More coverage of the acquisition guidelines for US museums, brought in largely to try & avoid repeats of some of the court cases that have occurred in recent years. These are however still only guidelines, so museums are free to ignore them & they don’t apply retroactively.

From:
Artinfo

New Guidelines for Collecting Antiquities
By ARTINFO
Published: June 4, 2008

NEW YORK—After a year and a half of discussions, the Association of Art Museum Directors has announced new guidelines for collecting antiquities, reports the New York Times. The new policy uses 1970, the year UNESCO ratified a landmark convention prohibiting trade in illegal antiquities, as its starting point, saying a museum “normally should not” acquire a work unless it has solid proof that the object was outside of its country of probable modern discovery before 1970, or that the object was legally exported from its country of probable modern discovery after 1970.
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Stricter guidelines have been announced by the Association of Art Museum Directors in the USA. These revised guidelines will not of course apply retrospectively to the huge numbers of acquisitions with which many institutions are filled that took place before these guidelines were implemented.

From:
New Yorks Times

Museums Set Stricter Guidelines for Acquiring Antiquities
By RANDY KENNEDY
Published: June 4, 2008

After a year and half of deliberations, the directors of the country’s largest art museums will announce new guidelines on Wednesday for how their institutions should collect antiquities, a volatile issue that has led in recent years to international cultural skirmishes and several highly publicized art restitution cases.

The Association of Art Museum Directors, whose 190 members also include leaders of Canadian and Mexican museums, says the new policy will probably make it even more difficult for museums to build antiquities collections through purchases or, as is more often the case, through gifts and bequests from wealthy private collectors. But they assert that the change will help stanch the flow of objects illegally dug up from archaeological sites or other places.
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Following the Athens UNESCO conference, Tom Flynn has concluded that litigation may be the only way to make the British Museum take the Parthenon Marbles issue seriously. This echoes the view of various other comentators who have been observing other similar (but successful) cases that have occurred in recent years.

From:
Artknows

Tuesday, April 1, 2008
The Parthenon Marbles: Time to litigate?

The case of the Parthenon Marbles has been simmering away for decades. Every now and then an event occurs which prompts the Greeks to half-heartedly drag it forward onto the media front burner. For a few weeks everyone watches it let off steam until it gradually slides onto the back burner again.

The last time the Marbles issue moved up the news agenda was in 2003, just prior to the Olympic Games in Athens. But thanks to British Museum intransigence (it was also the BM’s 250th anniversary) the Greek appeals came to nothing. Now the temperature has risen once again due to the planned opening later this year (or more likely early next) of the new €94 million Bernard Tschumi-designed Acropolis Museum.
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Many countries (generally most of those whose institutions weren’t involved in signing the declaration) have issues with the “Declaration on the Importance and Value of Universal Museums”, that was issued a few months ago. The declaration favours only seeing one version of history, while ignoring other verions and the original owners.

From:
People’s Daily

Last updated at: (Beijing Time) Wednesday, January 22, 2003
Foreign Museums Refuse to Return Cultural relics, Chinese Experts in Action

On 10 December, 2002, eighteen major museums and research institutes of Europe and America, including the British Museum and the Louvre Museum, jointly signed a Declaration on the Importance and Value of Universal Museums (hereinafter referred to as “Declaration”), which opposes returning art works, especially ancient ones, to their original owners.

On 10 December, 2002, eighteen major museums and research institutes of Europe and America, including the British Museum and the Louvre Museum, jointly signed a Declaration on the Importance and Value of Universal Museums (hereinafter referred to as “Declaration”), which opposes returning art works, especially ancient ones, to their original owners.
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