Further to my previous post about the wreck of Roald Amundsen’s ship in Canada, the Canadian Heritage organisation has contacted me with updated information about this story.

From:
Canadian Heritage

At its meeting on March 15, 2012, the Canadian Cultural Property Export Review Board reviewed the decision to refuse the export permit for the Maud.

The Board makes decisions on appeals of refused export permits based on criteria of “outstanding significance and national importance,” as per section 11 of the Cultural Property Export and Import Act.

The Board issued the following statement:

“The Board was sensitive to both sides of the story of the Maud and appreciated all the relevant information presented by the expert examiner and the appellant, the Norwegian Embassy. The Board recognized the shared heritage of Canada, Norway and the world, and after careful consideration of the criteria under the Act, determined that an export permit will be granted for the Maud. ”

As a result of this decision, the export permit for the Maud will be issued by the Canada Border Services Agency at the request of the applicant.

In an intriguing case, Norway would like the rights to excavate & remove (to a museum in Norway), the ship of the polar explorer Roald Amundsen. So far, Canada have blocked the requests, as they feel hat the ship is of archaeological significance within Canada & needs a proper study & archaeological survey done before any decision could be made. On the other hand, nobody in Canada has the resources / willingness to carry out this survey – and as each year passes, the ship wreck will deteriorate further as it is battered by the elements in its exposed position on the beach.

Note that since this post was written, I have received updated information about the story, which is posted here.

From:
Nunatsiaq Online

Nunavut March 12, 2012 – 11:53 am
Review board set to hear Norway’s claim to the Maud
“We cannot imagine that there’s anyone who can take over this ship”
JANE GEORGE

It’s been more than 100 years since Norwegian explorer Roald Amundsen sailed the Maud into the western Arctic, where it ended up sinking some years later in the waters off Cambridge Bay.

But the ship is still making waves.

On March 15 Canada’s cultural property export review board will meet in Ottawa to review a previous decision by the Canadian Border Services Agency to deny an export permit to a Norwegian group that wants to tow the half-submerged wreck of a ship off the shore back to Norway.
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More coverage of the research that suggests that the Lewis Chessmen may have originally been carved in Iceland. The relevance of this is of course the fact that the British Museum likes to refer to them as Norwegian Chessmen (to avoid claims for return to Scotland), yet it is clear that nobody knows for certain where they are from originally – in the case of theses objects, their home (inasmuch as it plays a part in their history) has to be seen as the place they were discovered, not the place (now long forgotten) where they originated. Either way, the British Museum should see itself only as a temporarily custodian, rather than the rightful owner.

From:
Scotsman

Mum’s gone to Iceland for Lewis Chessmen
Published Date: 11 September 2010
By JOHN ROSS

BEHIND the great men, there could be a talented woman. Or at least that’s the latest theory about the origins of the iconic Lewis Chessmen.

The Lewis Chessmen, carved about 800 years ago mostly from walrus tusks, had previously been considered of Norwegian origin Picture: PA
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The British Museum has in the past been eager to argue that the Lewis Chessmen are from Norway & therefore neatly bypass any connection that they might have with Scotland (the place where they were discovered – no records exist of them prior to being found on a Hebridean beach in 1831. New research suggests that the British Museum’s statement may be incorrect though & that the chessmen possibly originated in Iceland..

From:
New York Times Blogs

September 7, 2010, 12:30 pm
A New Theory on the Origin of the Lewis Chessmen
By DYLAN LOEB MCCLAIN

The Lewis Chessmen are the most famous and important chess pieces in history. They have a long historical and scholarly record, part of which is that they were made in Norway roughly 800 years ago. But now two Icelandic men are challenging that belief and trying to prove that the pieces came from their country.

The pieces were discovered on the Isle of Lewis, in the Outer Hebrides, Scotland, in 1831 — hence their name. Carved mostly out of walrus tusk, they were found in a small carrying-case made of stone inside a sand dune. There are different theories about how they ended up there, including that they were left over from a shipwreck or that they were stolen and buried on the island and then forgotten.
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In a followup to the story a few days ago about the Lewis Chessmen, the British Museum responds to the criticism, although seems to be missing the fact that the real issue isn’t over technicalities off where the pieces were created, but of the realities of where they were discovered & how the people there see them as a part of their identity.

From:
Press and Journal

MPs hit out at snub to Scots origin of chessmen
British museum project on Lewis artefacts ignores place of discovery
By David Perry
Published: 26/02/2010

A motion which “deplores” the way the Hebridean origin of the fabled Lewis Chessmen has been airbrushed out of a major British Museum project has been put down in the Commons.

Western Isles SNP MP Angus MacNeil has secured the support of two SNP MPs and seven others for his motion, which complains that a poster campaign shows a picture of one of the chess pieces – found buried in sand dunes at Uig, Lewis – with the date AD 1150-1200 and the word “Norway” below it.
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Scottish MP Angus MacNeil is annoyed about the British Museum’s depiction of the Lewis Chessmen as Norwegian with no mention of the fact that they were found in Scotland before ending up in the British Museum.

From:
The Times

February 24, 2010
MPs angered by ‘Norwegian’ Chessmen

The British Museum has been accused of “airbrushing” history after a poster campaign claimed the world famous Lewis Chessmen were from Norway, and failed to mention any connection to Scotland at all.

Angus MacNeil, the Nationalist MP for the Western Isles, wants the posters removed or the reference to Norway replaced by Lewis. Mr MacNeil, who has raised the issue at Westminster, described the promotional campaign as a “total cheek”.
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