March 29, 2012
Dorotheum attempts second auction of African artefacts – is provenance any better this time?
Viennese Auction House, Dorotheum, last year auctioned an assortment of African artefacts, but questions were raised about the unclear provenance of many of the items.
Another auction is planned this year, but will the provenance of the items be any clearer than at the previous one?
From Kwame Opoku via email.
ANOTHER AUCTION OF AFRICAN ARTEFACTS BY VIENNA AUCTION HOUSE, DOROTHEUM: BETTER PROVENANCES?
Dorotheum, the Viennese auction house, is holding another auction of African artefacts on 2 April, 2012. Readers may recall that in an article entitled Auction of Arican Art by Dorotheum, Vienna. But what are the Provenances of the Artefacts? reference was made to the absence of proper and adequate provenance for most of the artefacts which were part of the African collection of the late Prof. Rudolph Leopold, founder of the Leopold Museum. Museum of Modern Art, Vienna.
The artefacts in this second auction raise the same problems as the first. The provenance given is often extremely vague e.g. from the “collection of a German missionary”, “Belgian collection,” “Austrian collection”, “private South African collection,” etc. This imprecision does not facilitate the determination of the mode of acquisition of the artefacts and their legitimacy. Nor do we have any precise dates. Thus we cannot follow the history of the ownership of the object.
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