The issue of the Parthenon Sculptures has been relatively static for many years, despite progress made on many other restitution cases during the same time. What was needed is a catalyst to start the reunification process – something that represents a step forward in the situation. That catalyst has now been created in the form of the New Acropolis Museum.

From:
Agence France Presse

New museum for Acropolis
Article By: Helene Colliopoulou
Mon, 29 Jun 2009 07:57

Greece’s Acropolis Museum was finally unveiled this week, an ultra-modern glass building at the foot of the ancient citadel originally intended to be open in time for the 2004 Olympics.

Designed by celebrated Franco-Swiss architect Bernard Tschumi, it offers panoramic views of the stone citadel and showcases sculptures from the golden age of Athenian democracy in the fifth century BCE.
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This week’s Economist has two articles about the Parthenon Marbles. The previous week they featured an archive article from 1983 on the same subject.

From:
Economist

Leaders
Lord Elgin and the Parthenon marbles
Snatched from northern climes
Jun 25th 2009

Greek demands to get back the Elgin marbles risk stopping a better idea: museums lending their treasures

THERE is much to be said for moral clarity. Greece is insisting that the British Museum surrender the marble sculptures that Lord Elgin took down from the Parthenon and carted away in the early 1800s. Anything less, it says, would “condone the snatching of the marbles and the monument’s carving-up 207 years ago.” The Greek demand for ownership will arouse widespread sympathy, even among those who accept the British Museum’s claim to the marbles. With the opening of an impressive new museum in Athens (see article), the sculptures from the Parthenon now have good cause to be reunited, if only for artistic reasons.

But sometimes clarity is self-defeating. A previous Greek administration was willing to finesse the question of ownership and co-operate with the British Museum over a joint display of the marbles. By hardening its position, the Greek government risks driving museums everywhere into clinging to their possessions for fear of losing them. If the aim is for the greatest number of people to see the greatest number of treasures, a better way must be found.
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Few who have been inside the completed New Acropolis Museum would be able to argue that the sculptures could be equally well displayed in any other location outside Athens. Certainly, they may raise other arguments, such as the legalities of ownership, or how the sculptures supposedly form the basis for another institution, but the argument that they are better displayed elsewhere should now be considered irreparably null & void. Nowhere else is it possible to see the sculptures & the building that they were once an integral part of in the same glance. The pattern of light & shadows of the sculptures is replicated, as is the exact original spatial arrangement of them. Only in Athens is it possible to get a tru understanding of the scale & significance of the Parthenon Marbles.

From:
New York Times

Elgin Marble Argument in a New Light
By MICHAEL KIMMELMAN
Published: June 23, 2009

ATHENS — Not long before the new Acropolis Museum opened last weekend, the writer Christopher Hitchens hailed in this newspaper what he called the death of an argument.

Britain used to say that Athens had no adequate place to put the Elgin Marbles, the more than half of the Parthenon frieze, metopes and pediments that Lord Elgin spirited off when he was ambassador to the Ottoman Empire two centuries ago. Since 1816 they have been prizes of the British Museum. Meanwhile, Greeks had to make do with the leftovers, housed in a ramshackle museum built in 1874.
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Further coverage of the grand opening of the New Acropolis Museum. Predictably the British Museum is taking a defensive approach, choosing to try & negate any benefit of the new museum rather than congratulating Greece on this achievement.

From:
ABC News (Australia)

Greece unveils new home for marbles
Posted Sat Jun 20, 2009 1:34pm AEST
Updated Sun Jun 21, 2009 10:23am AEST

A new museum has opened in Athens, with a special gallery in it for the Elgin Marbles.

The marbles are Greek sculptures that were part of the Parthenon, but have been held in London’s British Museum for nearly 200 years.
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Despite many invites being sent to the British Museum & key figures in the British Establishment, it appears that there wil be few official representatives from the UK present at the official opening of the New Acropolis Museum. One would think that if they had such a strong position as they claim, then they would be more than happy to attend such an event rather than shying away from it.

From:
Financial Times

UK absent from Greece’s Acropolis celebration
By Kerin Hope in Athens
Published: June 20 2009 03:00 | Last updated: June 20 2009 03:00

It will be Greece’s smartest party of the summer – a moonlit dinner for 300 international guests on the terrace of the new Acropolis museum.

The list for tonight’s bash includes as many political and cultural luminaries as Antonis Samaras, the culture minister, could muster as Greece raises the stakes in its long-running campaign for the return of the Elgin marbles by the UK.
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Greece has built the New Acropolis Museum to re-house artefacts that there was no space for in the old museum on the Acropolis itself. It is no secret though that the key reason for the museum was to help secure the return of the Parthenon Marbles from the British Museum.

From:
The Australian

Athens builds a home for Parthenon’s marbles
Helen Vatsikopoulos | June 20, 2009

THE New Acropolis Museum in Athens will never become a landmark building. It will not be like Joern Utzon’s Sydney Opera House, its towering tiled sails reaching over the harbour, or Frank Gehry’s Guggenheim Museum in Bilbao, Spain, with colossal steel whorls dominating the landscape.

But the city of Athens already has such a building, Phidias’s Parthenon. He designed it in the mid-5th century BC, funded by a hefty stimulus package to rebuild the archaic temples destroyed by the Persians; it’s still standing. The temple atop the Acropolis hill overlooking central Athens survived virtually unscathed for almost 2000 years, only to suffer its worst damage in the past 400: Venetian cannon balls, Ottoman dynamite, a bad restoration and acid rain have all taken their toll, along with an act of vandalism perpetrated by one man, a British diplomat. More on Lord Elgin later.
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Many of the press in Greece have been producing special features in supplements in the run up to the opening of the New Acropolis Museum. Athens Plus has produced one in English, that gives an overview of many aspects of the museum from its inception & aims to it current realisation. I encourage people to view the original article in PDF form at the web address given below to see the numerous photos that accompany the text.

From:
Athens Plus

Friday, June 19, 2009
New Acropolis Museum opens its doors
Modern building housing thousands of antiquities is finally ready to welcome visitors

After a long wait, the New Acropolis Museum, the most significant landmark to grace the cultural landscape of Athens in years, will open its doors following its inauguration on Saturday.

Priceless artifacts, some of which have been hidden away for years, will be displayed in surroundings especially designed to showcase their splendor. Athens Plus examines the impact of the new museum on the city, the debate about its design, what visitors can expect to see and whether it strengthens Greece’s case for the return of the Parthenon Marbles.

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Christopher Hitchens writes about the reasons why the New Acropolis Museum will be the most suitable location for the display of all surviving fragments of the Parthenon Sculptures.

From:
New York Times

Op-Ed Contributor
A Home for the Marbles
By CHRISTOPHER HITCHENS
Published: June 18, 2009

LONDON — This weekend, the new museum of the Acropolis will open its doors in Athens, in a striking modern building situated at the foot of the rock itself.

For a long time, it has not really been possible for a visitor to Greece to visit the buildings on that most famous of all hills, and also the sculpture that used to adorn them in the days of the cult of Pallas Athena.
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Coverage of the opening of the New Acropolis Museum has now started, with the first opening events beginning yesterday.

From:
Deutsche Presse-Agentur

New Acropolis Museum opens – worthy rival to British Museum (Feature)
Europe Features
By Christine Pirovolakis Jun 17, 2009, 23:56 GMT

Athens – To design a museum that is accessible and welcoming is a daunting task for any architect. To create one to stand at the foot of the Acropolis, revered as one of the great achievements of man, could be considered a nightmare.

In accepting the challenge, Swiss-born architect Bernard Tschumi pulled off an impressive accomplishment – a building that is majestic, while complementing the architectural grandeur of the Parthenon.
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New Acropolis Museum designer Berard Tschumi speaks about his building & why all the surviving Parthenon Sculptures should be reunified within it.

From:
Spiegel

06/16/2009
THE NEW ACROPOLIS MUSEUM
Keeping the Elgin Marbles in London Is Now ‘Untenable’

Swiss architect Bernard Tschumi, 65, designed a new Acropolis Museum for Athens, which will open this weekend. SPIEGEL spoke with him about the end of Great Britain’s argument that Greece has no proper home for the Elgin Marbles.

SPIEGEL: Mr. Tschumi, you’ve designed the new Acropolis Museum, which opens this weekend in Athens about 300 meters from the Parthenon temple, which in turn sits on the Acropolis itself. Your building alludes to the Parthenon. Did the scale of your assignment ever intimidate you?
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Bernard Tschumi describes the New Acropolis Museum as an anti-Bilbao museum, in reference to Frank Gehry’s Guggenheim Museum. This should not be seen as a criticism of Gehry’s work, but more a description of the way in which the two buildings operate. The Gugenheim in Bilbao was all about creating an object, building a new context that would draw people to a relatively obscure Spanish city. The building’s sculptural form is now far more famous than its contents that are of secondary importance for many. On the other hand, the New Acropolis Museum sits in the context of one of the most famous works of architecture in the world – so quite rightly does not try to compete with it. Tschumi’s design is all about the contents of the building – relating these artefacts back to their original context through careful design, in a way that despite its vast physical presence, the building itself fades into the background as a mere framework for the viewing of the pieces within.

From:
Building

A hard act to follow: the New Acropolis
12 June 2009
By Dan Stewart

This is the New Acropolis museum, and it’s located a two-minute stroll from the most famous building in the world. So how did the architect handle that brief?

Bernard Tschumi’s long-awaited New Acropolis Museum is to open this month in Athens. The €130m (£113m) building was first mooted as long ago as 1976, when the first of four competitions was held. In 2000, Bernard Tschumi, a deconstructivist French architect known principally for his Parc de la Villette in Paris, won the fourth, and final brief.
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After eight years of construction, The New Acropolis Museum is now only days away from opening.

From:
GRReporter

All is set for the opening of the New Acropolis museum
05 June 2009 :: 01:07:14
Maria Spassova

A frenzy of preparations are taking place in Athens where in two weeks the new Acropolis museum is going to have its inauguration. There haven’t been so many VIPs visiting and so much media attention centered on the Greek capital since the Olympic games in 2004. The official opening ceremony will take place on June 20, Saturday, at 8:00 PM. 200 persons of highest standing, including representatives of the world political, cultural and academic elite, will be the guests of honor at the ceremony, directed by Atina Tsangari, a name we know from the Summer Olympics in 2004. The event will include cutting the ribbon, a tour around the museum and a cocktail, after which the officials will participate in a sea-row around the Saronic Gulf on a luxury private jet.
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