October 11, 2009
Why keeping artefacts locally makes sense to Britain’s Cuture Minister
A number of the arguments for the reunification of the surviving Elgin Marbles are based on the fact that it makes more sense to locate the sculptures close to their original context. The reasons include that of seeing the sculptures & their original location (which they were designed for) only a short distance away from one another, that the sculptures hold more significance to the local community than to people elsewhere & that the sculptures form part of a local sense of identity. The institutions that hold the Parthenon Marbles (& many other similarly disputed artefacts) dismiss such claims as nationalistic, rubbishing the idea that artefacts make any sort of local connection.
Often when new artefacts are discovered, attempts are made to keep them on display locally to where they were found, rather than being moved to a bigger museum further away. The reasons given are generally similar to those given for the Parthenon Marbles. Such cases generally receive positive publicity & support by many who agree that the reasons for keeping the artefacts in the area near where they were found make sense. Many of these campaigns are eventually successful & funds are found to raise money for local museums to keep hold of the treasures. The only difference between cases such as these & those such as the Parthenon Marbles, is that the campaigns are started before the artefacts are ever acquired by the big institutions and that the parties involved are typically all contained within he same country. Apart from this though, there is little difference in the reasoning (if anything the Parthenon Sculptures have a far stronger case in this regard, as they were designed to be seen in a specific context.
From:
Birmingham Mail
Museums launch joint appeal to keep The Staffordshire Hoard in the Midlands
Oct 6 2009MUSEUM bosses and city leaders have launched an appeal to keep the prized Staffordshire Hoard in the Midlands.
More than 36,000 people have queued to see the Anglo-Saxon gold since it went on display at Birmingham Museum and Art Gallery, which extended its opening hours in the gold rush.
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