Despite the dire state of Greece’s economy, one of its biggest tourist draws & most recognisable assets is its ancient heritage. Plans to try & monetise these site with commercial filming charges have however met with mixed reviews.

From:
Kathimerini (English Edition)

Thursday February 9, 2012 (18:32)
Ancient treasures to the rescue of Greece’s ruined economy?
By Margarita Pournara

Greece’s Culture and Tourism Ministry last month said it would slash the cost of permits for filming and photographic shoots at more than 100 of the country’s ancient monuments, including the world-famous Parthenon in Athens.

Some foreign reports reacted to the news by saying the Greek government was putting the Parthenon under the hammer. Culture Minister Pavlos Geroulanos tweeted that speculation that the sites would be “rented out” was totally unfounded.
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There were many derogatory comments made, when Greece first announced that it was going to do more to encourage filming on the Acropolis by private companies (for a fee). At the end of the day though, it makes more sense to explore solutions to solve the problems of finding the funds to maintain the sites, than to sit back doing nothing. Greece’s finances are already stretched to the limit – so anything that can help the country in such a situation should be welcomed.

From:
Press Europ

Cultural heritage
How Europe hawks its monuments
8 February 2012
Frankfurter Allgemeine Zeitung
Dieter Bartetzko

As Greece pimps its ancient monuments to bring in the tourists, lovers of cultural heritage are up in arms. But the country is only doing openly what the whole of Europe is: looting historic sites to drum up more ready cash.

Disparaging comments went to press practically before the Greek government spokesman had even reached the end of his declaration that the country’s ancient monuments would be used in future for commercial purposes. The Acropolis is thus to become a stage for advertisements and action movies; the Athens’ Agora, birthplace of parliamentary democracy, a playground for fashion shows and 007 stunts; and the Kerameikos, the nearly three-thousand-year-old cemetery, will become the backdrop for commercials featured perfumed sex maniacs touching themselves in their sleep. That’s more or less the future for Greece’s ancient cultural heritage in the looming shadow of the European financial crisis, as cultural pessimists paint it.
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Quite aside from all the other ethical issues about purchasing ancient artefacts on the black market at bargain prices, there is also a high chance, that you might not get exactly what you thought you were paying for. Quite why people think that someone who would loot ancient sites is likely to be true to their word, in what they claim something is is another matter.

One also has to ask, how someone expected to pass off as legitimate, exact copies of works from a major museum.

From:
BBC News

3 April 2012 Last updated at 16:23
‘Ancient’ Greek statue found in sheep pen is fake

An “ancient” Greek statue found in a sheep pen north-west of Athens last week has now been deemed a fake.

At first, archaeologists at Greece’s Culture ministry thought the figure of a woman dated from the 6th century BC.
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Once again, the dimming of the lights on the Acropolis in Athens is one of the highlights of Earth Hour, an event organised by the WWF & celebrated around the world.

You can view some before & after pictures of the event here.

From:
Guardian

Earth Hour will be watched over from space as the lights go out
Adam Vaughan
guardian.co.uk, Friday 30 March 2012 14.46 BST

Earth Hour, the environmentally symbolic annual switch-off of lights for one hour this Saturday night, is to extend into space this year, with the International Space Station taking part for the first time. A post-Gadafi Libya will also be a newcomer to the event.

The Dutch astronaut André Kuipers, who this week oversaw the trickier task of receiving supplies from one of Europe’s unmanned spacecraft, will share photos of Earth and live commentary as landmarks from the Eiffel Tower to the Sydney Opera House switch off their lights. WWF, the event’s organisers, say this year will see record participation, with 5,411 cities and towns, and 147 countries taking part, up from 5,251 and 135 in 2011.
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More coverage of the decision by Greece to reduce the costs for filming permits at the country’s ancient sites.

From:
Kathimerini (English Edition)

Greece cuts filming costs at Acropolis
Thursday, January 19, 2012
By Natalie Weeks

The Acropolis, Greece’s star attraction for 2,500 years, may be preparing for a bigger role.

The Greek government lowered the permit costs this month for using archaeological sites and museums for film crews to 1,600 euros ($2,039) a day from as much as 4,000 euros in a 2005 pricelist, and for professional photographers to 200 euros from 300 euros, according to the Culture and Tourism Ministry. Historical spots include the Acropolis, which houses the Parthenon, and Delphi, home of the ancient oracle.
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Despite the way that this was reported as hiring out ancient artefacts in many new sources, the actual story is that the cost of permits for professional filming on the Acropolis are to be reduced. The permits already exist, it is just that the cost will be less than previously.

From:
Greek Reporter

Debt-Riddled Greece Will Lease Acropolis For Commercial Exploitation
By Stella Tsolakidou on January 17, 2012

In a move bound to leave many Greeks and scholars aghast, Greece’s Ministry of Culture said on Tuesday it will open up some of the debt-stricken country’s most-cherished archaeological sites to advertising firms and other ventures.

Leasing the Parthenon through the taxation of photo and cinema shoots seems to be one of the top priorities for the Greek government, in order to raise money and tackle the debt crisis threatening the country with default.
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Nashville has the only accurate full size replica of the Parthenon anywhere in the world (although it looses a lot from lacking the context of the Acropolis to surround it). A new exhibition there, looks at some of the history behind this monument.

From:
News Channel 5

Exhibit Exploring Parthenon’s History Opens Tuesday
Posted: Nov 08, 2011 12:22 PM GST Posted: Nov 08, 2011 12:22 PM GST

NASHVILLE, Tenn. – A new permanent exhibit exploring the Parthenon’s history will open on Tuesday.

It houses artifacts from the 1897 Tennessee Centennial Exposition, which is when the Parthenon was first built out of plaster and wood as the Fine Arts Building. After the Exposition, which celebrated Tennessee’s hundredth year as a state, the Parthenon was in danger of being torn down.
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Although most of the sculptures from the Acropolis have already been removed & replaces with replicas, with the originals in the Acropolis Museum, there are still a small number of pieces that are still in the process of being removed to be eventually relocated indoors away from the damaging effects of pollution.

From:
Agence France Presse

Zeus and Hera leave Acropolis for safe-keeping: official
(AFP) – Aug 27, 2011

ATHENS — A sculpture depicting Zeus and Hera, king and queen of the ancient Greek pantheon of gods, has been permanently removed from the Acropolis in Athens for safe-keeping, a project supervisor said Saturday.

The sculpture — one of the last of the original decorative pieces adorning the 2,500-year-old Parthenon temple — will be showcased in the Acropolis Museum in Athens and will be replaced by a copy, architect Vasso Eleftheriou said.
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William St Clair, Author of Lord Elgin and the Marbles, is giving the 21st annual Runciman lecture at Kings College London tomorrow.

From:
Kings College, London

21st Annual Runciman Lecture
Thursday 2 February 2012
Great Hall, Strand Campus, 18.00
Looking at the Athenian Acropolis: from modern times to antiquity
Speaker: William St Clair

William St Clair will discuss the ways in which the Acropolis has historically been interpreted by three main constituencies, the people of Athens, visitors from abroad, and those who only saw Athens in their imaginations with the help of pictures. Beginning in modern times when current viewing conventions were invented, and going back through chronological layers, he suggests how his approach can improve our understanding of how the Acropolis was understood in antiquity.

His starting point is that it was the viewers who made the meanings.
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Despite their time on the monument (& the fact that for years, people have perceived them in their pure white form), traces of the original colouring from the sculptures on the Parthenon are still visible.

From:
Athens News Agency

06/14/2011
Traces of the Parthenon’s colourful past

(ANA-MPA) — An inset shows traces of mustard-coloured paint on the eponymous Lion’s Head pediment that was removed from the Parthenon’s northeast side on Friday 9 June 2011. The pediment was removed from atop the celebrated Classical Era ancient temple for restoration. The Parthenon was painted in bright colours during antiquity, as were most ancient temples, a far cry from the ubiquitous sun-baked and bare marble columns and friezes usually associated today with the Greco-Roman era. ANA-MPA/ORESTIS PANAGIOTOU

The Acropolis in Athens is now going to be open for longer. It is already better than it used to be though, as I remember visiting it in the 1990s, when it seemed that it was barely open in the afternoons during the winter months.

From:
The Independent

Longer opening hours for Athens Acropolis
AFP
Saturday, 21 May 2011

Greece is to extend the opening hours of the Acropolis in Athens due to public demand, Culture Minister Pavlos Geroulanosin announced Thursday.

The site will open from 8:00 am (0500 GMT) to 19:00 pm (1600 GMT) year-round after staffing changes prompted by a restructure of the country’s public bodies.
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Apostolos Santas became famous in 1941, when he tore down the Nazi flag that had been raised on the Acropolis in Athens.

From:
Athens News Agency

Resistance figure Santas dies
06/13/2011

(ΑΝΑ-ΜPA) — One of the two men who secretly climbed atop the emblematic Acropolis Hill in central Athens and took down the Swastika in the early morning hours of May 31, 1941 – a defiant and extraordinarily symbolic act of resistance at the beginning of the Axis occupation of Greece (1941-44) – died on Saturday at the age of 89.

Apostolos Santas passed away in Athens.
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