The British Prime Minster’s comments last week on the return of the Koh-i-noor diamond & the Parthenon Marbles have been criticised by Eddie O’Hara, the chair of the British Committee for the Reunification of the Parthenon Marbles.

From:
Museums Journal

PM’s concept is simplistic and indadequate, say critics
Prime minister David Cameron has been condemned for a lack of understanding following his statement last week about restitution of cultural objects.

Cameron was answering questions on a state visit to the site of the Amritsar Massacre, where British troops killed 379 Indians, when he was asked if he thought that the Koh-i-Noor diamond, which is part of the Crown Jewels, should be returned as goodwill gesture. The prime minister said he didn’t believe in “returnism” and that wasn’t the right approach.

He added: “It’s the same question with the Elgin Marbles and all these other things. I think the right answer is for the British Museum and other cultural institutions in Britain is to do exactly what they do, which is link up with museums all over the world to make our collections – to make sure that the things that we have and look after so well – are properly shared with people around the world.”
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More than sixty years on, vast numbers of artworks looted by the Nazis still haven’t been returned to their original owners (or their descendants). A new database which lists these items hopes to make it a lot easier for people to track them down.

From:
PR Newswire

More Than 10,000 Unrestituted Nazi-Looted Art Objects Now Listed on Internet; Call to Museums, Dealers to Check Holdings
NEW YORK, Oct. 18 /PRNewswire-USNewswire/

The Nazi records and photographs of the looting of more than 20,000 individual art objects from Jews in France and Belgium are now online in a searchable database, which shows that at least half the objects have not been restituted to their original owners. This new listing – searchable by item, artist, owner, and whether items have been returned – should be consulted by museums, art dealers, and auction houses to determine whether they hold any Nazi-looted art, and by families seeking long-lost valuable heirlooms.

Many families know or believe that relatives killed in the Holocaust owned artworks, but may do not know the pieces’ names or artists; this list can help them search family holdings. However, there is no centralized claims process for unrestituted works in this database. Unlike previous attempts to identify looted art, which have focused on museum collections or lists of claims from individual victims or their heirs, this new database aims to reconstruct the totality of what was seized and from whom, as well as what has been restituted, so as to produce a listing of looted art objects still believed to be “at large.”
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