Monuments Men was originally a book by Robert M. Edsel, soon to be made into a film by George Clooney.

The story is based around people at various museums, who during the second world war did anything in their power to protect as many of their artefacts as possible from potential seizure by the Nazis. Now, in its own way, this is admirable behaviour – although I think a distinction needs to be made between protecting the artefacts – and just not wanting someone else to have them – thus enriching their culture rather than your own. Many of the items that were “protected” were removed from other countries in times of war – and these earlier removals were seen as entirely acceptable, while at the same time, we tried to stop the same thing from happening to them again. Many times, the excuse has been given for the removal of items such as the Parthenon Marbles, that had the British not takes them, Napoleon would have. Looking at it another way though, is this different from walking past a shop that has the door open at night & robbing it before someone else does, rather than closing the door & helping to secure it?

I’m sure that most of the monuments men had entirely admirable intentions – I just have trouble reconciling some of their behaviour & the reasoning behind it, with that of their predecessors – that the same action by one person can be right, when it is wrong by another.

From:
Get The Big Picture

Monday, October 29, 2012 at 7:06AM
Some Dude Named Clooney Snags Steve Zissou & Galadriel for Next Movie

Say what you will about George Clooney (and I really don’t have anything negative to say about the guy), but he has a pretty good eye when it comes to picking projects, be it for acting or directing. I’m a fan of the movies he’s directed (especially Confessions of a Dangerous Mind). He’s not flashy, workman like I would say, but outside of Leatherheads, the guy has delivered. His next project might be another win for the Cloonster and he’s bringing Bill Murray & Cate Blanchett along for the ride.

The movie is called Monuments Men (based on a book of the same name by Robert Edsel) and while it’s another movie set during World War II, this one has a really interesting premise:
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George Clooney’s new film, “The Monuments Men”, is about the true story of looting of artworks by the Nazis, along with Hitler’s reasoning behind this, in his attempt to create the greatest art museum in the world.

This is an issue that is still a major problem today, as people try & untangle the true ownership of many artworks, so anything that gives the story more of a public prominence will hopefully help to raise the profile of ongoing cases.

The film is based on Robert M. Edsel’s book, “The Monuments Men.”

From:
Artlyst

Date: 08 Jan 2012
George Clooney Highlights Stolen Nazi Art
New film “The Monuments Men” starts pre- production in LA

A film directed by Hollywood A- lister George Clooney has started pre- production in LA this month. The film is based on the book “The Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History,” by Robert M. Edsel. It is about Adolf Hitler’s attempts to steal the most important art in Europe and set up the worlds greatest museum, in Berlin. His armies were methodically seeking and hoarding the finest art treasures in Europe. The Fuehrer had begun cataloguing the art he planned to collect as well as the art he would destroy: “degenerate” works he despised. In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors, curators, art historians, and others, called the Momuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture. Focusing on the eleven-month period between D-Day and V-E Day, this fascinating account follows six Monuments Men and their impossible mission to save the world’s great art from the Nazis.

Clooney will be writing, directing and starring in the film, a co-production along with his partner, Grant Heslov. Clooney stated at the Palm Springs Film Festival on Saturday; “I’m excited about this project, It’s a fun move because it could be big entertainment. It’s a big budget, you can’t do it small, it’s la anding in Normandy.” “I’m not opposed to doing a commercial film, I’m just opposed to doing a commercial film that doesn’t feel organic to me. So if we’re going to do a commercial film we thought, ‘Let’s do something that seems exciting and actually has something to say.’”
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