Despite previous contradictory statements, Greece is still motivated to pursue legal action if required

Further coverage of the statements by Greece’s Culture Minister, re-asserting the country’s willingness to follow a legal route over the Parthenon Marbles. This route is not their first choice, but will remain as an option if other efforts fail.

Part of the Parthenon frieze in the British Museum

From:
Newsweek

Greece Looks To Forge New Alliances To Win Back Elgin Marbles
By Elisabeth Perlman On 5/9/16 at 5:58 PM

The Greek government is not giving up in its quest to reclaim the Elgin marbles from the British Museum, where they have resided for almost two centuries.

Greece hopes that forging new strategic alliances might engender change. One option is to take the British Museum to the European Court of Human Rights (ECHR). Alternatively, the southeastern European country could appeal to the United Nations Educational, Scientific and Cultural Organization (UNESCO) and apply for an advisory judgment from the International Court of Justice (ICJ) in a bid to win back the marble statues.
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Further coverage of the announcement by the Greek Ministry of Culture that they are not planning on taking legal action over the return of the Parthenon Marbles.

One thing that strikes me with all this coverage, is that the papers are essentially making full page stories from the short piece in Το Βημα – There is no more detail contained in any other stories other than speculation & interviews with others outside the process, on what their opinions on it are.

A metope from the Parthenon Sculptures, currently in the British Museum

From:
To Bhma

Xydakis: “We will not claim the Parthenon marbles via the courts”
The Alternate Culture Minister explained that politics and diplomacy must be used instead
Wednesday, May 13, 2015

The Alternate Minister of Culture Nikos Xydakis announced that the Greek government will not be seeking the return of the Parthenon marbles via the courts, but rather via political and diplomacy.

Mr. Xydakis, who spoke to Mega Channel on Wednesday morning, noted that Amal Clooney, of the Doughty Street Chambers legal firm, will be providing legal advice on the matter.
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An interesting story about how the archaeological museum of the University of Pennsylvania led to modern treaties on acquisition of unprovenanced artefacts – and how the artefacts that started the story are now returning to their presumed original home.

From:
Newsweek

Who Owns Antiquity?
Sep 10, 2012 1:00 AM EDT
Two U.S. museums wrestle with the provenance question.

In 1966, curators at the archaeological museum of the University of Pennsylvania bought a pile of gorgeous Bronze Age jewelry from a Philadelphia dealer. They couldn’t know their purchase would change how museums work.

The 24 gold objects had come to Penn with no trace of where they’d been unearthed, or how. That left scholars there without much clue about why and when the gold had been worked, or by whom— and with the suspicion that it had been dug up by looters. Frustrated, they decided to take steps to prevent this kind of “homelessness” for other antiquities. In 1970, they issued a declaration (a Philadelphia tradition, after all) insisting that the Penn museum would no longer acquire ancient objects whose history could not be properly tracked. Later that year, a UNESCO convention on cultural property suggested the same rule for all other museums, and since then, reputable institutions have pretty much toed that line.
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The New Acropolis Museum opens later this month, but opinion remains divided on whether the Elgin Marbles ought to eventually reside in it.

From:
Newsweek

Romancing the Stones
By Cathleen McGuigan | NEWSWEEK
Published Jun 6, 2009
From the magazine issue dated Jun 15, 2009

It’s not polite to call the Elgin Marbles the Elgin Marbles anymore. Not even in the British Museum, where the ancient Greek sculptures and reliefs have resided since the early 19th century, after a British ambassador to the Ottoman Empire named Lord Elgin hacked them off the Parthenon. Even in that age of imperialism, many Brits saw Elgin’s acts as cultural vandalism. Lord Byron slammed the marbles’ removal in his bestselling epic poem Childe Harold’s Pilgrimage. The call for their return has grown since Greece won its independence from Ottoman rule in 1829, led by the Greek government in particular since the 1980s. In the noisy debate over the restitution of ancient artworks to their original locale, no case is more controversial or inflamed than the question of the Parthenon marbles: should the British finally send them back?
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