- Elginism - https://www.elginism.com -

NIU Art Museum exhibition – Looting, Hoarding & Collecting

This story interests me, a it shows the growing level of support for re-thinking ownership of disputed cultural property. Gradually, it is becoming harder & harder for museums to just completely ignore the subject & pretend it doesn’t exist.

Miniconjou chief Spotted Elk lies dead after the Wounded Knee Massacre [1]

Miniconjou chief Spotted Elk lies dead after the Wounded Knee Massacre

Rock River Times [2]

NIU exhibit addresses looting, repatriation as they relate to museum collections
April 2, 2014
Online Staff Report

DEKALB, Ill. — The Northern Illinois University (NIU) Art Museum will present Looting, Hoarding, Collecting …, an exhibition curated by students in the Museum Exhibitions and Interpretation class as a part of the Museum Studies Graduate Certificate Program at NIU. This exhibition will be on view in the North and Hall Case Galleries of the NIU Art Museum from April 3 through May 23; a public reception will be from 4:30 to 7 p.m., April 3.

This exhibition explores historic and current issues of looting and repatriation as they relate to museum collections. These issues have just begun to be examined in depth, and continue to challenge museum curators as they attempt to sort through the murky provenance of looted artifacts to determine whether objects should be returned to their original owners.

For example, ethical concerns have been raised recently regarding the return of many Native American artifacts. A specific case of repatriation stemmed from the Wounded Knee Massacre of 1890 in which approximately 200 members of the Miniconjou (Lakota) and Hunkpapa (Lakota) tribes of Cheyenne River Sioux were slaughtered by United States soldiers. In the aftermath of the attack, articles of clothing were cut away from the bodies of the deceased; personal effects and ceremonial items were also stolen from the scene. Over time, these objects have appeared in museum collections in the United States and around the world to document this historical tragedy. Several of the objects in question were eventually tracked down in Washington, D.C., in the permanent collection of the Smithsonian Institution. In light of their horrific provenance, the Smithsonian returned the artifacts to the Cheyenne River Sioux a century after the massacre.

More recently during the 2011 political revolution in Egypt, ancient mummies and other historical artifacts housed at the Egyptian Museum in Cairo were looted or destroyed. Issues regarding the repatriation of some of Egypt’s most coveted antiquities have been raised since before the conflict, as Egyptians have been pushing for the return of the Rosetta Stone from The British Museum since 2003. However, museum professionals have expressed concern regarding the legality of returning artifacts, and these issues have become even more complex in the aftermath of the revolution. As a result, the fate of the Rosetta Stone and other looted Egyptian artifacts remains in question. The ongoing situation in Egypt is just one of the myriad of examples illustrating the challenges affecting repatriation efforts on the part of museums.

The NIU Art Museum is at the first floor of the west end of Altgeld Hall, at NIU, DeKalb, Ill. Hours are 10 a.m.-5 p.m., Tuesday-Friday, and noon-4 p.m., Saturdays. Group tours may be arranged by appointment. For more about exhibitions, visit www.niu.edu/artmuseum.

Posted April 2, 2014