marbles are being relocated from one part of the museum to another – the first time they have been moved in over half a century.
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April 30, 2014

Australia’s NGA relinquishes Dancing Shiva ownership claims

Posted at 1:05 pm in Similar cases

The Australian National Gallery in Canberra has now accepted claims from India, that one of the items in their collection is a looted temple idol from the province of Tamil Nadu.

A legal notice was submitted by India on March 26th & the gallery chose not to contest it, meaning that it is automatically handed over by the Gallery to the Australian government. Hopefully this will be the start of a hasty return of it to India.

This is a marked change since last year, where the gallery publicly refuted all claims that the Dancing Shiva idol might be looted.

The idol is central to investigations into rogue dealer Subhash Kapoor, who is awaiting trial in India & subject to investigations within the USA.

Dancing Shiva idol at the National Gallery of Australia

Dancing Shiva idol at the National Gallery of Australia

From:
The Hindu

Canberra gallery gives up claim on stolen idol
NIRUPAMA SUBRAMANIAN
Updated: April 30, 2014 01:20 IST

The National Gallery of Australia has surrendered to the Indian claim that a Chola-era Nataraja that it acquired for (A) $5.6 million had indeed been stolen from a village temple in Tamil Nadu, paving the way for an early return of the idol to India.

The NGA, Australia’s foremost art institution located in the national capital of Canberra, had 30 days to claim its ownership of the imposing bronze Nataraja after receiving a notice from the Australian Attorney General’s Department under the Protection of Movable Cultural Heritage Act 1986. That deadline expired on April 26.
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April 29, 2014

The shame associated with the Sevso Hoard

Posted at 1:06 pm in Similar cases

Part of the disputed Sevso Hoard was recently returned to Hungary (purchased off an unidentified seller in London).

Colin Renfrew looks at some of the history of the treasure, and the losses both to archaeology & to peoples reputations over what has happened with it in the years since its discovery.

Sevso treasure in 1990

Sevso treasure in 1990

From:
Art Newspaper

Shame still hangs over the Sevso hoard
The recent return of seven of the 14 pieces of Roman silver to Hungary from the UK is a positive development in the find’s sad history
By Colin Renfrew. Comment, Issue 257, May 2014
Published online: 29 April 2014

It is a relief that the sorry story of the misappropriation of the great treasure of late Roman silverware known as the Sevso hoard now seems to be reaching an acceptable conclusion. A tangled tale of greed and irresponsibility by “collectors” in high places who might have known better, seeking a quick and easy profit and showing little respect for the world’s archaeological heritage, it ends where it presumably began, in Hungary.
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Swiss Committee for the Return of Parthenon Marbles organises talk in Zurich

Posted at 12:49 pm in Elgin Marbles, International Association

A followup to the earlier post about Dusan Sidjanski’s talk on the Parthenon Marbles.

Dusan Sidjanski of the Swiss Committee for the Reunification of the Parthenon Sculptures

Dusan Sidjanski of the Swiss Committee for the Reunification of the Parthenon Sculptures

From:
Greek Reporter

Swiss Committee on the Return of the Parthenon Marbles
Apr 19, 2014

The president of the Swiss Committee for the Return of the Parthenon Marbles, Professor Dusan Sidjanski, during the event titled “Europe and the Parthenon Marbles: a common cause,” stressed the need for return of the marbles to Greece.

In his speech, Dr. Sidjianski referred to the Swiss Committee’s concern for the legal claim of the return of the Parthenon Marbles, stressing that this is considered a European issue which needs to be resolved through dialogue between the European institutions as well as through informing the public and especially Britain.
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April 28, 2014

The next chapter – repatriated works after they return home

Posted at 12:57 pm in Similar cases

There have been various high profile cultural property repatriation cases in recent years that have been resolved by the return of the artefacts in question. In many cases though, once the initial publicity dies down, it drops below the radar, as it is no longer a news item.

This article takes a look at some of the recent cases & what has happened to the artefacts since their return.

The Euphronios Krater, displayed in Rome

The Euphronios Krater, displayed in Rome

From:
New York Times

Vision of Home
Repatriated Works Back in Their Countries of Origin
By RACHEL DONADIOAPRIL 17, 2014

AIDONE, Sicily — The ruins of the ancient Greek city of Morgantina sit high on a hill in eastern Sicily. There are cherry trees, wildflowers and total stillness, save for the sound of bird song. The area has long been sacred to Persephone; legend has it that Hades pulled that goddess into the underworld by a nearby lake.

It was here at Morgantina, just outside the modern town of Aidone, that in the late 1970s or early 1980s, a breathtaking statue of a goddess, draped in a windswept robe and standing over seven feet tall, is believed to have been found. First thought to be Aphrodite and now widely considered to be Persephone, the statue, which dates to about 425 B.C., has become one of the most contested artworks in the world.
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April 25, 2014

Greece’s economy might be rebounding, but the Parthenon Marbles have yet to return

Posted at 12:52 pm in Elgin Marbles, New Acropolis Museum

A common excuse given by supporters of retaining the Parthenon Sculptures in the UK, is that the time is not right for them to return. The New Acropolis Museum opened during the middle of one of the worst financial crises to affect the world in recent years & for some, their words carried some weight. Surely now though, when Greece is re-issuing government bonds & the remnants of the years of riots are being repaired, this is the ideal time to rebuild Greece’s culture, by righting a historic wrong?

Acropolis Museum in Athens

Acropolis Museum in Athens

From:
Bloomberg News

Athens Lacking Only Elgin as Windows Erase Crisis: Cities
By Marcus Bensasson and Nikos Chrysoloras Apr 24, 2014 5:27 AM GMT

The marble paving stones have been relaid in Athens’s Syntagma Square, the site of pitched battles between police and protesters during the worst of Greece’s economic crisis.

Yannis Stournaras has replaced his sixth-floor window overlooking the square. It was pierced by an errant bullet during one of the riots in 2010.
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April 17, 2014

Evangelos Venizelos speaks out on Parthenon Marbles issue

Posted at 12:51 pm in British Museum, Elgin Marbles, Similar cases

PASOK leader & Greek Foreign Minister Evangelos Venizelos is no stranger to dealing with the Parthenon Sculptures issue. He has been quiet about it in public though, since he lost his position as Culture Minister after Nea Demokratia took power in the 2004 general election.

Today though, he had the opportunity to speak to the European Parliament plenary in Strasbourg, about the return of looted cultural artefacts, where he mentioned both the case of the Parthenon Marbles, as well as the various more recent cases that have arisen in Cyprus since the 1974 Turkish occupation.

PASOK leader Evangelos Venizelos

PASOK leader Evangelos Venizelos

From:
Famagusta Gazette

Greek FM refers to destruction of Cyprus’ cultural heritage in occupied north
Thursday, 17 April, 2014

Greek Foreign Minister Evangelos Venizelos, speaking before the European Parliament plenary in Strasbourg on the return of cultural objects unlawfully removed from the territory of a member state, referred to the need to return the Parthenon marbles to Greece and the damage that Cyprus` cultural treasures have suffered since the 1974 Turkish invasion.

He said that the new directive regarding the return of cultural objects is clearly improved compared to the one that existed since 1993 and it will be an important instrument in handling illegal trafficking of cultural artifacts, which is one of the widely used forms of organised crime.
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April 15, 2014

When will UK ratify 1954 Hague Convention on stolen art?

Posted at 1:06 pm in Similar cases

After many years of delay, the UK announced in 2005 that they were going to ratify the 1954 Hague Convention on the Protection of Cultural Property in the Event of Armed Conflict. Since then though, as I noted a few weeks ago, no action has actually been taken.

Time is running out now for the government to ratify it during their current term, although there are no clear reasons for not doing so. As this article notes, the film Monuments Men has helped to draw attention to this topic, so now is the ideal time for them to take a clear step towards helping to prevent the looting of artefacts.

Scene from the film Monuments Men

Scene from the film Monuments Men

From:
Guardian

Stolen art cannot be brushed over, so sign the UK up to the Hague convention
There is no excuse for Sajid Javid not to ratify the rules that ultimately protect people’s cultural heritage
Helen Goodman
Tuesday 15 April 2014 08.00 BST

No films about art stolen in wartime appear for years and then two come along at once: Wes Anderson’s funny Grand Budapest Hotel, with a plot that revolves around the disappearance of a “priceless” painting called Boy with Apple, or the more serious and realistic The Monuments Men.

The latter is George Clooney’s latest directorial venture and concerns an allied forces group of museum curators and art historians in the second world war who attempt to stop the Nazis destroying the cultural treasures of occupied countries.
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April 10, 2014

If you only read one article on restitution of cultural property, make sure its not this one

Posted at 5:21 pm in Similar cases

There are so many flaws in this article, that its hard to know where to start.

The basic premise of it seems to be that the return of artefacts is a bad thing, even when they were clearly acquired illegally in fairly recent times. The reasoning is that the author claims that as a result of laws forbidding looting, fewer new archaeological discoveries have been made. This is backed up with some rather iffy statistics.

The comments at the end of the article go some way towards highlighting some of the problems in the article:

  1. The statistical analysis methods used are completely flawed.
  2. The author supports their argument with the post hoc ergo propter hoc, and false analogy logical falacies.
  3. The reported results do not appear to correlate with the findings of others.
  4. The author equates UNESCO world heritage sites with Archaeological sites, with no clear logic to why these two should correlate.

The global average temperature v decline in pirates graph makes a lot more sense than some of the analysis presented here.

The fact is, that the subject is a serious issue, and the article just seems to completely miss the point, with the aim of drawing some rather odd conclusions. If you thought James Cuno’s views were a bit out of sync with reality, then you probably won’t make much sense of this article either.

As Jason Felch (a former LA times journalist who documented the events leading up to the return of the Aphrodite statue from the Getty) noted on Twitter “News Side & Editorial opinions are separate at newspapers. This didn’t deserve to appear in either”.

Aphrodite statue returned to the Getty by Italy

Aphrodite statue returned to the Getty by Italy

From:
Los Angeles Times

Op-Ed
The archaeology paradox: more laws, less treasure
Tight restrictions on export and ownership of artifacts is leaving the world a poorer place.
By Adam Wallwork
April 7, 2014

The Getty Center in Los Angeles, the Metropolitan Museum in New York and Sotheby’s auction house — these are just some of the major institutions that have been forced to repatriate artworks in recent years. Italy, Egypt, Greece, Turkey and Cambodia have all successfully used their cultural property laws to secure the return of important antiquities from collectors and museums.

Treasures from King Tutankhamen’s tomb that had been in the Met’s collection for almost a century went back to Egypt. In 2006, the Met agreed to return the Euphronios krater, a masterpiece Greek urn that had been a museum draw since 1972. In 2007, the Getty agreed to return 40 objects to Italy, including a marble Aphrodite, in the midst of looting scandals. And in December, Sotheby’s and a private owner agreed to return an ancient Khmer statue of a warrior, pulled from auction two years before, to Cambodia.
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