Showing 1 result for the tag: Hammurabi.

August 4, 2008

The rationale of non-return of cultural property

Posted at 11:30 am in British Museum, Similar cases

Museums of the west come up with many different explanations to justify why items in their collections should not be returned to the location where they were first (re)discovered. It is stated for instance that the The Code of Hammurabi in the Louvre should not be returned, as the location where it was (re)discovered in 1901 was not the location where it was originally created. This fact is true – the Code was created in Babylon in 1760 BC & at some point in the following six hundred years ended up in the Persian town of Susa. If we apply this rationale however, it is equally legitimate for someone else to take it from the Louvre today with no fear of reprisals. This on case is far from an isolated incident – the details may change in each case, but the overall attitude does not.

From:
Modern Ghana

BABYLON: MYTH AND TRUTH OR SUMMIT OF THE CULTURAL PROPERTY OF OTHERS?
By Kwame Opoku, Dr.
Mon, 11 Aug 2008

The striding and perhaps, growling, lion is surely an appropriate symbol for the power and influence of the three countries, France, Great Britain and Germany at the time that most of the valuable cultural objects were removed from Mesopotamia and other parts of the world.

The objective of the current exhibition (26 June – 5 October 2008) in the Pergamon Museum, Berlin, entitled “Babylon: Myth and Truth”, is, according to the official website, “to explore the myth of Babel and the true facts surrounding the ancient city of Babylon: two worlds – one exhibition”. (1) A related Babylon exhibition has already been held in Paris (14 March – 2 June 2008) and another one will be held in London (13 November 2008 – 15 March 2009). The legends and symbolism arising from the myths of Babylon – Sodom and Gomorrah, myths of unrestrained hedonism, Tower of Babel – linguistic multiplicity and confusion, imprisonment and racial oppression, are no doubt very interesting and important and will be discussed by many commentators on the exhibition.(2) Not all visitors to the exhibition may be aware that Bob Marley and the Wailers, echoing Rastafarian beliefs and reflecting the views of many Africans and people of African descent, designated as Babylon the oppressive economic system and political hegemony of the West:
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