Showing 2 results for the tag: The Scotsman.

December 14, 2014

Against return of Marbles to Greece, but against loan to Russia

Posted at 9:18 am in British Museum, Elgin Marbles

Neil MacGregor believes that everyone, Greeks & British alike, should be enthused with his decision to loan a Parthenon Sculpture to Russia.

It seems though, that even those who have in the past argued against the return of the sculptures to Greece, also believe that the loan to Russia is ill thought out.

Visitors look at a sculpture from the Parthenon marbles at the Hermitage in St Petersburg, Russia

Visitors look at a sculpture from the Parthenon marbles at the Hermitage in St Petersburg, Russia

From:
The Scotsman

06 December 2014
Comment: Elgin marbles are not political pawns
by TIFFANY JENKINS

“A HIGHLY provocative, unfortunate and very rude gesture”, is how David Hill, from the campaign to return the Elgin Marbles to Greece, described, on the Today programme, the loan of one of the sculptures to the State Hermitage Museum in Russia.

It’s not often news about old marble hits the headlines, but these 2,500-year-old sculptures, taken by the Scot, Thomas Bruce, seventh Earl of Elgin and 11th Earl of Kincardine, are exceptional – the greatest works of art in human history.
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July 11, 2012

Giovanni Battista Lusieri – Lord Elgin’s artist’s works go on display in Edinburgh’s National Gallery

Posted at 1:14 pm in Elgin Marbles, Events

Giovanni Battista Lusieri is famous to many as the artist employed by Lord Elgin, who was instrumental in the process of removal of the marbles from the Parthenon.

Originally, Lord Elgin had considered a number of possible artists for his trip – one of who was the (then not so famous & therefore deemed unsuitable for the role) J M W Turner. Lusieri ended up with the job & produced many sketches & paintings of the Parthenon both before & after the removal of the marbles. He stayed in Athens long after Lord Elgin had left & all of the works from this period were unfortunately lost at sea, when the ship carrying them, the Cambria, was wrecked off the coast of Crete in 1828.

A new exhibition looks at some of his other paintings which have survived however – from this one might get an idea of how the works made in Athens would have looked.

From:
Financial Times

July 1, 2012 7:05 pm
Expanding Horizons: Giovanni Battista Lusieri and the Panoramic Landscape, Scottish National Gallery, Edinburgh
By Jackie Wullschlager

This is the first show devoted to the once sought-after painter of monuments and volcanos

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