March 5, 2013
As the modern globalised world becomes more closely connected, it is in some ways easier than ever, to become a collector of rare & ancient artefacts & amass a sizable collection fairly rapidly. Paradoxically though, it is at the same time becoming harder too, as purchases are subject to ever closer scrutiny.
September 13, 2012 12:13 am
Home isn’t always where the art is
By Peter Aspden
As the drive to reclaim national treasures gathers pace, the restitution debate is growing ever more divisive
It is one of the art world’s greatest paradoxes: while the market for cultural treasures becomes more and more globalised, the clamour for those works to be repatriated to their country of origin becomes ever louder. In theory it has never been easier for museums, dealers and collectors to become international players on the art scene; in truth, it is getting more difficult by the day.
The claims for the restitution of works of art that are said to have been plundered from their native land grow apace. The case of the 10th-century Cambodian statue that was put up for auction last year by Sotheby’s, only to be blocked by a last-minute legal bid for repatriation, is only one recent example.
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