Showing 2 results for the tag: Toronto Star.

July 13, 2009

The modern enhances the ancient in the New Acropolis Museum

Posted at 12:59 pm in Elgin Marbles, New Acropolis Museum

Rather than trying to compete with or emulate the Parthenon, the New Acropolis Museum instead uses its elegant minimalism to provide the perfect backdrop for the artefacts within.

From:
Toronto Star

Modernity enhances antiquity
Nearby Parthenon inspires reverent tribute to the wonders of Greece’s Golden Age
Jul 11, 2009 04:30 AM
Christopher Hume – Architecture critic

ATHENS – Architectural egotism notwithstanding, who wouldn’t be intimidated by the thought of designing a companion to the Parthenon?

Not Swiss-born, New York-based architect Bernard Tschumi. His New Acropolis Museum, which opened in Athens just weeks ago, sits at the foot of the celebrated site, just 300 metres from the seminal structure.
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February 8, 2009

Ancient artefacts in foreign museums

Posted at 1:37 pm in British Museum, Elgin Marbles, Similar cases

Another review of Sharon Waxman’s new book about the looted ancient treasures from around the world that fill many of the great museums of the West.

From:
The Star (Toronto)

That which was stolen shall be returned
The complex story of the fate of ancient artifacts in foreign museums is packed with smugglers, intrigue and Imperialism
Feb 08, 2009 04:30 AM
Hans Werner

Loot: The Battle Over the Stolen Treasures of the Ancient World
by Sharon Waxman
Times Books, 414 pages, $33

If you’ve ever stood there awestruck in front of Nefertiti in the Egyptian Museum of Berlin, the Elgin Marbles in the British Museum (London), or the Denderah Zodiac ceiling in the Louvre (Paris), you may get a sinking feeling to imagine them gone, vanished or replaced with replicas. That goal of some powerful people is the subject of Loot: The Battle of the Stolen Treasures of the Art World by Sharon Waxman, a former culture correspondent for The Washington Post and The New York Times. Also the author of Rebels on the Backlot, about the new Hollywood, Waxman presents a lucid and intelligent investigative report into the dilemma of what the great museums of the world are to do in the face of demands to return signature artifacts to the countries of origin.
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