Showing results 37 - 48 of 468 for the tag: Restitution.

September 13, 2013

Louvre asks for donations to restore the Nike of Samothrace

Posted at 12:58 pm in Similar cases

The Louvre is asking for donations to restore the Nike of Samothrace, Also known as the Winged Victory of Samothrace. This is all fine, were it not for the fact that Greece disputes the Louvre’s ownership & would like it returned.

An easy way for them to reduce their costs would be to return it to Greece now & let them pay for the restoration. I can’t see this happening any time soon though.

From:
Greek Reporter

Louvre Asks Donations For Nike Repair
By Maria Korologou on August 29, 2013

The Louvre Museum hopes to raise another million euros in an appeal for donations it launched to find the funds for the conservation of one of the world’s greatest masterpieces that is housed in the Paris institution, the Winged Victory of Samothrace, also called the Nike of Samothrace.

The new campaign is called Everybody Can Be Maecenas and will begin Sept. 3 when the famed sculpture will be removed from viewing from one of the most advantageous spots in the museum and not returned until the summer of 2014.
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August 23, 2013

An interview with a Caryatid. Elginism talks to Evi Stamatiou about her Edinburgh Festival show

Posted at 8:59 am in British Museum, Elgin Marbles

I have already written a few days ago about the performance by Evi Stamatiou at the Edinburgh Festival Fringe. The performance is entitled Caryatid Unplugged & focuses on the return of the Parthenon Sculptures (also known as the Elgin Marbles) in the British Museum to Greece, although, as you will discover, it is about far more than just this.

She is far from the first person to be captivated by the sole caryatid that sits alone in the British Museum, far from her sisters, with other notable examples being Dennis Menos’s book written from her perspective & Mary Philips who performed a protest outside the British Museum dressed as a Caryatid.

Caryatid Unlplugged graphic

I had a chance to talk with Evi about Caryatid Unplugged and to ask her a bit more about her thoughts on the Marbles & what inspired her to develop this show:

Elginism: Hi Evi, first of all, could you tell us a bit about yourself & your background.

Evi Stamatiou: I was born in 1980 in Ioannina, Epirus. I moved to Athens for studies in 1999 and then to London in 2010. My parents were both born in Ioannina, second generation of Greek expats returning to Greece after the Second World War from France, Russia and Northern Epirus. My father, Alexandros highly appreciated the arts and Ancient Greek Culture. When he died in 2001, I decided to change career and devote myself to theatre, as a way to keep a connection with him.

I am now based in London and work as a theatre practitioner and educator. I have ten years of international professional experience. In 2010 I established in Athens Upopirates Theatre Company and won a distinction at Off Off At Colonus Theatre Festival for my performance Thinking About Jean Genet’s Tightrope. Since 2011 I am a HE Lecturer and Course Coordinator at Wessex Academy of Performing Arts in England. I am also a member of Lincoln Centre Theatre Directors Lab.

Caryatid Unplugged - article from Metro

Elginism: Have you always had strong views on the Parthenon Marbles, or is it a more recent thing?
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August 20, 2013

Evi Stamatiou as Caryatid Unplugged at the Edinburgh festival

Posted at 8:08 am in British Museum, Elgin Marbles, Events

Evi Stamatou is a Greek based in London. She is appearing at this year’s Edinburgh Fringe Festival, with a performance entitled Caryatid Unplugged. Here, she aims to tell the story of the caryatid in the British Museum – something that has fascinated many people, capturing people’s attention in a different way to the other Parthenon Sculptures, perhaps because she is the most human like & easy for people to relate to.

There is a short trailer for the performance on Youtube.

From:
Kickstarter

Exploring art, immigration and the female body. The Caryatid story via burlesque, clowning, physical comedy. Traditional Greek music.

Your support for the following project is very important in order to manage to perform Caryatid Unplugged for the full run of the Edinburgh Fringe Festival 2013. There has been great effort from the creative team and we are very close to reaching our goal. Support our attempt to a make a performance that is a playful forum for social and political discussion.

In the June 2011 debate on whether to return the Ancient Parthenon marbles to Greece, David Cameron tells Parliament that ‘Britain has no intention to lose its marbles’.
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August 19, 2013

Professor Simon Critchley says that the Parthenon Marbles should return to Athens

Posted at 12:59 pm in British Museum, Elgin Marbles, New Acropolis Museum

At the 23rd World Congress of Philosophy, Professor Simon Critchley spoke out in support of the return of the Parthenon Marbles to Athens.

He adds his name to the many academics, archaeologists, historians & museum professionals who already support this cause, yet the British Museum seems to care little & is still intent on maintaining their current course steering as far away from restitution as possible.

From:
Greek Reporter

Critchley Says Parthenon Marbles Are Greece’s
By Maria Arkouli on August 9, 2013

Simon Critchley, a professor of philosophy at The New School in New York City, brought the house down at the 23d World Congress of Philosophy meeting in Athens when he said the Parthenon Marbles stolen from the Acropolis nearly 200 years ago and now in the British Museum should be returned to Greece.

Critchley, who is British, was speaking to an audience on the banks of the Ilissos and had them cheering when he said, “I never understood why England has the Parthenon Marbles. The Parthenon Marbles belong to Greece and to Athens and they must return to their homeland”.
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June 19, 2013

Germany’s moral right to reclaim from Russia the treasures (that they looted from others)

Posted at 1:11 pm in Similar cases

Berlin’s Pergamnon Museum has been the subject of various restitution requests from countries such as Turkey. Not for the first time though, Germany is trying to turn the whole situation on its head, by clamouring for the return of some of the artefacts from its museums that were taken by Russia. This approach would be fine – but for as long as it ignores the requests for restitution of items such as the Pergamon Altar, they shouldn’t expect other countries to have too much sympathy with their predicament.

It has to be added though – that Russia’s behaviour has hardly been exemplary either. Particularly in its attempts to deliberately highlight just how many artefacts they managed to illegally acquire from Germany.

From:
Independent

Mary Dejevsky
Tuesday 18 June 2013
The Pergamon Museum offers a pointed message from Berlin to Russia – give our treasures back

Briefly in Berlin, I took time out to visit the Pergamon Museum, which houses –among many, many antiquities, the remains of the great temple and its altar. If you’re at all queasy about how the Elgin Marbles reached the British Museum and why they are still there, you should probably give the Pergamon temple a miss. Otherwise, it is one of the great relics of the ancient world, rescued – or looted, depending on your view – for the delectation and education of more northerly Europeans.

There are, though, good reasons why – despite any misgivings – it’s worth going. One is that the Pergamon Museum is part of a grand, and still growing, ensemble that occupies Museum Island just a short distance from the Reichstag. Clustering so many grand collections together, rather than scattering them around the city in the name of regeneration, provides a magnificent monument to high culture that is unique to Berlin.
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May 31, 2013

Germany’s Pfahlbaumuseum will return 8,000 illegally excavated pottery fragments to Greece

Posted at 1:15 pm in Greece Archaeology, Similar cases

The Pfahlbaumuseum in Bodensee has agreed to return 8,000 pottery fragments that were illegally excavated in Greece in 1941.

From:
ENET

16:15 Wednesday 29 May 2013
Thousands of Greek antiquities repatriated from Germany

8,000 pottery fragments illegally excavated during Second World War

Germany’s Pfahlbaumuseum will in June return to Greece 8,000 pottery fragments illegally excavated from Thessaly during the Second World War
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April 2, 2013

Anthony Horowitz expresses his support for the return of the Parthenon Marbles

Posted at 1:54 pm in Elgin Marbles

After his book Scorpia Rising, it was clear that author Anthony Horowitz had an interest in the Parthenon Sculptures in the British Museum.

Now, in a post on twitter he is more clear about his support for the return of the sculptures to Athens. That they should definitely return to Greece to be displayed in the New Acropolis Museum in Athens.

From:
Twitter

@AnthonyHorowitz
Visited the superb Acropolis Museum in Athens and – I’m sorry – but I really do think the Elgin marbles should go back.
7:28 AM – 29 Mar 13

March 14, 2013

71 Native American Hopi & Zuni masks to be auctioned in Paris despite protests

Posted at 1:57 pm in Similar cases

71 native American masks are being auctioned, despite protests from the tribes that they belonged to. There are laws in place in many countries now that cover return of human remains & there are also laws in the US relating to Native American artefacts. However, these items are not covered by any of these & as such the auction is legal. One has to ask the question though of whether it is Moral though? These items could not be taken now from native tribes in the same way as happened originally.

From:
Indian Country Today Media Network

71 Hopi and Zuni Masks to be Auctioned in Paris
ICTMN Staff
March 07, 2013

On April 12, a collection of 71 Hopi and Zuni masks will be auctioned by Neret-Minet at the Druout Richelieu gallery and auction house in Paris, France. The array of katsinam masks was amassed by a collector over the course of 30 years, and date to the late 19th and early 20th century, according to the description at Druout.com (a translated version can be found at ArtDaily.org).

“The idea that a people would dedicate so much time and energy to the rise of celestial bodies fascinated our collector,” reads the auction’s description. “In his collection, the CROW MOTHER mask, Angwusnasomtaqa in the Hopi language, held pride of place, and he had to wait over 20 years to attend the Powamu rituals in early February, the only time the mother of all the Katsinam appears in the village. By his own admission, you have to see the masks in dances to fully appreciate them.”
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March 8, 2013

Turkey using Human Rights law in its attempts to secure artefact return

Posted at 8:54 am in British Museum, Similar cases

Most would agree that in recent years, Turkey has had a rather lacklustre record when it comes to human rights (at least for some sectors of its country). The country has recently been undertaking a vigorous drive to recover looted artefacts, although this too has not been without criticism.

Now, it seems that Turkey is taking the unusual step of trying to use the European Court of Human Rights as a mechanism to attempt to secure the return of disputed artefacts in the British Museum. It remains to be seen how successful this approach is & I imagine many other countries will be watching with interest.

From:
International Business Times

Turkey’s New Spin On Human Rights: They Can Be Used To Recover Art
By Ceylan Yeginsu | January 14 2013 2:01 PM

Turkey is one of the world’s richest countries when it comes to archeology. Located at the crossroads of Europe and Asia and with a history of human habitation that dates back to the dawn of civilization, it’s especially rich in ancient Greek ruins that were created when the land that is now Turkey was known as Asia Minor, or Anatolia.

But many of those priceless relics aren’t in Turkey; they’re in Western museums. Now Turkey is trying a bold new tactic to recover them: It plans to use human rights law to get them back.
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Will Boston’s Museum of Fine Arts return disputed Benin Bronzes

Posted at 8:45 am in British Museum, Similar cases

Boston’s Museum of Fine Arts recently acquired a number of disputed Benin Artefacts. These items all relate to the ransacking of Benin by the British in 1897 & the transfer of their ownership to the museum has caused much controversy.

From:
SPY Ghana

Sun, Jan 6th, 2013
Will Boston Museum Of Fine Arts Return Looted Benin Bronzes?

By Ghana News -SpyGhana.com

“The public interest must surely be in upholding the rule of law, rather than promoting an international free-for-all through the unrestricted circulation of tainted works of art. Do we really wish to educate our children to have no respect for history, legality and ethical values by providing museums with the opportunity freely to exhibit stolen property? ”

Extract from a letter by several members of the British House of Lords. (1)

Readers may recall that when the Museum of Fine Arts, Boston, USA, recently acquired by donation a number of looted Benin artefacts, there was a large public outcry against this acquisition of blood antiquities by a leading and respected American museum. (2) The Nigerian Commission for Museums and Monuments demanded the immediate return of the looted objects. (3) Other writers also urged the return of these precious artefacts that the British had looted in a violent invasion of the flourishing Benin Kingdom in 1897. (4) Ligali, a Pan-Africanist activist group, wrote to the Boston museum requesting the return of the objects to their rightful owners. In his response to Ligali, the director of the Boston museum mentioned that his institution had informed the Oba of Benin of the acquisition. (5) An impression was thus created that the Benin Royal Family had acquiesced in the acquisition, and in any case, had not protested against it.
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March 7, 2013

Should holding onto looted artefacts give museums & countries an upper hand in negotiating?

Posted at 8:47 am in British Museum, Similar cases

I have to say that I completely disagree with the general approach that this article advocates – which could be summarised, as something like: Wealthy Museums of the West (along with the countries in which they are based) can now use their disputed artefacts as bargaining chips, to secure political / cultural changes in the countries of the original owners.

If somebody robs your house, should that then give them the upper hand in securing some form of change in your lifestyle, before agreeing to return the items that they took?

Quite what gives these museums the right to enforce change on countries in this way is unclear, other than being down to the fact that they were fortunate enough to know people dis-reputable enough to have managed to acquire the artefacts in the first place – hardly a great endorsement for their policies, or for taking the moral high ground.

From:
Whistleblower

Looted art – hostage or weapon against terror?
Exclusive: Marisa Martin suggests U.S. start using its diplomacy tool
Published: 12/12/2012 at 8:58 PM

Vikings stormed Britain, while Mongols left Bagdad a culture-free zone. Warlords came, saw and trashed all the books and statues while they were at it. Even now someone is whacking away at the ankles of a limestone Buddha in India or Bangladesh.

Have times changed for the better?

Napoleon revitalized looting trends by demanding art from conquered Italians and churches. Since then, the Captains of Genocide have handled the art of their victims differently, particularly the Nazis. Probably the most prolific war thieves ever, they discarded entire races whiles secreting their art in stashes all over the globe. Art Loss Register, an international database, lists 300,000 missing and stolen artworks with approximately 85 percent occurring before 1945, not coincidentally with the demise of the Nazis.
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March 6, 2013

Germany celebrates 100 years since acquisition of Nefertiti bust

Posted at 6:56 pm in Similar cases

The Neferti bust is one of the most high profile artefacts that Egypt is requesting the return of. Germany’s latest actions only draw attention to this case though, by organising a special exhibition to commemorate the fact that it is 100 years since they acquired the artefact.

From:
Time

The Bust of Nefertiti: Remembering Ancient Egypt’s Famous Queen
By Ishaan Tharoor
Dec. 06, 2012

On a sunny afternoon on Dec. 6, 1912, an Egyptian worker at a dig along the banks of the Nile came across what may be the most striking find in the history of Egyptology. Ludwig Borchardt, the German archaeologist in charge of the excavation, scribbled excitedly in his diary a century ago: “The tools were put aside, and the hands were now used … It took a considerable amount of time until the whole piece was completely freed from all the dirt and rubble.” What emerged was a 3,300-year-old limestone bust of an ancient queen, colored with a gypsum lacquer. A flat-topped crown perched above a finely defined brow. Her cheekbones were high, nose distinguished. A thin, elegant neck — some now describe it “swanlike” — rose from the bust’s base. “We held the most lively piece of Egyptian art in our hands,” wrote Borchardt.

The bust is of Nefertiti, queen of Egypt and wife of Pharaoh Akhenaten, who reigned in the 14th century B.C. A hundred years after Nefertiti’s bust was lifted out of the ground at Amarna, some 480 km south of Cairo, it remains one of the most iconic figures of Egyptian antiquity, far smaller than the pyramids or the Sphinx, but no less globally resonant. The bust adorns souvenir schlock throughout Egypt and history schoolbooks worldwide. When it went on display at a museum in Berlin in the 1920s, it was almost immediately held up as a symbol of universal, timeless beauty. That’s not surprising. Nefertiti’s name means “the beautiful one has come.”
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