A great mind, as a barrister he defended numerous cultural property cases

I was very sad to hear yesterday of the death of Professor Norman Palmer.

I have met him numerous times, both at conferences and other events relating to cultural property restitution, as well as sitting on the opposite side of the table from him, as part of the group interviewing a team about their suitability for representing Greece in the case to reunify the Parthenon Sculptures.

Readers of this site may be most familiar with him as part of the team with Geoffrey Robertson and Amal Clooney that met with the Greek Government in 2014. Palmer was also well known within the sphere of cultural property restitution for chairing the Human Remains Working Group, whose work eventually led to the change in UK law allowing the repatriation of human remains to indigenous peoples in Australia and elsewhere.

He advised governments and international bodies on the drafting of new cultural property laws and was instrumental in the resolution of various cultural property disputes. He was also a great supporter of mediation and other out of court settlement methods for cultural property disputes.

Immensely knowledgeable, Norman’s academic credentials added gravitas to any team he was a part of. He will be sadly missed.

Professor Norman Palmer QC

From:
Institute of Art and Law

In Memoriam – Norman Palmer QC CBE
Posted on: October 5, 2016 by Alexander Herman

We are sad to announce that the Institute of Art & Law’s Academic Principal, Norman Palmer QC (Hon) CBE, has passed away. Norman was the guiding light of this organisation ever since its beginnings over twenty years ago. Along with his wife, Ruth Redmond-Cooper, he made the IAL what it is today. He provided countless hours of instruction to hundreds of students and will no doubt be sorely missed by all. His wisdom and intellectual curiosity led to the publication of foundational tomes, including Palmer on Bailment, Art Loans and Museums and the Holocaust, as well as dozens of articles in the area of art and cultural property law.

And some more details about him and his career.
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A moot court is being held at Monash University in Melbourne to discuss the issue

A moot court (AKA mock trial) is being held at Monash University in Melbourne. The title is: Greece v UK: The Parthenon Marbles Case. The event is jointly organised by the Hellenic Australian Lawyers Association (HAL) and Monash Law School.

Please the link here to reserve tickets if you are planing on attending.

Greece V UK – The Parthenon Marbles Case moot court flyer

From:
Trybooking

HAL (VIC) – Greece v UK: Parthenon Marbles Case
19 Oct 2016

Description

Greece v UK: The Parthenon Marbles Case – moot court and panel discussion

This year marks 200 years since the British Government controversially purchased the Parthenon Marbles from Lord Elgin and displayed them in the British Museum. The longstanding legal and diplomatic dispute about who owns them – Greece or the UK – continues to this day.
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Reunification of the Parthenon Marbles: breaking the deadlock?

Dr Tom Flynn of the British Committee for the Reunification of the Parthenon Marbles is giving a talk at the University of Geneva on 15th September. The talk is titled: The reunification of the Parthenon marbles and the role of cultural diplomacy in breaking the deadlock – Will we have to wait another 200 years?.

Find out more at the Facebook page for the event here.

Flyer for talk at University of Geneva by Tom Flynn

From:
Event Facebook page (google translated)

Reunification of the Parthenon Marbles: breaking the deadlock?
15 September at 19:00–21:00
Université de Genève – Uni Bastions

As part of the British Parliament’s vote bicentennial deciding to entrust the Parthenon Marbles in the British Museum, the Swiss Committee for the Return of the Parthenon Marbles is pleased to invite you to the conference at the Law Centre of the art of the University of Geneva and the European Centre culture:

“The reunification of the Parthenon marbles and the role of cultural diplomacy in breaking the deadlock – Will we have to wait another 200 years?”
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Why do we feel other countries should share their culture, but then place bans on the export of our own

Institutions like the British Museum, along with much of the British Press, regularly denounce as cultural nationalism, claims by countries such as Greece and Egypt that looted artefacts should be returned. These countries are castigated for not sharing and they should be proud of the fact that other countries want their heritage, rather than seeing it as something that they want to retain.

When there is a chance of important British works ending up in foreign collections however, we regularly place export bans on them. While we encourage others to share, we are unwilling to do so ourselves. The situation is even more perverse than it first appears though -while the British items up for export are invariably up for sale in a public auction at the request of the current owner, many of the items that others ask to be returned were seized in times of war, or looted and then smuggled into the country without any permission being given.

Every few years a major export ban crops up in the news. Often, it is not even for a work that was originally British (such as the Picasso in the examples below), but something that we happened to acquire and would like to hang on to. We see something’s existence in Britain as making it a part of our culture, but we decry others for far lesser requests.

Queen Victoria’s coronet, currently subject to an export ban

From:
BBC News

Export ban placed on Queen Victoria’s wedding coronet
28 August 2016

A temporary export ban has been placed on a sapphire and diamond coronet that belonged to Queen Victoria, preventing it from being sold abroad.

The coronet, designed by Prince Albert for their wedding in 1840, is at risk of being exported unless a UK buyer matches the £5m asking price.
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An expanded social media presence

Elginism is now on Instagram.

So, if you use Instagram, why not follow us at @parthenonmarbles.

At the moment, I’ve just uploaded some old images previously posted on Twitter, but there will be more to follow soon.

As a reminder – you can also follow Elginism on Facebook, Twitter and Pinterest too, to make sure you don’t miss the latest news on the Parthenon Marbles and the campaigns for their return. Because its quick to do, I often end up posting on Facebook and Twitter before creating a proper blog post here about developing news items.

A new phase in the ongoing CCAM restoration of the Acropolis site in Athens

Further coverage of the next phase of restoration work on the west pediment of the Parthenon.

The West end of the Parthenon

From:
CTV News (Canada)

Parthenon to get a boost as part of Greek Acropolis restoration
AFP
Published Friday, August 5, 2016 8:09AM EDT

Restoration work on Athens’ Acropolis is set to shift to the west side of the Parthenon under a 40-year-long effort to restore the ancient archaeological monument, officials said Thursday.

“Most of the restoration work was completed in 2015, whereby we fixed the most important and urgent problems,” the head of the operation Vassiliki Eleftheriou told AFP.
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Although many would like them returned, others take a certain pride in the way they have been preserved overseas and feel that they are perhaps better looked after there

This article sums up something that I have noticed hinted at in various previous articles and more specifically in comments on twitter.

Within Britain’s largest museums, there are huge collections of artefacts that were acquired from India in a range of circumstances, some more questionable than others. Many in India justifiably want some of these artefacts returned. Many more however, see the well preserved state of the artefacts in the UK as a contrast to the lacklustre state of many museums in their own country. Still more do not trust the motives of politicians, who they feel want items returned only for nationalist reasons.

I think a lot of the ambivalence to restitution of Indian artefacts perhaps stems from the distrust many have of the government there – endemic corruption potentially puts the items at greater risk if they are returned home. In a perfect world though, when these issues are solved, I would hope that more in India would want to also reclaim their heritage.

Detail from the Amravati Stupa in the British Museum

From:
Indian Express

British museums shine thanks to all the loot from India
Adrija Roychowdhury
Published on:August 15, 2016 12:41 pm

In Britain, a museum visitor from India is suddenly made aware of how his or her past has brutally been ripped away and appended to British history, now on display for tourists from around the world to gloat over.

I first stepped onto the streets of London in the summer of 2015 as part of research work for my Masters thesis. An apt way to describe the city would be to call it a snippet of a dream carefully plucked out from a history book. For someone who was enthralled by the magnificence of British history, London was everything I had read and heard about all my life.
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The long running Acropolis programme of works on the Acropolis site enters a new phase

The current restoration of the Parthenon on the Athenian Acropolis has been ongoing for many years now. This week, the go-ahead has been given by the Central Archaeological Council for works to proceed on the West Pediment.

You can read more about the proposals (in Greek) here.

The West end of the Parthenon

From:
Greek Reporter

Restoration Work on Parthenon’s Western Pediment to Begin
By Kerry Kolasa-Sikiaridi –
Aug 4, 2016

The Central Archaeological Council (KAS) approved on Wednesday two projects for the restoration of the upright marble slabs and background wall of the drum which form part of Parthenon’s western pediment.

According to the researchers who presented the two studies, the work involves rescue interventions aimed at dealing with the problems found by restorers in that section of the pediment – mainly cracks formed by various causes. In the future, the studies could be used to evaluate whether it would be useful to add material in place of the two missing slabs, they said.
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The fact that such a bill has been proposed with cross party support means that whether or not implemented, the appetite for return exists in the UK

The below articles contain further coverage of the Parthenon Sculptures (Return to Greece) Bill currently presented to the UK parliament. Whether or not this bill actually becomes law,, it is indicative that there is cross party support for the restitution of the sculptures. As with many issues in parliament (the EU is one that has been prominent in recent months), those in different parties may support the cause for a variety of different reasons, but the fact remains that they are all supporting the same end goal.

Parthenon Marbles in British Museum

From:
Hyperallergic

British MPs Propose Bill to Return the Elgin Marbles to Greece
by Allison Meier
July 11, 2016

With the 200th anniversary this week of the July 11, 1816 purchase through an Act of Parliament of the Parthenon Marbles for the British Museum, members of parliament (MPs) are introducing a bill that would repatriate the ancient artifacts. Greece has advocated for their return ever since the country’s 1832 War of Independence, but with the UK soon to negotiate its departure from the European Union following Brexit, supporters see this as an opportunity to finally send the sculptures back to their home.

The Parthenon Marbles, sometimes called the Elgin Marbles for Lord Elgin, who sold them to the British Museum, have a contentious and complicated history. The complications stem from the circumstances under which they were removed, and whether that removal under a time of Turkish occupation means they should be returned. The “Parthenon Sculptures (Return to Greece) Bill” asks for “provision for the transfer of ownership and return to Greece of the artefacts known as the Parthenon Sculptures, or Elgin Marbles, purchased by Parliament in 1816; to amend the British Museum Act 1963 accordingly; and for connected purposes.”
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Could Britain leaving the EU lead to the return of disputed Nigerian treasures

Taking a cue from the Parthenon Sculptures (Return to Greece) Bill, and the legal claim inadmissibility, questions are being asked about whether Brexit could be a route to the repatriation of other disputed artefacts in the British Museum. Nigeria has various claims relating to the seizure of artefacts from the ancient kingdom of Benin during punitive raids by the British in 1897.

Benin Bronzes in the British Museum

From:
The Guardian (Nigeria)

Brexit: How hope may rise for Nigeria’s looted artefacts
By Tajudeen Sowole
31 July 2016

If the two centuries of ownership crisis between United Kingdom and Greece, over controversial Parthenon Marbles, is resolved as a result of Brexit, hopes may appear on the horizon for return of artefacts of Nigerian origin incarcerated in the British Museum, London. Currently, what has been described as “a cross party group” of British MPs has reopened bid to return the Parthenon marbles to Greece as part of effort to keep healthy relationship with Athens after Brexit.

Also known as the Elgin Marbles, the objects, which include parts of sculptures and frieze from 2,500 years old of remnant ancient master pieces became subject of ownership tussle after the British government acquired them 200 years ago. The sculptures were originally removed from Parthenon, an ancient edifice in Athens by the seventh Earl of Elgin, Thomas Bruce, who was suspected to have ‘stolen’ the pieces from Greece during Ottoman Empire rule. But the then British Parliament disagreed that the marble pieces were illegitimately acquired.
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Further coverage of the rejection by the European Court of Human Rights of the first case brought there for the return of the Parthenon Marbles

The ECtHR might have deemed one case for the return of the Parthenon Sculptures to be inadmissible, but this doesn’t mean that this is the end of legal battles to secure their return.

Read yesterday’s article for a more in depth understanding of the legal reasons and why these may just be a delay on the road to restitution, rather than a dead end.

The European Court of Human Rights Building in Strasbourg

From:
Greek Reporter

European Court of Human Rights Throws Out First Legal Bid to Return the Elgin Marbles to Greece
By Kerry Kolasa-Sikiaridi
Jul 20, 2016

It has been 200 years since Greece was robbed of its famous marble Parthenon sculptures, known around the world as the so-called “Elgin Marbles.”

Just when it seemed that these 2,500-year-old marbles might actually be returned to their home in Athens, the European Court of Human Rights has thrown out the first ever legal motion to force the UK to return the sculptures to Greece, brought about by the Athenians’ Association.
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Further coverage of the parliamentary bill tabled on the bicentenary of the legal handover of Elgin's sculptures to the British Museum

Further coverage of the Parthenon Sculptures (Return to Greece) bill, currently presented to the UK Parliament.

Part of the Parthenon frieze in the British Museum

From:
Observer

UK Parliament Pushes Bill to Return Elgin Marbles to Greece
By Alanna Martinez
07/15/16 9:08am

For 200 years there’s been squabble over who rightfully owns the world famous Elgin Marbles: the British Museum or Greece? Now, even Brits themselves are pretty sure the answer is “not us.”

The sculptures were taken (or stolen, depending who you ask) from the Parthenon between 1801 and 1805 by Lord Elgin, British ambassador to the Ottoman Empire, and in 1816 they were purchased by the British Museum following parliamentary approval. Earlier this week, a new bill proposed by members of parliament could transfer ownership of the sculptures back to Greece on the 200th anniversary of Britain’s controversial acquisition of the artifacts, reports the Independent.
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